After WW2, ex-mobster war hero Joe Gray goes straight, to the dismay of his New York mob boss uncle who's afraid that his nephew will testify against his outfit before a Grand Jury.After WW2, ex-mobster war hero Joe Gray goes straight, to the dismay of his New York mob boss uncle who's afraid that his nephew will testify against his outfit before a Grand Jury.After WW2, ex-mobster war hero Joe Gray goes straight, to the dismay of his New York mob boss uncle who's afraid that his nephew will testify against his outfit before a Grand Jury.
Phillip Pine
- Louis Barretti
- (as Philip Pine)
Featured reviews
I do not know enough about Joseph Kane, other than he served the Republic Studios for much of his career and directed countless Roy Rogers and Gene Autry Westerns, all of them support features in the 1930s and 1940s.
In HOODLUM EMPIRE, he uses flashbacks and a number of characters to tell the tale of Joe Grey, believably played by the towering John Russell, a former criminal who serves in the US Army in Europe and in the process makes friends of his unit's men, including Brian Donlevy, who plays an untypically good man in the role of Senator Bill Stephens, a crusader against all kinds of illegal trade, right down to slot machines.
Luther Adler steals the show as Nick Nancani, the hoodlum placing those slot machines in all restaurants and clubs in town - Central City, no less - under the name of... Joe Grey, who has decided to cut ties with crime and refuses to have one-armed bandits in his restaurant.
Claire Trevor also does well as the not too pure damsel in love with Grey, as does Vera Ralston as Grey's much purer French wife (her US English accent miraculously unscathed), and together with Rev Simon Andrews (righteously played by Grant Withers) they rescue Grey from the slot machine trap set by Uncle Nancani, to make it look like he had no part in his own shady business empire.
Truth to tell, the script suffers from some unevenness, and the flashbacks do not dovetail credibly, but HOODLUM EMPIRE nonetheless deserves watching. The B&W cinematography is good enough to belie the meager budget. 7/10.
In HOODLUM EMPIRE, he uses flashbacks and a number of characters to tell the tale of Joe Grey, believably played by the towering John Russell, a former criminal who serves in the US Army in Europe and in the process makes friends of his unit's men, including Brian Donlevy, who plays an untypically good man in the role of Senator Bill Stephens, a crusader against all kinds of illegal trade, right down to slot machines.
Luther Adler steals the show as Nick Nancani, the hoodlum placing those slot machines in all restaurants and clubs in town - Central City, no less - under the name of... Joe Grey, who has decided to cut ties with crime and refuses to have one-armed bandits in his restaurant.
Claire Trevor also does well as the not too pure damsel in love with Grey, as does Vera Ralston as Grey's much purer French wife (her US English accent miraculously unscathed), and together with Rev Simon Andrews (righteously played by Grant Withers) they rescue Grey from the slot machine trap set by Uncle Nancani, to make it look like he had no part in his own shady business empire.
Truth to tell, the script suffers from some unevenness, and the flashbacks do not dovetail credibly, but HOODLUM EMPIRE nonetheless deserves watching. The B&W cinematography is good enough to belie the meager budget. 7/10.
Loosely based on the Kefauver hearings investigating organized crime, Hoodlum Empire has a good cast that includes Brian Donlevy, Claire Trevor, Forrest Tucker, John Russell, and Luther Adler. Directed by Joseph Kane. Because it was produced by Herbert Yates at Republic, his wife, Vera Hruba Ralston has a role.
The committee, led by Senator Stevens (Donlevy) has served subpoenas on members of an organization run by Nick Mancani (Adler). They cannot at the moment find Mancani to serve him, but they do subpoena Charley Pignatalli (Tucker) and Joe Gray (Russell).
Stephens and Gray have a history as they served together in World War II. At the time, Joe was a racketeer and in love with Connie Williams (Trevor).
However, Joe meets Marte (Ralston) in France and decides to go straight. He breaks up with Connie, who then becomes involved with Nick, though she never stopped loving Joe. Joe promises Mancani he will never expose him or aspects of his business.
Joe and Marte marry and have two children. Joe becomes a legitimate businessman. What he doesn't know is that Mancani has set Joe up, putting his name on several rackets.
Senator Stevens doesn't believe Joe when he claims to have been framed. The Army Chaplin, Father Simon Andrews (Grant Withers) knows the truth and wants it to be told. Meanwhile, the Mancani group is nervous that Joe will tell what he knows.
Fine performances, but there is nothing exceptional about this film. It has way too many flashbacks. For Republic, this is an ambitious production.
Good but not great.
The committee, led by Senator Stevens (Donlevy) has served subpoenas on members of an organization run by Nick Mancani (Adler). They cannot at the moment find Mancani to serve him, but they do subpoena Charley Pignatalli (Tucker) and Joe Gray (Russell).
Stephens and Gray have a history as they served together in World War II. At the time, Joe was a racketeer and in love with Connie Williams (Trevor).
However, Joe meets Marte (Ralston) in France and decides to go straight. He breaks up with Connie, who then becomes involved with Nick, though she never stopped loving Joe. Joe promises Mancani he will never expose him or aspects of his business.
Joe and Marte marry and have two children. Joe becomes a legitimate businessman. What he doesn't know is that Mancani has set Joe up, putting his name on several rackets.
Senator Stevens doesn't believe Joe when he claims to have been framed. The Army Chaplin, Father Simon Andrews (Grant Withers) knows the truth and wants it to be told. Meanwhile, the Mancani group is nervous that Joe will tell what he knows.
Fine performances, but there is nothing exceptional about this film. It has way too many flashbacks. For Republic, this is an ambitious production.
Good but not great.
Hoodlum Empire - 5/10
Senate committee hearings investigating the gambling rackets threaten the reputation of a former gangster gone good. Capitalizing on the Kefauver hearings, this is a pretty dull story with pretty dull characters and a messy, tedious flashback structure. None of the performances light up the screen, even Brian Donlevy and Claire Trevor are rather disappointing. The script is corny and clichéd, the execution of it is uninspired. Nothing about the film is outright horrible, but there's no reason to recommend it.
Hoodlum Empire - 5/10
Senate committee hearings investigating the gambling rackets threaten the reputation of a former gangster gone good. Capitalizing on the Kefauver hearings, this is a pretty dull story with pretty dull characters and a messy, tedious flashback structure. None of the performances light up the screen, even Brian Donlevy and Claire Trevor are rather disappointing. The script is corny and clichéd, the execution of it is uninspired. Nothing about the film is outright horrible, but there's no reason to recommend it.
Hoodlum Empire - 5/10
Hoodlum empire is a considerably better film than the other reviews here would have you believe. I have just watched it courtesy of an olive films blu ray and I must say I enjoyed it. It's quite a low budget film but it has some great moments. John Russell is the main character and I must admit it's the first film I've seen that he has such a big part, he's a little wooden for sure but he's not too bad in this film. The plot tells he story of a gangster who during ww2 changes into a decent person and wants to start afresh but legit. But the mob try everything to pull him back. Underrated film I think that deserves Wider appraisal.
John Russell was in the rackets, working for his uncle, Luther Adler, and Claire Trevor was his girl. Army service in the Second World War changed him, and he wants to go straight and marry French girl Vera Ralston. But the mob is expanding its grip and they come to the small city where he, his wife and two children live. So is a U.S. Congressional hearing under the control of Senator Brian Donleavy, Russell's former commanding officer.
This is an ambitious movie for Republic Pictures and director Joseph Kane, about a thinly disguised Kefauver Commission, and mobsters like Forrest Tucker. Although it has the violence of an exploitation picture, it's more in the lines of an expose film. It's also edited with frequent flashbacks that makes the story tough to follow at times, and despite the Italian names of the mobsters, the actors are anything but Italian in appearance or behavior. Even so, it's an honest effort, a lot like the 'small guy fights the crooks' movies that the independents turned out in the 1930s, but with superior production values and actors.
This is an ambitious movie for Republic Pictures and director Joseph Kane, about a thinly disguised Kefauver Commission, and mobsters like Forrest Tucker. Although it has the violence of an exploitation picture, it's more in the lines of an expose film. It's also edited with frequent flashbacks that makes the story tough to follow at times, and despite the Italian names of the mobsters, the actors are anything but Italian in appearance or behavior. Even so, it's an honest effort, a lot like the 'small guy fights the crooks' movies that the independents turned out in the 1930s, but with superior production values and actors.
Did you know
- TriviaThis film was inspired by the Kefauver Committee hearings dealing with organized crime.
- GoofsAll entries contain spoilers
- ConnectionsReferenced in Rewind This! (2013)
Details
- Release date
- Country of origin
- Languages
- Also known as
- Mörder Syndikat San Francisco
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 38m(98 min)
- Color
- Aspect ratio
- 1.37 : 1
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