Based on actual cases from the San Francisco police files, Lieutenant Guthrie and Inspector Grebb work as a team to track down the criminals.Based on actual cases from the San Francisco police files, Lieutenant Guthrie and Inspector Grebb work as a team to track down the criminals.Based on actual cases from the San Francisco police files, Lieutenant Guthrie and Inspector Grebb work as a team to track down the criminals.
- Nominated for 1 Primetime Emmy
- 1 nomination total
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I remember watching it when I was a kid. This show was the basis for all the later partner police stories such as Streets of San Francisco and others. I like Tom Tully and Warner Anderson together - kinda like Joe Friday and Frank Smith from Dragnet. This show provided a later rematch for these two actors - they worked together in the 1943 movie "Destination Tokyo" where Warner Anderson was an Officer and Tom Tully was the enlisted man. They kept this relationship in The Line-Up - the scariest part was in the opening credit when all of a sudden you see the car come up over the top of the hill and make a quick left turn - used to scare me to death. Looked like a 1949-1951 ford. I would like to see this show in reruns sometime.
This show had a rather leisurely aspect that I enjoyed on our first TV in the 50s. Dragnet was tenser. Suspect whines: Hey, I want to see a lawyer. Friday: Don't worry... Suspect: Huh? Friday: You'll need one! (Dum da dumb dumb) The Lineup featured a row of lowlifes on the police stage with an ironic Greb officiating: OK, next is Harry Jones... step forward, Harry. Take off your hat. Seems you got into a little trouble last night, Harry, got caught with your hand in a safe where it didn't belong. How'd that happen? Suspect: Ahh, it's a bum rap. Greb: Sure, Harry, that's what they all say...OK step back. The witness wasn't peeking through a one-way mirror, but sat in the audience, and the suspect was identified by name and crime. No way that would hold up today. Of course, like Dragnet terse justice was essential in a half-hour show. After the last commercial they had a a really short wrap-up: Victim: Lieutenant, what's going to happen to Smith? Guthrie: Oh, he was sentenced today. Gas chamber. The End. Followed by 20 years of appeals.
I grew up on San Francisco Beat. It was a family event each week. It was the precursor to Streets of San Francisco, Dirty Harry, and Ironside. Besides Perry Mason (back in the day)it was the only compelling crime series on at the time. Shot in B&W it and mono it delivered fast passed gritty episodes on a weekly basis.
With local location shots as a SF native it delighted all who watched it. Although predictable story lines lead to obvious conclusion given the era the scenes along with the plot kept the audience captivated.
As the original San Francisco crime show it paved the way for the next generation of S.F. police dramas such as the aforementioned Raymond Burr series Ironside, The Streets of San Francisco with Karl Malden an Michael Douglas and Clint Eastwood's Dirty Harry Series.
As a testimony to how well this movie/series was cast, many of the actors went on to perform in some of the later Crime Drama series on television. Warner Anderson as the hard driving Lt. Ben Guthrie delivered grounded performances as he did throughout his extensive career.
Marshall Reed as Inspector Fred Asher went on to roles in Dragnet, and Adam 12.
Does anyone know where I can get it on DVD?
With local location shots as a SF native it delighted all who watched it. Although predictable story lines lead to obvious conclusion given the era the scenes along with the plot kept the audience captivated.
As the original San Francisco crime show it paved the way for the next generation of S.F. police dramas such as the aforementioned Raymond Burr series Ironside, The Streets of San Francisco with Karl Malden an Michael Douglas and Clint Eastwood's Dirty Harry Series.
As a testimony to how well this movie/series was cast, many of the actors went on to perform in some of the later Crime Drama series on television. Warner Anderson as the hard driving Lt. Ben Guthrie delivered grounded performances as he did throughout his extensive career.
Marshall Reed as Inspector Fred Asher went on to roles in Dragnet, and Adam 12.
Does anyone know where I can get it on DVD?
April, 2009
What I remember most about THE LINEUP is the final roll of credits. You'd see a slow dramatic panorama of San Francisco at that time, mid 1950's, as the theme song pounded over the view. At that time Coit Tower was the tallest point in the skyline. Then you'd hear the voice over express thanks to San Francisco Chief of Police, think it was Tom Cahill at that time--but I also recall that it may have been Patrick Duffy in the earlier days of the series.
My father had a jewelry store on Columbus Ave. in North Beach and the shop flashed by once in a scene from an episode.
Yes, the '49 Ford coming up the street in the opening sequence with Tom Tully driving and Warner Anderson looking out. And that theme song again.
I just watched a part of an episode on You Tube from 1958. But nothing comes up if you type in the series title: But you will get it by typing in "1957 Dodge and 1957 Plymouth." It features Richard Jeckel, Jr., as a kid; and a very young Eli Walach. Good chase scene that shows the Embarcadero under construction; Sutros near Playland; and shots of the bridge.
Dennis Caracciolo April, 2009
What I remember most about THE LINEUP is the final roll of credits. You'd see a slow dramatic panorama of San Francisco at that time, mid 1950's, as the theme song pounded over the view. At that time Coit Tower was the tallest point in the skyline. Then you'd hear the voice over express thanks to San Francisco Chief of Police, think it was Tom Cahill at that time--but I also recall that it may have been Patrick Duffy in the earlier days of the series.
My father had a jewelry store on Columbus Ave. in North Beach and the shop flashed by once in a scene from an episode.
Yes, the '49 Ford coming up the street in the opening sequence with Tom Tully driving and Warner Anderson looking out. And that theme song again.
I just watched a part of an episode on You Tube from 1958. But nothing comes up if you type in the series title: But you will get it by typing in "1957 Dodge and 1957 Plymouth." It features Richard Jeckel, Jr., as a kid; and a very young Eli Walach. Good chase scene that shows the Embarcadero under construction; Sutros near Playland; and shots of the bridge.
Dennis Caracciolo April, 2009
Growing up in the SF Bay area as a kid in the 50's I always looked forward to San Francisco Beat coming on the tube every Saturday night. All the SF locales such as the Japanese Tea Garden,the old Hall of Justice on Kearny Street, Playland at the Sea. Filmed before the "Manhatanization" of downtown SF when the highest point in the city was Coit Tower on Telegraph Hill. I can't remember any details of the episodes but clearly recall the "feel" of the show which encapsulate everything that was San Francisco just after WWII. Fog horns, sea gulls, the wharf, this show had it all with a real film noir feel. The two detectives would stop at the police call boxes to talk to headquarters.
Did you know
- TriviaThe radio series upon which this series was based was set in an unidentified city, whereas the video incarnation was very definitely set in San Francisco. Warner Anderson and Tom Tully appeared earlier in the 1943 submarine thriller "Destination Tokyo".
- ConnectionsReferenced in I Love Lucy: Lucy Wants to Move to the Country (1957)
- How many seasons does The Lineup have?Powered by Alexa
Details
- Runtime
- 1h(60 min)
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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