Nancy Peterson and her friends want to get a spot on Bob Crosby's TV show, but their agent has linked them.Nancy Peterson and her friends want to get a spot on Bob Crosby's TV show, but their agent has linked them.Nancy Peterson and her friends want to get a spot on Bob Crosby's TV show, but their agent has linked them.
- Director
- Writers
- Stars
- Nominated for 1 Oscar
- 1 nomination total
Gloria DeHaven
- Hannah Holbrook
- (as Gloria De Haven)
Fred Aldrich
- Man in Bus Terminal
- (uncredited)
Marie Allison
- Showgirl
- (uncredited)
Charlotte Alpert
- Showgirl
- (uncredited)
Suzanne Ames
- Showgirl
- (uncredited)
Joan Arnold
- Secretary
- (uncredited)
Walter Bacon
- Townsman
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I hated this film when I first saw it, perhaps thanks to a truly embarrassing performance from Tony Martin (a good singer but not the world's greatest actor).
Janet Leigh, Gloria de Haven, and Ann Miller want to make it big in show-business, and come through their vaudeville roots to stage a revue that they hope will be taken up by the Bob Crosby Show. There's some pretty good musical numbers along the way but the film creaks and drags badly in some sections (although the girls are consistently good). Crosby has a number all about 'brother Bing' which is fun. And there's a good support role from Eddie Bracken.
On subsequent viewings I have warmed a bit more to 'Two Tickets to Broadway'. It isn't all bad and there are certainly musicals out there which are worse. But I still can't watch Tony Martin in a number in Indian dress without cringing ...
Janet Leigh, Gloria de Haven, and Ann Miller want to make it big in show-business, and come through their vaudeville roots to stage a revue that they hope will be taken up by the Bob Crosby Show. There's some pretty good musical numbers along the way but the film creaks and drags badly in some sections (although the girls are consistently good). Crosby has a number all about 'brother Bing' which is fun. And there's a good support role from Eddie Bracken.
On subsequent viewings I have warmed a bit more to 'Two Tickets to Broadway'. It isn't all bad and there are certainly musicals out there which are worse. But I still can't watch Tony Martin in a number in Indian dress without cringing ...
Old-fashioned without being embarrassing, "Broadway" features Janet Leigh as a sparkling small town lass who moves to the Big Apple to work in theater, falling in league with other young hopefuls and staging their own revue. Not too far-fetched(Carol Burnett did the same thing in real-life)and Janet bounces happily throughout. Not really remarkable, but a nice time-filler. Bob Crosby pokes fun at older brother Bing in the film's most self-conscious moment. **1/2 from ****
Two Tickets to Broadway was to be Howard Hughes's answer to MGM type musicals and in fact he engaged the two leads from MGM, Tony Martin and Janet Leigh. The usual criticism was voiced with Martin being 15 years older than Leigh, but in this case it works because part of the plot is fresh faced Ms. Leigh avoiding being taken in by older Broadway sharpies.
No memorable songs were written by composers Jule Styne and Leo Robin for this film and that's a pity because if a hit had come out of it, the film would be better remembered. Martin, I'm sure realized no hits were coming out of this and he probably had two of his own songs put in there. He had hit records around this time of the Prologue from Pagliacci and There's No Tomorrow (O Sole Mio). He performs them well.
I would love to know if Janet Leigh was dubbed and by who. I don't believe she ever sang in any other film. For that reason I suspect a dubbing if for no other reason that she wouldn't want to be going up against a singer with as powerful a voice as Tony Martin.
Ironic that two of the players in this Ann Miller and Janet Leigh died this year. Nobody had to worry about dubbing Ann Miller in any department. She performs her big number, Let the Worry Bird Worry for You in classic style.
Bob Crosby who by that time was known as the afternoon Crosby because his radio and later TV show came on in the afternoon unlike his legendary brother. Being the Bing Crosby fan that I am, I have a soft spot in my heart for his Let's Make Comparison where he's comparing himself to brother Bing. Bob led a pretty good jazz band at that time and had a modest career in B films.
Eddie Bracken who was so good in his Paramount films was cloying and annoying in this one. His machinations trying to get his clients on the Bob Crosby show were downright stupid here and not terribly funny.
The ending though was an unintentional hoot. Janet Leigh comes from Pelican Falls, Vermont and early in the film she's given a send off by the high school band performing their alma mater song. I thought the ending with the high school band, interrupting Bob Crosby's broadcast to reprise their high school song was ridiculous. Was that Howard Hughes's idea? Well he didn't do as much damage here as he did on The Outlaw.
The film had a lot of potential and it could have been done better even at RKO, but I suspect Howard Hughes meddled a bit too much here.
No memorable songs were written by composers Jule Styne and Leo Robin for this film and that's a pity because if a hit had come out of it, the film would be better remembered. Martin, I'm sure realized no hits were coming out of this and he probably had two of his own songs put in there. He had hit records around this time of the Prologue from Pagliacci and There's No Tomorrow (O Sole Mio). He performs them well.
I would love to know if Janet Leigh was dubbed and by who. I don't believe she ever sang in any other film. For that reason I suspect a dubbing if for no other reason that she wouldn't want to be going up against a singer with as powerful a voice as Tony Martin.
Ironic that two of the players in this Ann Miller and Janet Leigh died this year. Nobody had to worry about dubbing Ann Miller in any department. She performs her big number, Let the Worry Bird Worry for You in classic style.
Bob Crosby who by that time was known as the afternoon Crosby because his radio and later TV show came on in the afternoon unlike his legendary brother. Being the Bing Crosby fan that I am, I have a soft spot in my heart for his Let's Make Comparison where he's comparing himself to brother Bing. Bob led a pretty good jazz band at that time and had a modest career in B films.
Eddie Bracken who was so good in his Paramount films was cloying and annoying in this one. His machinations trying to get his clients on the Bob Crosby show were downright stupid here and not terribly funny.
The ending though was an unintentional hoot. Janet Leigh comes from Pelican Falls, Vermont and early in the film she's given a send off by the high school band performing their alma mater song. I thought the ending with the high school band, interrupting Bob Crosby's broadcast to reprise their high school song was ridiculous. Was that Howard Hughes's idea? Well he didn't do as much damage here as he did on The Outlaw.
The film had a lot of potential and it could have been done better even at RKO, but I suspect Howard Hughes meddled a bit too much here.
The initial commenter wondered if Janet Leigh was dubbed in this film since he couldn't remember her singing in any of her other pictures. Well, she did sing in other films, most notably in "Bye Bye Birdie", and "My Sister Eileen", and while she was not known as an accomplished singer or dancer, she managed to give fairly good performances in both films and to demonstrate a competent ability in numerous guest appearances on variety television programs of the '50's and the '60's. I hope this will help to answer your questions. You might also look at her work in "Rogue Cop", where she plays a singer, and "Walking my Baby Back Home", a musical she made with Donald O'Connor, as well as "Fearless Fagan" where again, she is a singer/entertainer. She speaks at length about her musical experiences in her autobiography, "There really was a Hollywood", and gives a great accounting of her early career.
Howard Hawks and RKO combine to make a MGM musical but fails as this musical lacks pow wow even though Busby Berkeley did some choreography.
Janet Leigh plays Nancy Peterson who leaves her small home town of Pelican Falls to go to New York and make it big on Broadway. She bumps into three out of work showgirls who were on tour with a flop show and now try to get back to New York and they want to give their agent a piece of their mind for leaving them stranded.
The sleazy agent is Lew (Eddie Bracken) who always ducking and diving. He promises a lot and delivers little. He wants to keep hold of his number one talent Dan Carter (Tony Martin) from quitting show business by promising him that he will get him a spot on a television show with musician Bob Crosby but it is more lies. Carter meets Peterson over a suitcase mix up and he teaches her not be taken in by shysters but he himself gets roped in by his agent's outlandish schemes.
The film drags despite a few bright song and dance numbers from the showgirls. A lot of the songs are a dull and the deli store owners and their shtick is interminable.
Janet Leigh plays Nancy Peterson who leaves her small home town of Pelican Falls to go to New York and make it big on Broadway. She bumps into three out of work showgirls who were on tour with a flop show and now try to get back to New York and they want to give their agent a piece of their mind for leaving them stranded.
The sleazy agent is Lew (Eddie Bracken) who always ducking and diving. He promises a lot and delivers little. He wants to keep hold of his number one talent Dan Carter (Tony Martin) from quitting show business by promising him that he will get him a spot on a television show with musician Bob Crosby but it is more lies. Carter meets Peterson over a suitcase mix up and he teaches her not be taken in by shysters but he himself gets roped in by his agent's outlandish schemes.
The film drags despite a few bright song and dance numbers from the showgirls. A lot of the songs are a dull and the deli store owners and their shtick is interminable.
Did you know
- TriviaThe roles played by Charles Dale and Joe Smith were orginally intended for Stan Laurel and Oliver Hardy, who had to drop out of the film due to an illness contracted by Laurel while filming Utopia (1951).
- GoofsWhen Janet Leigh takes the newspaper clipping from her mirror (after seeing Bob Crosby), you can see that the back of the clipping is unprinted.
- Quotes
Lew Conway: I admit I told a few little white lies...
Nancy Peterson: Little white lies?
Lew Conway: All right then, great big purple ones.
- ConnectionsFeatured in Histoire(s) du cinéma: Toutes les histoires (1988)
- SoundtracksAre You a Beautiful Dream?
by Jule Styne and Leo Robin
Details
- Release date
- Country of origin
- Languages
- Also known as
- Drei Frauen erobern New York
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 46m(106 min)
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content