Popeye Meets William Tell

When this show was on I watched it every time I could! I thought that the characters were really funny and all had great personalities. The animation in My opinion was crisp, clean, and really clear. Not to mention beautiful! Most of the characters in this show are hilarious like the Looney Tunes characters that we all love. in My opinion these characters are the funnies and talented ever seen. In fact, The things that goes on in this series' cartoons are in My opinion nuts which that is what makes them hilarious! There are so many to like and laugh at and the silly things they do! If you like the original Looney Tunes then I strongly recommend that you watch this show!

Popeye Meets William Tell is one of several animated shorts in which our favorite sailor meets with a classic literary or folktale character. In this one, Popeye pretends to be Tell's son after the king demands to see William's arrow-through-apple trick. There's some chuckle-inducing banter about who should hit whom. There's also a funny gag involving a photo of Groucho Marx with his trademark "moving eyebrows" and some choice "anti-smoking" punchlines that might amuse some PC watchers though some of the results may also make them cringe. Nonetheless, I enjoyed this one Popeye cartoon that James "Shamus" Culhane directed and recommend it to any of his fans.

Popeye encounters William Tell who is bitter after just shot his son under an apple last week. He opens a locket to reveal his son as Groucho Marx. The King demands everyone to bow down before him. Popeye complies but William Tell refuses. The King orders William Tell to shot an apple off his son's head. Popeye pretends to be the son and the first arrow hits him in the chest.

I don't really care about this William Tell character. I may like him more if he's sad rather than angry. I'm not sure that Popeye would volunteer to be his son although I do like the ending. At least, this is doing something different with Popeye.

Because William Tell has lost his son in a shooting accident, Popeye substitutes for the lad when Tell is ordered to shoot an apple off his son's head.

Dave Fleischer is credited as the director, but it's Shamus Culhane who does the honors. It shows with a fluid and clean style of animation unusual for the series. The gags are also unusual, with the King's soldiers looking like and behaving like Keystone Kops, and a lack of the small gags that usually filled the Popeye cartoons.

The Fleischers' studio was busy with the aftermath of their first feature, GULLIVER'S TRAVELS, and the forthcoming MISTER BUGS GOES TO TOWN. In fact, the new series started at this time showed the same streamlined work.

'Popeye Meets William Tell' is something of a change of pace for the Popeye theatrical series, certainly at this point. And it is not just because it is one of the ones concerning Popeye's endeavours with real life/literary characters (others in the series including Sinbad and Rip Van Winkle). It is even more so interesting for being one of the few Popeye cartoons to not feature any other, besides Popeye, single regular/recurring character, is wackier than the usual Popeye cartoon at this point and one of the few to have a message of some kind.

Despite not being close to being one of my favourites of the series or of the work Fleischer Studios did overall, 'Popeye Meets William Tell' does a nice job with its premise, is very entertaining and is quite interesting. It may not be a great cartoon, or one of the series' funniest or most imaginative, but 'Popeye Meets William Tell' was interesting and entertaining to see such a wacky, more absurd to usual side to the character and the series.

Of course it is far from perfect. Do agree about an explanation for why Popeye was in England and during this period being necessary, and do think that it was a shame that that wasn't explored as it would have made things a little less absurd than it turned out. While the wackiness was generally fun, the action did get a little too weird in spots from the silliness going into overkill.

It is agreed too that 'Popeye Meets William Tell' could have done with more laughs. It's certainly not devoid of any but there are not many that are that inspired or hilarious.

On the other hand, the animation is neatly and expressively drawn (especially with Popeye) and still very much like the work that goes into the backgrounds. The music, appropriately like its own character, is as beautifully orchestrated and characterful as ever. 'Popeye Meets William Tell' is far from flawless in the humour, but the snappy asides are very funny and the sight gags generally are fun, such as the photo of Groucho Marx one and the arrow scene.

The story is not great by any stretch, but it did interest at least and had a lot of energy. Had never seen William Tell portrayed this way, more exaggerated than the usual noble character he's portrayed as (i.e. Rossini's opera) and his interaction with Popeye is wonderfully sharp and wacky. The voice acting is on point. The anti-smoking message is not laid on too thick and very ahead of the time at this point, at a time where smoking was even more common than it is now. Being a non-smoker and someone who personally hates it, it was appreciated.

Concluding, a little overkill on the weirdness and silliness but mostly very entertaining with quite a number of interest points. 7/10.