Quiet, unobtrusive LA citizen Carl Martin picks up look-alikes for his estranged blonde wife and murders them with garden shears.Quiet, unobtrusive LA citizen Carl Martin picks up look-alikes for his estranged blonde wife and murders them with garden shears.Quiet, unobtrusive LA citizen Carl Martin picks up look-alikes for his estranged blonde wife and murders them with garden shears.
William Boyett
- Cop Hit by Martin
- (uncredited)
Sidney Clute
- Bartender
- (uncredited)
Sayre Dearing
- Detective
- (uncredited)
George Eldredge
- Sam, Detective at Murder Scene
- (uncredited)
Roy Engel
- Police Captain
- (uncredited)
Michael Fox
- Cab Company Dispatcher
- (uncredited)
Storyline
Did you know
- TriviaMarilee Phelps, who plays Virginia, the undercover policewoman who Carl (Adam Williams) takes on the long ride, was Adam Williams' wife at the time this movie was made. Lee Phelps, the uncredited actor who plays "Doc," the police coroner, was Marilee Phelps' father (and Adam Williams" father-in-law).
- GoofsThe body of the first victim visibly breathes during one shot while the motel manager is outside the room. (a 02:33)
- Quotes
Carl Martin: Something wrong?
Blonde: Not anymore. Come and take a look.
- ConnectionsFeatured in Vampira Returns: Without Warning! 1952 (1956)
Featured review
I'd been aware of this film's existence for some years, and although I never imagined it to be a classic, it did seem promising, given the highly competent Levy-Gardner-Laven team (The Rifleman, The Monster That Challenged the World, Slaughter on Tenth Avenue), and Adam Williams, a young character actor (The Big Heat, North by Northwest, The Space Children)I've always enjoyed.
On the most basic level, Dark Sky Films has put together a splendid, bargain-price DVD presenting a 35mm print that is flawless, except for a single, brief "cut" in the film stock late in the story. Otherwise, this b&w thriller is pristine, even shimmering, without speck, scratch or other visible flaw. Where has this print been all these years--Fort Knox? I was stunned by its beauty. A photo gallery is a pleasing extra, and the menu is imaginatively augmented with visual and audio snippets. Open the case and the inner sleeve is decorated with original ad art and a scene from the film.
As a murder thriller with strong overtones of police procedural (complete with v/o narration by the fabulous Reed Hadley), Without Warning is superior stuff, with effectively understated performances, smart, concise direction and plenty of suspense and surprise, including a shock moment near the beginning that will knock you back in your chair.
Williams is creepily attractive (or maybe attractively creepy) as the quiet, psychotic killer of women, with character vet Ed Binns appealingly dogged as the working-stiff police detective assigned to bring the monster to heel. Meg Randall is pleasant and convincing as the central female character(who ends up in considerable peril), and there's a nice turn (in this UA release) by pretty Columbia contract player Angela Stevens (Three Stooges shorts, Creature with the Atom Brain, lots of westerns), as a good-time girl who comes to a bad end.
As other reviewers have commented, Without Warning also is an invaluable visual and aural record of vanished Los Angeles, particularly Chavez Ravine. As archaeology alone, then, the picture is fascinating.
I can't emphasize enough the pleasure and satisfaction Without Warning provides. It's worthy on multiple levels; grab it!
On the most basic level, Dark Sky Films has put together a splendid, bargain-price DVD presenting a 35mm print that is flawless, except for a single, brief "cut" in the film stock late in the story. Otherwise, this b&w thriller is pristine, even shimmering, without speck, scratch or other visible flaw. Where has this print been all these years--Fort Knox? I was stunned by its beauty. A photo gallery is a pleasing extra, and the menu is imaginatively augmented with visual and audio snippets. Open the case and the inner sleeve is decorated with original ad art and a scene from the film.
As a murder thriller with strong overtones of police procedural (complete with v/o narration by the fabulous Reed Hadley), Without Warning is superior stuff, with effectively understated performances, smart, concise direction and plenty of suspense and surprise, including a shock moment near the beginning that will knock you back in your chair.
Williams is creepily attractive (or maybe attractively creepy) as the quiet, psychotic killer of women, with character vet Ed Binns appealingly dogged as the working-stiff police detective assigned to bring the monster to heel. Meg Randall is pleasant and convincing as the central female character(who ends up in considerable peril), and there's a nice turn (in this UA release) by pretty Columbia contract player Angela Stevens (Three Stooges shorts, Creature with the Atom Brain, lots of westerns), as a good-time girl who comes to a bad end.
As other reviewers have commented, Without Warning also is an invaluable visual and aural record of vanished Los Angeles, particularly Chavez Ravine. As archaeology alone, then, the picture is fascinating.
I can't emphasize enough the pleasure and satisfaction Without Warning provides. It's worthy on multiple levels; grab it!
Details
- Release date
- Country of origin
- Language
- Also known as
- The Story Without a Name
- Filming locations
- Chavez Ravine, Elysian Park, Los Angeles, California, USA(As Carl's hilltop home., overlooking the freeway and Los Angeles skyline.)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 17 minutes
- Color
- Aspect ratio
- 1.37 : 1
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