The Actress

I've liked many of George Cukor's films (PHILADELPHIA STORY, WHAT PRICE HOLLYWOOD, etc.) and am a huge Spencer Tracy fan so I was surprised I had never seen this 1953 flick. Based on Ruth Gordon's biographical play, this is a sweet, endearing film and it holds one of Spencer Tracy's best performances. He is so real, so good as the overwhelmed father - trying to deal with a turn of the century daughter who wants to be an actress (back then that was like saying you wanted to be a prostitute - theatre people were very looked down upon). Tracy (based on Ruth Gordon's real father) has wonderful scenes/speeches where he tries to lay down the law but later on, you see how much he loves his daughter and would do anything for her. Teresa Wright is good as always and the lovely Jean Simmons is superb as the young girl who has become star struck. Plus a very young Anthony Perkins making his screen debut as a possible suitor. Highly recommended

This movie is so much more than a sentimental reminiscence. I'm not much at all for those "I remember..." mom or dad or whatever memory movies. Also, there are so many, many plays and movies about a family's career aspirations for a son, aspirations that get challenged because of what the son wants to do instead. Here we have a story set after the turn of the 20th century, about a working class father's career aspirations for his DAUGHTER - a career that will provide her with financial stability but isn't at all what she wants to do. Spencer Tracy plays a curmudgeon, working-class, not-at-all refined father in a role I've never seen him in before - and he's AMAZING. The dialogue has some one linters that are, at times, hysterical - any person who has every been embarrassed by their parents, or every had a parent say something like, "Why did you ever have to be so different?" will warm to this movie immediately. And the Mary Wickes moment is why she makes every movie better even if she's in it for less than 20 seconds.

Based on Ruth Gordon's play Years Ago about her childhood, The Actress is a good and uplifting tale about a young girl following her dream. Young Ruth Gordon Jones living in a Boston suburb dreams about going on stage. She doesn't get too much encouragement from her parents, Spencer Tracy and Teresa Wright.

That does not stop our Ruth. She's determined to make it in the theater, but there is a matter of cash.

Spencer Tracy is a former seaman who now works at a lowly factory job and needs every dime to support wife, daughter, and a cat that's not particularly fond of him. This is not one of Tracy's better known roles and that's a pity because it's one of his best performances.

He downplays his daughter's ambitions almost until the very end of the film. I won't reveal any more, but there is an interesting dinner scene which is the key to the film. Very similar to the breakfast scene with Adolphe Menjou and Kate Hepburn in State of the Union where he tells them of his ideas for when and if he becomes president. Only here he tells the family the reasons for why believes as he does.

Although Jean Simmons was well beyond being a senior in high school she's a good enough actress to make it believable. It was certainly a more innocent time.

The Actress is a fine production from MGM and director George Cukor, pity it isn't out on VHS or DVD.

Ruth Gordon's play Years Ago, a sentimental reminiscence along the lines of Kathryn Forbes' Mama's Bank Account, looked at her stage-struck adolescence. In 1953, it became a movie, The Actress, directed by George Cukor, with the rarefied and mannered Jean Simmons taking the part of the straight-shooting Gordon. Oddly enough, the main character is not the aspiring actress but her father, played by Spencer Tracy.

In Clinton Jones, Gordon penned a difficult but irresistible character. Settled unarguably into middle age but still fighting it, he chafes at his $37.50-a-week salary (it was 1913) and pores over the grocery list while his wife (Teresa Wright) defends such frivolities as tangerines. A former sea captain, he latches onto any opportune ears like the Ancient Mariner and spins his salty yarns of ports of call on the seven seas. In the dead of a New England winter, he insists on sleeping in a hammock strung on an upstairs porch. The ham in Tracy rises to the challenge, and he manages to make Jones recklessly funny while still a bit frightening (near the end, details of his dreadful boyhood emerge to put his cantankerousness in focus).

As screenwriters, Gordon and her husband Garson Kanin custom-tailored many screen vehicles for Tracy and co-star Katharine Hepburn, where their relationship is said to take the writers' marriage as its model; here Tracy returns the favor by making Gordon's father so unforgettable. Gordon pays a tribute, too, by sketching her character not as she remembered it but as he must have seen her, showing little talent or wit but a penchant for dreaming up castles in Spain. By hiding her own bright light under a bushel, she lets the memory of her father shine.

This is a wonderful movie about the life of young Ruth Gordon, who would grow up to be an actress and famous writer. She was married to Garson Kanin and wrote many of the films of Tracy and Hepburn. Tracy is wonderful in one of his "dad" roles, as are the other leads in the film. Debbie Reynolds was originally to play Ruth but Simmons was cast instead and she is indeed brilliant in the movie. She is touching and very funny, very much a young girl driving her parents crazy. Tony Perkins is also very good as her boyfriend. Best of all, and not mentioned in most of the other reviews here, is Teresa Wright as the mother. She is a riot in the part and was only 11 years older than Simmons in real life. She had taken a reduction in pay for another great film, The Men, and this was one of her other really good parts in the fifties after so many great parts in the forties. The part is sort of like her last one, in The Rainmaker, as a simple kind of person. She played them wonderfully and was very funny in both.