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The Sinestro Corps: An army of individuals, led by Thaal Sinestro, who bear powerful yellow rings that are powered by the wielder’s ability to instil great fear in to others.

Aside from Sinestro himself, past members include the likes of Mongul – a powerful alien entity who actually forcefully took over the corps for a while – the murderous Arkillo, the enormously powerful Anti-Monitor, the Cyborg-Superman and Batman’s familiar foe the Scarecrow. In fact, Batman himself attracted the attention of a yellow ring on one occasion, but he rejected it on principle.

The ring grants an automatic forcefield capable of protecting the wielder from extremely potent attacks, it grants them the power of flight, the ability to amplify their physical statistics (such as strength and speed), energy blasts and the ability to create powerful solid yellow fear constructs – the limits and complexity of which are based only on the imagination of the user.

Paul Dunlap was a prolific film composer in the 1950s and 1960s, scoring over 200 features. He was best known for providing themes and scores for numerous science fiction and horror thrillers of the decades. His music highlighted attacks by prehistoric beasts in 1951’s Lost Continent starring Cesar Romero, and an alien robot invasion in 1954’s Target Earth with Richard Denning and Kathleen Crowley. He scored Michael Landon’s transformation from man to monster in I Was a Teenage Werewolf (1957), and provided music for such other Aip and United/Allied Artist cult classics as I Was a Teenage Frankenstein (1957), Blood of Dracula (1957), How to Make a Monster (1958), Frankenstein – 1970 (1958), Invisible Invaders (1959), The Four Skulls of Jonathan Drake (1959), Angry Red Planet (1959), Shock Corridor (1963), and Black Zoo (1963).

Dunlap was born in Springfield, Ohio, on July 19, 1919. He began working in films in the early 1950s, scoring westerns, war and action films including The Baron of Arizona...