Jivaro

1953's "Jivaro" was shot in color and Widescreen 3-D on location in Brazil as "Lost Treasure of the Amazon" or "Valley of the Winds," produced by the Pine-Thomas unit at Paramount, remembered for their frugality as 'The Two Dollar Bills.' Fernando Lamas toplines as Rio Galdez, a tradesman and bar owner dealing in the upper reaches of the Amazon while discouraging talk of vast riches deep in Jivaro country, the land of headhunters, as a shrine to their victory over the Spaniards. Into this heated background comes Rhonda Fleming as Alice Parker, expecting to wed her long absent fiancee after two years of waiting in California, instantly an object of desire for fortune hunting Tony (Brian Keith), who also covets the hidden treasure. 3-D thrills are plentiful, enough to offset the expected love triangle, with spears, arrows, and other objects hurled at the camera, saving the dangerous trek through the jungle for the final third (the 'Valley of the Winds' certainly earns its nickname). Apart from the handsome leads, supporting cast members are only on screen a short time, including Richard Denning as Alice's doomed beau, Marvin Miller in brown makeup as a native chief, and Lon Chaney as trader Pedro Martines, around just long enough for some good natured sparring with Rio over a worthless crate filled with rocks. This was easily the least of Chaney's films for Pine-Thomas, previously doing major villains opposite Randolph Scott in "Albuquerque" and John Payne in "Captain China."

Cheesy in the extreme, this one is a lot of fun. Lon Chaney, Jr (The Wolfman) is in a supporting role. Rhonda Fleming's third 3-D movie and Fernando Lamas' second. By the time this one was released, the 3-D boom was over so it was shown flat. However,you can glimpse some 3-D clips in the IMAX 3-D film ENCOUNTER IN THE THIRD DIMENSION, which is available on DVD.

In September 2006, the 3-D version made its public debut (53 years after it was made!) at the World 3-D Film Expo II. It's even more fun in the intended 3-D form. The restored print was quite nice and it is wonderful that this film can be seen in the stereoscopic version as shot.

This is Mrs. Sheila Beers, writing with the permission of Barney Beers. I saw this movie on a black and white television as a child about 45-50 years ago, and I only can imagine how much better it is in color. However, through missionaries I had heard of the fierce Jivaro Indians, and I found "Jivaro" a compelling story. I still believe the film is much more than an adventure-romance story and that it has more to offer than viewers of the 1950s realized. Now that there is so much interest in saving the Brazilian rain forest, I believe "Jivaro" is even more relevant today. The theme is timeless, being the clash between primitive cultures and the modern world. Since New World exploration in the 1500s, the Jivaro Indians of South America were known as headhunters and cannibals, but a lesser known fact is that South America's richest gold deposits were (and still are) located in Jivaro territory. Although Brazil was settled by the Portuguese, the Spanish who settled Peru, Ecuador, and other countries that border Brazil, soon learned of the Jivaro's treasure and wanted the gold to defeat Protestantism in Europe. In spite of their primitive nature, the Jivaros (like other primitive tribes of South America) knew how to mine gold and refine it. Through their reputation as fierce headhunters and cannibals, the Jivaros protected their wealth. In the late 1500s the Spanish dared to build the city of Logrono, population 25,000, on the border of Brazil. The city provided housing for miners, settler families, and administrators who wanted to send the gold to Spain. Wanting to deflect the invaders, the Jivaros, armed only with spears and possibly blow guns and clubs, wiped out the city in 1599. They killed everyone but the young women they could assimilate into their tribe for breeding. The city, built mostly of wood, was burned to the ground and mostly absorbed by the jungle. For centuries afterward the Jivaros killed any Europeans or Americans who encroached on their territory. When the Jivaros eventually were Christianized in the late 20th century, missionaries noted some members of the tribe had lighter complexions and more body hair, attesting to their descent from the Spanish women taken from Logrono. Because of this fascinating piece of Brazilian history, I would like to see "Jivaro" made available on DVD. By seeing the movie, people could learn more about South Americam cultures and relate the story to current issues about the rain forest.

Shamelessly, this DVD loses its image/sound synchronism abot 20 minutes after the film starts, and never recovers it. Unwatchable. To avoid. Miguel Marías

At Rio Galdez's remote Brazilian trading post live assorted outcast Americans and Europeans, including Jerry Russell, ex-engineer (Richard Denning), who became obsessed with the Jivaro headhunters' treasure, quits his job, ends up a drunk, dilly-dallies with local girl Maroa ( Rita Moreno), but still has dreams to get that treasure.

And he still gets letters from his nominal fiancée (Rhonda Fleming) in California, and unexpectedly the shapely, glamorous Alice Parker arrives, expecting to marry a rich planter. Rio (Fernandez Lamas), a jungle guide and bar proprietor, restrains from telling her that he's not a rich planter, but is a drunk and has gone into treacherous territory of the headhunters to find gold ...

Disillusioned, Alice is almost ready to fall into Rio's arms when news comes that Jerry is missing in Jivaro country. She feels obliged to join the group to head there, and bad guy Tony (Brian Keith) is keen to come along and naturally causes trouble when he wants the gold ...

Jivaro is a colourful adventure yarn, however the adventure comes in the last thirty minutes where the group headed by the charismatic Fernando Lamas heads into the land of the headshrinkers and you get rope collapsing, bodies with arrows strewn along the foliage of the jungle and one of them is quite gruesome as he hangs on the vines, an arrow through him. There's some nice action, but the first hour is quite solid with character depth, a nice buildup of the romance between Lamas and Fleming - plus there's slimy villainy from Brian Keith who has designs on Fleming, and then the gold. There's an energy through out the plot, the dialogue is engaging and it's good fun throughout.