Monster from the Ocean Floor

On the surface, this film appears to be just another entry into the 50's cinema monster mill. But when we dive deeper we find some subtle and entertaining differences. The heroine is remarkably modern. She is brave, independent, determined, and completely oblivious to what the rather effete male characters think of her. The film is actually developed around her persona, and her dogged determination to seek the monster lurking below. The underwater scenes are beautiful examples of early open water cinematography in the lush, cool Pacific Ocean. The submarine is great. I really wanted one when I was a kid and first saw this film. The spunky actress seems to have done her own diving too. The scene in which she tries to fend off the shark is exciting. If you forget the rather weakly done monster, its minimal time on screen, and instead, focus on the enchanting heroine and her quest, this is not a bad film at all. I certainly find it entertaining. I have it on DVD and watch if often.

Monster From the Ocean Floor was the first monster movie from Roger Corman and I quite enjoyed watching this, despite reading some bad reviews.

A series of deaths and disappearances turn out to be the responsibility of a one-eyed octopus which only comes ashore on nights when the moon is out full. It also kills a cow. A woman and marine biologist team up and destroy it and also fall in love.

This movie also includes an unusual pedal powered submarine, sharks, the marine biologist singing and a mad local native who wants the woman dead so the creature won't appear again (according to local legend). There is also some nice scenery and a good music score.

The cast includes Stuart Wade (Teenage Monster), Anne Kimbell and Corman regular Johnathan Haze (Little Shop Of Horrors).

Monster From the Ocean Floor is a good way to spend just over an hour one afternoon or evening.

Rating: 3 stars out of 5.

A low key monster movie from producer Roger Corman (his first) and director Wyott Ordung. What struck me as creepy were the rules the monster played by -- werewolf rules. He only came out at night and he only came into his own when the moon was full. He didn't rush about like one of those "humanoids from the deep" (another Corman production) and he didn't eat flesh (cow excepted). He simply menaced and eliminated his enemies off-screen. I liked that. I could handle that.

I was always very impressed by the pedal-powered submarine. It was like something the Professor from "Gilligan's Island" might have pieced together. I wanted one of those. It reeked of adventure. I was also impressed by the film's title, an evocative title if ever there was one. I loved the title "Monster From The Surf", too, but after suffering through that one, I was happy to stick to the ocean floor.

The score, as mentioned by another reviewer, really is effective and plain eerie, and the film's cinematography never betrays its poverty row budget.

Corman knew, from the beginning, that good characters are the foundation of any good movie, whatever its genre, and this, his first, is a tinpot classic with charm and presence.

Julie Blair (Anne Kimbell) is an American vacationing at a sea-side village in Mexico. She hears stories about a man-eating creature dwelling in the cove.

This film is a low budget science fiction film in every sense of the term low budget. Director Wyott Ordung (1922–2005) doubled as an actor (playing Pablo), and this was his first of only two times in the director's chair. In fact, his only real experience before this was a writer on another low budget flick, "Robot Monster".

Most notable is the producing credit of Roger Corman, who took a modest $30,000 budget and earned more than ten times that back at the box office. No small feat, especially from someone just starting out in the business. This also marks a collaboration between Corman and cinematographer Floyd Crosby; Crosby had been making films over twenty years, but would be possibly best known later on for shooting Corman's finest films.

This was also the debut of Jonathan Haze, a gas station attendant that filled the small role of Joe. He must have done something right, because Corman hired him for numerous productions over the next decade, including the starring role of Seymour in "Little Shop of Horrors".

As for the film itself, there are things to like and things that could have been improved. The monster is actually rather cool looking, and when revealed is no disappointment. To use him sparingly, they also have a shark and an octopus, which may cause a few people to jump. The film is also rather short -- only 64 minutes -- so there is little time for the pace to slow down. Variety praised the film, calling it an "oddity" but "well-done", noting that "Corman's production supervision has packed the footage with commercial values without going overboard."

The negatives are few, but worth pointing out. The forced romance was a bad idea, though probably almost necessary for a film of its day. This is somewhat compensated for by having the main character be a heroine rather than a hero -- not the strongest female lead, but a female lead nonetheless. The biggest issue is the sound. Clearly they had not invested in a boom mike, because scenes were either overdubbed, or the conversations were drowned out by the ocean waves...

While not the best film of 1954, it has its historical merits and is fun in its own way. For a low budget film now sixty years old, I think it holds up respectably well.

Sure this movie is cheaply done and features very few special effects but nonetheless there's a surprising amount of high adventure in this tale. Even better and more unique for the period--our hero is actually an heroine! The music(apparently done by Andre Brummel)is actually extremely well-done and adds considerably to building up the tension. Overall it's as I said above--it's a fun adventure story and one which wisely doesn't go on for too long.