The Lawless Breed

"The Lawless Breed" attempts to tell the life story of John Wesley Hardin, the misunderstood gunfighter, from his point of view.

The story begins with Hardin (Rock Hudson) being released from prison after serving 16 of 25 years for murder. He goes to the local newspaper and presents the editor with a hand written story of his life. The film then flashes back to his youth where young "Wes" is practicing his fast draw. His father, Preacher J.G. Hardin (John McIntyre) takes a whip to him, condemning his life style. Wes decides to leave home and pursue his dream of earning enough money to buy a small horse ranch for himself and his sweetheart Jane Brown (Mary Castle).

The rest of the film can be summed up with the phrase, "I never killed anyone who didn't try to kill me first". He is forced to gun down gambler Gus Handley (Michael Ansara) which brings upon him the wrath of his three brothers, Ike (Hugh O'Brian), Dirk (Lee Van Cleef) and Ben (Glenn Strange).

While trying to escape a posse, Hardin hides out with his uncle John Clements (McIntyre again) and his sons Jim (Dennis Weaver) and Joe (Richard Garland). When he returns home to fetch Jane, she is killed during his escape from the farm. Hardin takes solace in the arms of "saloon girl" Rosie (Julia Adams) whom he later marries.

Ready to surrender to the law after his planned marriage, Hardin is double-crossed and...........................................

Rock Hudson, on the verge of becoming a super star, turns in an excellent performance as the troubled Hardin. He plays the character over a 20 year period. This was one of his first starring roles. He benefited greatly from the direction of the veteran director Raoul Walsh who managed to expose his real talent for the first time.

As in most of Universal's fast paced little eighty minute color westerns, there is plenty of action and beautiful Technicolor photography. It also had the benefit of a cast of recognizable supporting players, most of whom had appeared in countless "B" westerns. In addition to those already mentioned above, Steve Darrell appears as Sheriff Jenkins, Robert Anderson as Wild Bill Hickcock, Dick Wessel, Emory Parnell and I. Stanford Jolley as various bartenders, Francis Ford (brother of John) as a saloon sweeper and George Wallace as a saloon bully.

An entertaining western.

The Lawless Breed is directed by Raoul Walsh and written by William Alland (story) and Bernard Gordon (screenplay). It stars Rock Hudson, Julie Adams, John McIntire, Mary Castle, Hugh O'Brian and Dennis Weaver. Music is supervised by Joseph Gershenson and cinematography by Irving Glassberg.

Story is based around the life of outlaw John Wesley Hardin (Hudson), itself adapted from his own memoirs. It finds Hardin released from jail and recounts his life outside of the law and his time on the run. It proclaims that Hardin was very much a victim of circumstance, his life spiralling out of control after killing a man in self defence.

OK, forget the proud boast from the makers that this is a true story, this is Hollywood and its best so take in the film as a piece of entertainment only. Where, in truth, it's rather good stuff for the Western fan to gorge on. A tacked on "happy ending" aside, this is mostly interesting narratively speaking, and as a production it is always easy on the eye. Hardin's time on the run throws up a number of scenes to pump the adrenalin, letting some fine stunt work come to the fore in the process. Be it escaping from "Texas Rangers" laid traps, or well constructed horse races (Hardin was a well renowned gambler), Raoul Walsh and his team work real hard to keep this out of B movie territory.

Shot in vivid Technicolor out of Andy Jauregui and Janss Conejo ranches in California (some exteriors also filmed at Vasquez Rocks), film always feels airy, something that's not exactly at one with what should be the claustrophobic feel of an outlaw constantly on the run and looking over his shoulder. There's also a big ask of the audience to accept that Hardin is pretty much indestructible, which is OK once or twice, but more?

However, the film is ultimately about entertainment and forgiving it its irritants is not hard to do. Character interactions always remain of interest, and cast are doing more than decent work. McIntire stands out in a dual role, Hudson is stoic and Adams beguiles with her beauty and sexuality. This is one of the better productions for bringing the radiant Adams to the attention of red blooded lusters. A better pair of legs in Westerns there is not, and in one scene she induces wolf whistles and heart palpitations in equal measure. With prolific Western scorer Gershenson providing easy listening and photographer Glassberg keeping the colours rich, The Lawless Breed rounds out as a better than average viewing experience for the Western buff. 7/10

Lawless Breed, The (1953)

*** (out of 4)

Solid Western has John Wesley Hardin (Rock Hudson) walking out of prison and handing over a book with his life story in it. A publisher then reads the story, which starts as a young Hardin battles with his preacher father (John McIntire) and soon he's on his own and on the run from the law. If it's history you're after then you will want to stay away from this film as it turns the cold-blooded killer into a misunderstood, nice guy and the film even goes as far as to change a real-life ending (apparently test screenings didn't like the truth). With that said, if it's entertainment you're after then this here is a real gem as we get to see the young Hudson in his first top-billed performance. It was smart for Universal to surround him with some great character actors but to also put a veteran like Walsh on the film. We're dealt a pretty typical story in terms of Westerns but Walsh brings some nice style to the production and certainly keeps it moving a lot better than it deserves. One of the best moments in the film happens early on as Hardin is about to get in a shoot out with a large gust of wind blows dust all over the place making it hard to see what's going to happen. This was a wonderful little sequence as was the made up ending. What really keeps the film moving are some wonderful performances by the star-studded cast. Hudson is terrific in the lead role and you can view this and see why he would become a major star. The character has some dark moments, which the actor captures just fine but the sweet side is where Hudson really shines. He really does make this a complete character and makes Hardin someone to care for. Julie Adams plays the woman he eventually marries and does a nice job even though she doesn't have much to do. The Hanley family are the ones Hardin does battle with early on and we have Lee Van Cleef, Glenn Strange and Hugh O'Brian playing the brothers. McIntire, Forrest Lewis and Richard Garland also turn in fine performances. We even get a young Dennis Weaver in a small role. Once again, those who are wanting a history lesson are going to hate this film due to have many facts it twists and turns but either way, the movie is solid entertainment that has enough going for it to make it worth seeing.

It was made to a formula and revolves around most of the cliches in the Western handbook but it was hard not to enjoy this film.

It is based on the life of the famous Texan John Wesley Hardin. His youth was shaped by the Civil War and by his preacher father. When his father forbids him to practise shooting young Wes reckons its about time to leave home and seek his fortune. Almost immediately he kills a local gunslinger and plunges into the life of a rootin tootin cowboy, gambler and outlaw.

It has a classic opening a dignified man walking out of the prison gates, shaking hands with the warden and sniffing the air of freedom. It has an equally recognisable ending, back at the ranch to see how his wife and family have managed during the long years of incarceration.

The final scenes of the film are lovely, it won't spoil the film to say he learned from his experiences and lived a long and happy life.

There is nothing new in this film. Although it claims to be an autobiography, it is one of countless 1950's Westerns with a theme of a young man seeking adventure and finding redemption. The real strength of the movie is its star Rock Hudson, barrel chested and manly, who shoots, rides, kisses, gambles and drinks as well as any of his contemporaries. One of the baddies is a young Lee Van Cleef who easily steals scenes from his fellow wrong-doers.

It won't change your life, the way "Shane" might have done but it won't hurt you to watch it, and to remember Rock Hudson in the way he should be remembered.

An okay Western based loosely on fact. Viewers tuning in today are likely catching up with Hudson's first starring role, following several years in supporting parts. Now, when I think Western, I've got to admit Hudson doesn't spring first to mind. Nonetheless, whatever he lacks in frontier grit, he makes up for in energetic commitment. I also suspect that he and Adams are the best-looking twosome to appear in any oater, any time any place. In fact, Adams sports the sleekest array of supposed frontier fashion that I've seen.

The story itself is unexceptional and cheaply produced, never getting beyond LA area locations. Indeed, this may be the only Western where the indoors is more compelling to look at than the outdoors. The movie does come up with a bunch of up-and-coming supporting players, like Van Cleef, Weaver, Ansara—too bad they don't get more screen time. Then too, McIntire's unusual dual role, both with Old Testament beards, had me confused until I consulted IMDb. I expect there's a backstory to this duplicate casting.

Producer Alland went from here to producing some of the most entertaining sci-fi of the decade— e.g. It Came from Outer Space (1953), Creature from the Black Lagoon (1954). I'm just sorry he didn't insist here on sticking with the original ending (thanks, reviewer bkoganbing). A happy ending may have pleased audiences of the time, but the original would have been more memorable.