The Invaders

Emeric Pressburger wrote the book which inspired this movie called " 49th Parallel " or 'The Invaders' and which was later directed by Michael Powell, neither could have dreamed, such a small movie could have ever garnered such world wide attention. From it's inception to the finished scene, one is impressed by the remarkable journey of the main characters and their trek through the rugged Canadian wilderness. That journey begins when a German U-Boat surfaces in the waters of Canada. Stopping for supplies, the Submarine is suddenly attacked by the Canadaian military and within minutes is sunk. Only a handful of men escape and they proceed to the interior of the country where they hope to be rescued by German compatriots. all the while they kidnapped, maim and murder anyone who confronts their Nazi Philosophy. Throughout the rest of the movie the Germans which include their leader try to blend in wherever they travel weather it be through religious settlements or high mountain campsites. For American audiences, it's disturbing to visually search for the international actors like Laurence Olivier, Leslie Howard and Raymond Massey scattered throughout the film. Still, it's worth it as they do so well at keeping our interest glued to the screen. It's also noteworthy to learn the film and it's author as well as the director secured a multitude of awards. Therefore, the movie is easily recommended to any and all seeking entertainment. ****

Released a couple of months before the bombing at Pearl Harbor, this is a propaganda film aimed at rallying the world against the Nazi threat. After a disjointed start, it slowly gathers momentum and ultimately proves to be a satisfying adventure about a group of stranded Nazi soldiers surreptitiously trying to make its way across Canada. Although Howard, Olivier, and Massey get top billing, they have small roles. Olivier is a hoot as a French Canadian. Interestingly, Vaughan Williams gets above the title billing for his fine score, although it is underused. Powell, working from a script by partner Pressburger, tells the story in a stark, documentary style.

When I first saw the title of this movie, I thought it was about the Korean War. But then I realized it was 1941, and well before the troubles in Korea. The story of this film is interesting because it was seldom done (except for One That Got Away). Canadian WW 2 films on Canadian soil were seldom examined. The cinematography is outstanding, but that should be no surprise as Michael Powell was renowned for his talents. It is interesting to note the attitudes of the times, but a little American propaganda was sprinkled in for good measure. Not too bad a show.

Michael Powell and Emeric Pressberger's artistic collaboration at the start of WWII benefits from a powerhouse cast.

Clearly propaganda, the cast and crew apparently came from all parts of the world to lend their talents for a "mutual cause." With strains of Ralph Vaughn Williams's score woven into the cinematic fabric, Pressberger's elaborate story is expansive and involved.

The Oscar nominated film is worth watching, and it's interesting to see Raymond Massey's speech as a G.I. so very Yank-oriented, without a trace of the mannered style he later acquired. Leslie Howard is well cast as a poetic, philosophical dreamer. However, it's Anton Walbrook who really surprises with an uncharacteristic subtle naturalistic style.

This is apparently the project Elizabeth Bergner used to defect from Germany to the U.S., leaving the film for Hollywood (and Glynis Johns to take over the role). The actors playing Nazis are all quite strong.

I should only like to add to the already comprehensive, very well observed and intelligent review of this film on the previous pages, namely, that the film score by the great Ralph Vaughan Williams should not be left out of any discussion of the picture. As the film starts with the magnificent mountain scenery and Eric Portman's fantastic introductory speech ("shook hands on it and kept it ever since...", "the 49th parallel, the only undefended border in the world...") you seem to be immediately transported into the spirit and persuasion of this exercise in trying to convince all Americans, not just Canadians, that they should join the fight, their place is with all the others, Europeans, British, French, all peoples under the Nazi yoke.