A man visits a frontier town seeking to avenge his brother's murder.A man visits a frontier town seeking to avenge his brother's murder.A man visits a frontier town seeking to avenge his brother's murder.
- Nominated for 1 Oscar
- 1 nomination total
Carmen Clifford
- Dancer
- (uncredited)
Joan Corbett
- Dancer
- (uncredited)
Frank Cordell
- Townsman
- (uncredited)
Lorinne Crawford
- Dancer
- (uncredited)
Alvin Burke Deer
- Indian Boy
- (uncredited)
Melvin Blake Deer
- Indian Boy
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe stylized sets were inspired by an article in "Life" Magazine about the western Yellow Sky (1948). The article showed the cast of "Yellow Sky" on sets that were clearly only false fronts, as are the sets in this film.
- GoofsDuring the Reb/Rapael shootout Reb's hat is hit and the front of the crown blows upward at the same time there is a small puff of smoke showing where the squib went off.
- Crazy credits[prologue] You are about to see a new kind of "western". We hope you won't take it too seriously, because our story takes place in a land that never existed, called, Limbo County, California.
- ConnectionsReferenced in Place the Face: Episode dated 11 February 1954 (1954)
Featured review
Though the bright, almost garish hues of nearly everything in this musical spoof of the western genre might look like it, this one was not produced in VistaVision (as is erroneously stated in another comment), Paramount's "High-Fidelity" motion picture process which didn't make its debut until several months later with the release of "White Christmas" starring Bing Crosby, Danny Kaye, Vera-Ellen and Rosemary Clooney.
Rosemary has center stage in this one and, though the songs aren't up to Irving Berlin's standards in the later hit, she holds her own against Guy Mitchell's vigorous attempts to upstage her. The overall tone is a bit on the bawdy side but one thing's "fer shure, pardner!", those people behind the Technicolor cameras were given free rein (and probably a pretty hefty budget) to create a look that defines the term: "primary colors." It's not for those who prefer a muted palette or anything subtle about any aspect of their entertainment. As I recall, the ever-prudish Legion of Decency objected to various "suggestive" elements in this one, including costuming and some song lyrics, such as a line about "Try(ing) to be a mother without a man!" (or something to that effect.) Yep! "Red Garters" is definitely one-of-a-kind and I'm hard put to recall anything that attempts to duplicate its uniquely artificial look and its very lively take on the cliches of Hollywood's version of the Old West.
Rosemary has center stage in this one and, though the songs aren't up to Irving Berlin's standards in the later hit, she holds her own against Guy Mitchell's vigorous attempts to upstage her. The overall tone is a bit on the bawdy side but one thing's "fer shure, pardner!", those people behind the Technicolor cameras were given free rein (and probably a pretty hefty budget) to create a look that defines the term: "primary colors." It's not for those who prefer a muted palette or anything subtle about any aspect of their entertainment. As I recall, the ever-prudish Legion of Decency objected to various "suggestive" elements in this one, including costuming and some song lyrics, such as a line about "Try(ing) to be a mother without a man!" (or something to that effect.) Yep! "Red Garters" is definitely one-of-a-kind and I'm hard put to recall anything that attempts to duplicate its uniquely artificial look and its very lively take on the cliches of Hollywood's version of the Old West.
- gregcouture
- May 24, 2003
- Permalink
Details
Box office
- Gross US & Canada
- $1,300,000
- Runtime1 hour 31 minutes
- Aspect ratio
- 1.85 : 1
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