One Million B.C.

I just watched One Million B.C. I hadn't seen this in sixty years and it certainly brought back memories. I remember seeing it at the Rialto Theater in Cedar Rapids, Iowa. But no one called it the Rialto, everyone called it the Rat Hole. Why? Because rats ran across the floor in the dark, bats swooped down from the ceiling, and poor old winos slept and snored in the back row. Decent people didn't go there.

But on Saturday afternoons, kids took over the place to watch four to five hours of movies, cartoons, and 1930's serials -- which even by 1953 standards were corny – all for only 15 cents. I don't remember that any of us ever questioned whether we were decent people or not; the popcorn was great. How the winos could sleep with all the noise I have no idea. Child audiences were highly proactive with what was going on up on the screen.

It was safe then for kids to ride their bikes downtown. And every Saturday afternoon that place was packed. The winos never bothered us, and we'd never heard of child molesters. All we knew was not to accept candy from strangers and since no one ever offered us any, we all felt safe.

This movie stuck in my mind because it was unlike anything I'd ever seen. At ten years old it fulfilled my every dream of adventure ... dinosaurs, volcanoes, ancient peoples, jungles, snakes and morals that we could all understand and appreciate: It's better to be kind and unselfish than to be mean and brutal. I'd highly recommend this film but only if you think back to when you were 8 – 11 years old and watch it as you would have then. Even if you find it a tad corny, the child in you will love it.

Just watched this classic Hal Roach production on the TCM site. It's the story of a man and woman and how they get their previously enemy tribes together. Actually, what I just said made the movie sound simplistic which, despite the prehistoric setting, it's not. In fact, I was surprisingly enthralled by the story, the acting of Victor Mature and Carole Landis (though Ms. Landis is also good eye candy), the fights of the "dinosaurs" (actually lizards, alligators, and armadillos), and the exciting special effects concerning the volcano eruption. Roy Seawright deserves mega-kudos for that last sequence and possibly for Mature's fight with what looked like a model dinosaur worthy of Willis O'Brien. Also loved the music score that was played throughout. That score might have broken whatever monotony the slower scenes may have had. So with all that said, I'm recommending One Million B.C. for anyone interested in these old-fashioned effects movies.

My brother and I first saw ONE MILLION B.C. in the 1960's. It was always shown in our area as part of a one (1) week Halloween celebration on the local channel. We liked it then and I still think highly of it now. This is a fun and for its subject matter gentle film and find it more enjoyable then the technically superior Ray Harryhausen remake. It is very easy on the eyes in B&W compared to the rather harsh color of ONE MILLION YEARS B.C. It also boasts a very enjoyable and sentimental musical score.

The acting is credibly done to the level of the subject matter. Mr. Chaney, Mature and Ms. Landis are not performing RICHARD III. We believe in their characterizations because they are sincere and not over the top. The Special Visual Effects of course could have used Willis O'Brien (yes, we knew they were lizards even back then in the 60s) but there are several convincing scenes. The drift down the river with various creatures in the background, the march through the jungle pursued by what appears to be a Armadillo, duel of the dinosaurs in the desert and finally the Volcano and the saving of the Shell People. All are well mounted and succeeded in their intent which we don't believe was to scare the audience but to involve them in the story line. You wanted these characters to succeed against nature and each other.

So take a chance on this one (1). In fact watch both versions and I bet you will come back with a better appreciation of what the Hal Roach Studio presented. Hopefully they will reissue (restored) on DVD. It needs it badly since like KING KONG it suffered much in re-releases and sale to television and bits and pieces that have been grafted into so many 1950's horror/sci-fi films. Like THINGS TO COME it would be nice to see it in its original premier release.

I believe I saw One Million B.C. at the old Rialto Theater in New York City 65 years ago. "B" films always premiered at this small cinema, i.e., the Laurel & Hardy films were shown first here, along with others. Anyhow O.M.B.C. was a surprise hit in 1940. The special effects were crude compared with today, but nevertheless, they were well done for the period and all in all the film holds up very well today. The animal/"dinosaur" sequences are exciting: woolly mammoths, alligators with sailfins attached to resemble prehistoric Dimetrodons, the Rock People fighting hand to hand with horned animals -- all well done. Lon Chaney, Jr. has his best role (except perhaps for Lenny Small in Of Mice and Men) as the bullying, tyrannical leader of the Rock People that gets his comeuppance, Victor Mature, good as his son and the beautiful and athletic Carole Landis, an ideal cave-girl. Incidentally, I'd take Carole any day over Racquel Welch in her remake, One Million Years B.C.

The creatures are of course live, and recognizable as today's animals, despite attempts to disguise them. To me, the fact that they are living creatures adds excitement, whereas we know today's special effects, good as they are, are still only someone's artificial creation. The fight between the Dimetrodon (alligator) and the lizard is rousing and bloody and the finale "leecha" sequence --the giant dinosaur besieging the Shell People, provides excitement and is also well done.

Last but definitely not least, we should not forget the splendid musical background score for the film. While I give the 1940 One Million B.C. a 9 rating our of 10, the music deserves a 10 out of 10.

I really enjoyed this movie as a kid, and it's still fun today. The dinosaur special effects were advanced for its day, and frequently "borrowed" by later films. The music score was nominated for an Oscar, and quite impressive. And Carol Landis was a babe!