64 reviews
For the 20 years that it ran on CBS,"Gunsmoke" was the essential Western to watch. Not only it was about a Marshal who retain law and order in Dodge City in the 1800's,but set against the breathtaking backdrop of the Kansas frontier. The stories kept its viewers on edge no matter what its characters were going through as Matt Dillon(played by James Arness) kept the peace alongside his deputies Chester Goode(Dennis Weaver from 1955-1964 for 290 episodes),Quint Aspen(Burt Reynolds from 1962-1965 for 50 episodes),Festus Hagen(Ken Curtis from 1964-1975 for 304 episodes),Thad Greene(Roger Ewing from 1965-1967 for 51 episodes)and Newly O'Brian(played by Buck Taylor from 1967-1975 for 174 episodes). It also had Matt Dillon's love interest Miss Kitty(Amanda Blake from 1955-1974 for 568 episodes)and the resourceful medical physician Doc Adams(Milburn Stone),and Sam (Glenn Strange from 1961-1975 for 238 episodes),and Miss Hannah(Fran Ryan from 1974-1975 for 26 episodes. Amanda Blake left the series at the end of the show's 19th season and was replaced by Fran Ryan in the final season). Only actors James Arness and Milburn Stone remained with the series as the only cast members that stayed throughout it's 20-year run.
Out of the 635 episodes that "Gunsmoke" produced,the series premiered on September 10,1955 with the episode "Matt Gets It". From September 10, 1955 until June 17, 1961 there were 233 half-hour black and white episodes. On September 30,1961 the show expanded to a hour long format that produced 176 episodes in black and white until May 7,1966. Then on September 17,1966 the show evolved from 11 seasons in black and white to color for 266 episodes until the final episode of the series on March 31,1975. During the first few seasons of "Gunsmoke" the show was in the top ten of the Nielsens becoming a huge Saturday night prime time favorite between 1955-1961 where the show became a phenomenon. By 1967, in it's 13th season, CBS made the decision to move the series from Saturday nights to Monday nights where it was back at the top of the ratings,due to a new audience and a earlier time slot. Between Seasons 13 thru 20 saw "Gunsmoke" surging back into the Top Ten of the Nielsens becoming one of the top five shows on television between 1967-1975.
The astounding success of "Gunsmoke" spawned seven Prime-Time Emmy nominations during it's run winning four Prime-Time Emmys in 1958(Best Dramatic Series);1959(Best Supporting Actor-Dennis Weaver);1968(Outstanding Actor in a Supporting Role-Milburn Stone);1970(Outstanding Achievement in Film Editing). "Gunsmoke" was nominated for four Golden Globes with actress Amanda Blake for Best Actress in a Dramatic Series three times in 1970,1971 and 1972. Golden Globe nominated also when to Milburn Stone for Best Supporting Actor in a Dramatic Series in 1972. Golden Globe nominations also went to Ken Curtis and James Arness as well. When "Gunsmoke" ended it's run in 1975 it marked the end of the television Western...an astounding feat that when it was on the air during the early-1970's it surpass it's rival "Bonanza" which was already off the air two years earlier. When it was abruptly canceled on March 31,1975(with the final episode of the series "The Sharecroppers") the cast had no warning and learned their fate from media outlets. On September 8, 1975 the two shows that replaced the long-running "Gunsmoke" were two spinoffs of CBS' "Mary Tyler Moore Show" which were "Rhoda",and "Phyllis" that were placed on it's prime- time Monday night schedule. James Arness reprised the role of Marshal Dillon for six made for television movies based on "Gunsmoke" that aired on CBS between 1987 and 1994 featuring the original cast that includes Ken Curtis, Amanda Blake and Buck Taylor.
Out of the 635 episodes that "Gunsmoke" produced,the series premiered on September 10,1955 with the episode "Matt Gets It". From September 10, 1955 until June 17, 1961 there were 233 half-hour black and white episodes. On September 30,1961 the show expanded to a hour long format that produced 176 episodes in black and white until May 7,1966. Then on September 17,1966 the show evolved from 11 seasons in black and white to color for 266 episodes until the final episode of the series on March 31,1975. During the first few seasons of "Gunsmoke" the show was in the top ten of the Nielsens becoming a huge Saturday night prime time favorite between 1955-1961 where the show became a phenomenon. By 1967, in it's 13th season, CBS made the decision to move the series from Saturday nights to Monday nights where it was back at the top of the ratings,due to a new audience and a earlier time slot. Between Seasons 13 thru 20 saw "Gunsmoke" surging back into the Top Ten of the Nielsens becoming one of the top five shows on television between 1967-1975.
The astounding success of "Gunsmoke" spawned seven Prime-Time Emmy nominations during it's run winning four Prime-Time Emmys in 1958(Best Dramatic Series);1959(Best Supporting Actor-Dennis Weaver);1968(Outstanding Actor in a Supporting Role-Milburn Stone);1970(Outstanding Achievement in Film Editing). "Gunsmoke" was nominated for four Golden Globes with actress Amanda Blake for Best Actress in a Dramatic Series three times in 1970,1971 and 1972. Golden Globe nominated also when to Milburn Stone for Best Supporting Actor in a Dramatic Series in 1972. Golden Globe nominations also went to Ken Curtis and James Arness as well. When "Gunsmoke" ended it's run in 1975 it marked the end of the television Western...an astounding feat that when it was on the air during the early-1970's it surpass it's rival "Bonanza" which was already off the air two years earlier. When it was abruptly canceled on March 31,1975(with the final episode of the series "The Sharecroppers") the cast had no warning and learned their fate from media outlets. On September 8, 1975 the two shows that replaced the long-running "Gunsmoke" were two spinoffs of CBS' "Mary Tyler Moore Show" which were "Rhoda",and "Phyllis" that were placed on it's prime- time Monday night schedule. James Arness reprised the role of Marshal Dillon for six made for television movies based on "Gunsmoke" that aired on CBS between 1987 and 1994 featuring the original cast that includes Ken Curtis, Amanda Blake and Buck Taylor.
When you're talking TV westerns there are only two really that are at the top, interchangeably as it were. One is CBS's Gunsmoke and the other is NBC's Bonanza. Then you discuss anything else.
It's interesting to speculate how John Wayne's career might have taken a different turn had he accepted the offer to star in a weekly half hour television show about the Marshal of Dodge City. But of course he didn't do it, but instead pushed hard for an even taller marshal for the Kansas frontier town. James Arness had co-starred with the Duke in Big Jim McLain, Island in the Sky, and Hondo. He certainly brought a Duke like presence to the role of Marshal Matt Dillon.
A lot of people forget that Gunsmoke was a radio series for several years before it came to television. It ran parallel on radio in the declining years of radio drama and the voice of Matt Dillon on the radio was William Conrad. Certainly a capable enough actor, Conrad's squat appearance just didn't match the description on radio of Dillon. Why do you think John Wayne was the first choice?
Besides the regulars on every week which included Dennis Weaver as the stiff legged somewhat mentally challenged Deputy Chester Goode, Milburn Stone as testy and cantankerous Doctor Galen Adams, and Amanda Blake as Matt's significant other, Kitty Russell of the Longbranch saloon, the writers were smart enough to make sure the producers kept a recurring cast of regulars as the townspeople. Roy Roberts the banker, Eddy Waller as the livery stable owner, Glenn Strange as the bartender in the Longbranch, and for a while Burt Reynolds as a blacksmith, popped up in several episodes a year, even just with a line or two. It kept a great sense of continuity and the whole community of Dodge City became like familiar friends.
Poor Dennis Weaver who related the stiff leg was his idea to establish individuality of his character and that he had to study yoga in order to walk with it and mount a horse said that he would have done something different if he knew how difficult it was going to be. He read for the Matt Dillon part and took the role of Chester because he needed the work. But after several seasons, he naturally did not want to spend his career typecast as a half wit. He quit and the rustic Festus Hagen came on as the Deputy. Festus was uneducated, but was by no means stupid. His arguments with the cantankerous Doc Adams were classic. Festus was played with real flair by Ken Curtis.
If Gunsmoke is remembered for something other than a really great western series, maybe the best we ever had on television, it's the show that was saved by White House intervention. Along about 1965 because of declining ratings CBS was considering giving it the axe. But in an interview Lady Bird Johnson happened to mention that Gunsmoke was her favorite television show. That offhand comment revived interest in the series and CBS kept Gunsmoke on for another decade.
Gunsmoke was an adult western, the plot situations were adult, but it's characters were both real and morally upright. Matt Dillon was no kid's cowboy hero like Gene Autry or Roy Rogers, but he was honest and decent and a fine role model who was incorruptible. And he and Kitty Russell had an adult romance going in the same manner as Perry Mason and Della Street. It was unspoken that sex as well as liquor was to be had at the Longbranch, but Miss Kitty had eyes only for the Marshal.
As did America for twenty satisfying years.
It's interesting to speculate how John Wayne's career might have taken a different turn had he accepted the offer to star in a weekly half hour television show about the Marshal of Dodge City. But of course he didn't do it, but instead pushed hard for an even taller marshal for the Kansas frontier town. James Arness had co-starred with the Duke in Big Jim McLain, Island in the Sky, and Hondo. He certainly brought a Duke like presence to the role of Marshal Matt Dillon.
A lot of people forget that Gunsmoke was a radio series for several years before it came to television. It ran parallel on radio in the declining years of radio drama and the voice of Matt Dillon on the radio was William Conrad. Certainly a capable enough actor, Conrad's squat appearance just didn't match the description on radio of Dillon. Why do you think John Wayne was the first choice?
Besides the regulars on every week which included Dennis Weaver as the stiff legged somewhat mentally challenged Deputy Chester Goode, Milburn Stone as testy and cantankerous Doctor Galen Adams, and Amanda Blake as Matt's significant other, Kitty Russell of the Longbranch saloon, the writers were smart enough to make sure the producers kept a recurring cast of regulars as the townspeople. Roy Roberts the banker, Eddy Waller as the livery stable owner, Glenn Strange as the bartender in the Longbranch, and for a while Burt Reynolds as a blacksmith, popped up in several episodes a year, even just with a line or two. It kept a great sense of continuity and the whole community of Dodge City became like familiar friends.
Poor Dennis Weaver who related the stiff leg was his idea to establish individuality of his character and that he had to study yoga in order to walk with it and mount a horse said that he would have done something different if he knew how difficult it was going to be. He read for the Matt Dillon part and took the role of Chester because he needed the work. But after several seasons, he naturally did not want to spend his career typecast as a half wit. He quit and the rustic Festus Hagen came on as the Deputy. Festus was uneducated, but was by no means stupid. His arguments with the cantankerous Doc Adams were classic. Festus was played with real flair by Ken Curtis.
If Gunsmoke is remembered for something other than a really great western series, maybe the best we ever had on television, it's the show that was saved by White House intervention. Along about 1965 because of declining ratings CBS was considering giving it the axe. But in an interview Lady Bird Johnson happened to mention that Gunsmoke was her favorite television show. That offhand comment revived interest in the series and CBS kept Gunsmoke on for another decade.
Gunsmoke was an adult western, the plot situations were adult, but it's characters were both real and morally upright. Matt Dillon was no kid's cowboy hero like Gene Autry or Roy Rogers, but he was honest and decent and a fine role model who was incorruptible. And he and Kitty Russell had an adult romance going in the same manner as Perry Mason and Della Street. It was unspoken that sex as well as liquor was to be had at the Longbranch, but Miss Kitty had eyes only for the Marshal.
As did America for twenty satisfying years.
- bkoganbing
- May 25, 2008
- Permalink
"Gunsmoke" was the first television Western. The longevity of the series is for two basic reasons: excellent scripts and and excellent casting. James Arness as Matt Dillon and Milburn Stone as Doc Adams remained with the series for all 20 years; Amanda Blake as Kitty was a regular for 19 years; Dennis Weaver as Chester ("Have a cup of coffee, Mr. Dillon") for 9 years; and Ken Curtis as Festus for the last 11 years. The writers never felt compelled to changing the characters to hype the story, like marrying off Matt and Kitty. The stories were adult, and frequently had endings that the Lone Ranger would not have appreciated. Even Buck Taylor as Newly and Glenn Strange as Sam the bartender were cast members for many years, Taylor until the the series ended and Strange until his death. . When "Gunsmoke" was abruptly canceled, it still had solid ratings, so the cancellation was a surprise. At the time, CBS was known for its capricious programming changes during a period when they were trying to appeal to a younger audience.
Those of us old enough remember Gunsmoke as a cultural landmark. Not only did the show usher in the era of the adult Western, but it also brought to series TV some strong dramatic values not much in evidence at the time. Few of us ever expected the show would last as long as it did. Nonetheless, there are some good reasons for the longevity. Those reasons, I believe, are most noticeable during about a five-year period from 1956 through the early 60's, and are worth focusing on for fans of the series.
The first year (1955) was far from the best, but it did put in place several elements that would mature powerfully over the following period. Of course, there's the cast of those early years. Above all, there's James Arness as the Marshal. Once Arness gets into the role after an uneven start, he's simply superb as the show's long-time anchor. Dennis Weaver's Chester is memorably easy to parody, with his slow wits and distinctive down-home drawl. But Weaver's also a fine actor, who provided his character with a rare measure of pathos unequaled by other supporting players over the 20 year run. There was always the chance that Chester's "comic relief" would descend into buffoonery, but Weaver and the producers handled the risk well. Milburn Stone's Doc adds a lot of color to the core cast, but he also trafficked in a lot of self-conscious mannerisms for my taste. Nonetheless, he mixed well with the others, while his caustic bantering with the over-matched Chester could be both unforced and funny. And, of course, there's Amanda Blake's Kitty, the good-hearted saloon-keeper, who a led a rather implausibly chaste private life. But here we're dealing with the mores of the time. The fact is that Blake brings just the right emotional tone to a character that was more constrained than the others. The cast may not seem so special on paper, but on screen the chemistry was superb.
The 1955 entries opened with an unusual prologue-- Matt's little contemplative walk through Boot Hill where he pondered the fate of those mouldering in their graves.These reflective moments set an unusual tone for an action genre. Plus, they provided an extra dimension that took us outside the story by suggesting there are larger meanings within which the story would unfold. These were not heavy-handed messages, but rather subtle suggestions that moral lessons can be drawn from the stories that follow. The prologue was dropped after the first year, perhaps because the writers had exhausted the brief time frame. Nonetheless, the undercurrent continued for the next few years, especially in Matt's reactions to how some stories turned out. In "Brother Whelp" (1959), for example, he finds out the unexpected truth behind two brothers' rivalry over the same girl,. His perplexed reactions in the final few seconds indicate an attempt to come to grips with the strange ways of the world, ones that continue to elude his grasp. Thus, the episode ends on a subtly contemplative note, unusual for that day or any day. It's this inner dimension present at times during the early years that is often overlooked.
Above all, however, it was the superior scripts that distinguished the series during this period. The excellence, I believe, was largely due to one man-- John Meston, who appears to have served as head writer until 1965. Note how many of the best screen-plays were either penned by him or taken from his ideas. He came to the TV production from the radio version where I expect he honed his skills. Those skills are in real evidence from 1956 to the early 60's. (And I expect it's no accident that this is the same time-frame during which Norman Mac Donnell served as series producer-- the man responsible for assembling the production crew.) Meston's specialty was dramatic structure. His best scripts are tight, suspenseful, and about as realistic as constraints of the time would allow. At his best, there was a dark inkling of just how difficult life on the Kansas frontier was. It's those moments I like best when some sorry homesteader or drifter confronts moments of personal anguish in the face of never-ending hard work, hostile Indians, and unforgiving elements-- in short, those rare moments of historical truth. Few series of the time bothered with the actual plight of prairie sod-busters. But Meston sometimes did. He was also good at limning colorful characters, building suspense, and also, surprisingly for the day, giving women strong roles in a genre that traditionally downplayed them. Together with Mac Donnell, I believe these two are largely responsible for Gunsmoke's "golden age". Too bad, their behind-the-scenes contributions have never been duly recognized.
I haven't seen all the entries from this 5-year period, but I have seen the majority. So let me recommend a few that I think are worth catching up with. "The Guitar"(1955), easily the best of the first season, scripted by the legendary maverick, Sam Peckinpah, and no doubt the only entry of that period to implicate cast principals in a major crime!; "Ma Tennis" (1958), an original concept, superbly directed by Buzz Kulik, with a number of dramatic twists; "Jayhawkers" (1959), an effective glimpse of a Texas trail crew, with a surprising dramatic turn by Jack Elam; "Kangaroo" (1959) a fearsome entry, with hulking, Bible spouting Peter Whitney showing no mercy to even his sons; and,"The Cabin" (1958), an unusual noirish entry that somehow got past the censors.
None of this is to deny that later entries in the series lacked merit. However, I do think the series soon lost the edge and tightness of this peak period. I'm only sorry that copies are so difficult to obtain. Most are worth a look-see, even in our era of super-charged TV.
The first year (1955) was far from the best, but it did put in place several elements that would mature powerfully over the following period. Of course, there's the cast of those early years. Above all, there's James Arness as the Marshal. Once Arness gets into the role after an uneven start, he's simply superb as the show's long-time anchor. Dennis Weaver's Chester is memorably easy to parody, with his slow wits and distinctive down-home drawl. But Weaver's also a fine actor, who provided his character with a rare measure of pathos unequaled by other supporting players over the 20 year run. There was always the chance that Chester's "comic relief" would descend into buffoonery, but Weaver and the producers handled the risk well. Milburn Stone's Doc adds a lot of color to the core cast, but he also trafficked in a lot of self-conscious mannerisms for my taste. Nonetheless, he mixed well with the others, while his caustic bantering with the over-matched Chester could be both unforced and funny. And, of course, there's Amanda Blake's Kitty, the good-hearted saloon-keeper, who a led a rather implausibly chaste private life. But here we're dealing with the mores of the time. The fact is that Blake brings just the right emotional tone to a character that was more constrained than the others. The cast may not seem so special on paper, but on screen the chemistry was superb.
The 1955 entries opened with an unusual prologue-- Matt's little contemplative walk through Boot Hill where he pondered the fate of those mouldering in their graves.These reflective moments set an unusual tone for an action genre. Plus, they provided an extra dimension that took us outside the story by suggesting there are larger meanings within which the story would unfold. These were not heavy-handed messages, but rather subtle suggestions that moral lessons can be drawn from the stories that follow. The prologue was dropped after the first year, perhaps because the writers had exhausted the brief time frame. Nonetheless, the undercurrent continued for the next few years, especially in Matt's reactions to how some stories turned out. In "Brother Whelp" (1959), for example, he finds out the unexpected truth behind two brothers' rivalry over the same girl,. His perplexed reactions in the final few seconds indicate an attempt to come to grips with the strange ways of the world, ones that continue to elude his grasp. Thus, the episode ends on a subtly contemplative note, unusual for that day or any day. It's this inner dimension present at times during the early years that is often overlooked.
Above all, however, it was the superior scripts that distinguished the series during this period. The excellence, I believe, was largely due to one man-- John Meston, who appears to have served as head writer until 1965. Note how many of the best screen-plays were either penned by him or taken from his ideas. He came to the TV production from the radio version where I expect he honed his skills. Those skills are in real evidence from 1956 to the early 60's. (And I expect it's no accident that this is the same time-frame during which Norman Mac Donnell served as series producer-- the man responsible for assembling the production crew.) Meston's specialty was dramatic structure. His best scripts are tight, suspenseful, and about as realistic as constraints of the time would allow. At his best, there was a dark inkling of just how difficult life on the Kansas frontier was. It's those moments I like best when some sorry homesteader or drifter confronts moments of personal anguish in the face of never-ending hard work, hostile Indians, and unforgiving elements-- in short, those rare moments of historical truth. Few series of the time bothered with the actual plight of prairie sod-busters. But Meston sometimes did. He was also good at limning colorful characters, building suspense, and also, surprisingly for the day, giving women strong roles in a genre that traditionally downplayed them. Together with Mac Donnell, I believe these two are largely responsible for Gunsmoke's "golden age". Too bad, their behind-the-scenes contributions have never been duly recognized.
I haven't seen all the entries from this 5-year period, but I have seen the majority. So let me recommend a few that I think are worth catching up with. "The Guitar"(1955), easily the best of the first season, scripted by the legendary maverick, Sam Peckinpah, and no doubt the only entry of that period to implicate cast principals in a major crime!; "Ma Tennis" (1958), an original concept, superbly directed by Buzz Kulik, with a number of dramatic twists; "Jayhawkers" (1959), an effective glimpse of a Texas trail crew, with a surprising dramatic turn by Jack Elam; "Kangaroo" (1959) a fearsome entry, with hulking, Bible spouting Peter Whitney showing no mercy to even his sons; and,"The Cabin" (1958), an unusual noirish entry that somehow got past the censors.
None of this is to deny that later entries in the series lacked merit. However, I do think the series soon lost the edge and tightness of this peak period. I'm only sorry that copies are so difficult to obtain. Most are worth a look-see, even in our era of super-charged TV.
- dougdoepke
- Oct 8, 2007
- Permalink
I discovered Gunsmoke 34 years after it had been off the air, in 2008 by watching one of its late 1970's entry and was impressed, so I decided to start from the beginning and I am amazed by how a western tv show that began 14 years before I was even born could have been written to stand the test of time---65 years ago, and the early episodes (1 - 7) are some of the best written and acted human drama that can be applied to life today.
- labenji-12163
- May 29, 2020
- Permalink
Unfortunately, I am a real 'greenhorn' when it comes to this show, being such a latecomer and all (endless thanks & kudos to 'The Western Channel') - but I know a quality series when I see one. I can't take my eyes off this thing once an episode gets going, and the characters, storylines and acting are all in a class of their own. All I can say is God Bless Marshall Dillon, Festus, Miss Kitty, Chester, Quint, Sam, Doc and all the rest of the characters and the actors who played them. There will never be another show that can even spit-shine the dust from Gunsmoke's boots.
- napalmzappa
- Dec 21, 2003
- Permalink
Subconsciously I'm always comparing today's actors with the core actors of Gunsmoke, and today's actors come up short. Burt Reynolds In the book foreword of James Arness biography tells it best how behind the scenes how everyone took it so seriously that they were telling a story to show pretty much the truth of how it was in the late 1800s often based on true stories. The first half hour, black-and-white shows in my opinion were the best followed by the one hour black and whites, but after the 10th season it seemed to just become a basic well done drama, but I read that was caused by many people saying the early shows were too violent but more enjoyable to me as they were gritty as it probably actually was.
- vincentbarbeaux
- Jan 15, 2020
- Permalink
The original title of "Kitty's Love Affair" was "End of the Run." The story depicted a gunfighter who fell in love with Kitty and hoped that, by buying a ranch and settling down, he could encourage her to marry him. The original ending had the gunfighter (Richard Kiley) hanged. Unfortunately, John Mantley, the producer, decided that, yet again, Matt would save the day. Before Mr. Kiley was cast in the role of Will Stambridge, the writers (S.L. Kotar and J.E. Gessler) were told there could be no kissing scenes between the gunfighter and Miss Kitty because "Gunsmoke fans would never allow it." After Richard accepted the role, the script was altered to allow Will to kiss Kitty four times! This was the highest rated episode in the twenty year history of Gunsmoke.
- kirbylee70-599-526179
- Aug 3, 2020
- Permalink
First, I want to agree to every positive word said about Gunsmoke and ALL of the actors throughout the series. I grew up watching every episode of Gunsmoke that I could. More than entertaining TV, you actually learned 'Life Lessons' from the stories. They were all top of the line. But, more than that.....
In 1955, I was only SEVEN YEARS OLD when Gunsmoke started. By the time I turned 18 years old, I was still glued to the TV every time it came on. In 1967, just as the new Fall series was getting started, I had the rug pulled out from under my feet when I was drafted into the U. S. Army. No more TV and no more Gunsmoke for me. Then I was sent to Vietnam, where I spent 13 months of my two year tour of duty.
When I returned to my civilian life back in Oklahoma in 1969, I had no interest in watching ANY TV . I had no idea, and would never have expected that Gunsmoke was still on the air. Time went by ever so slowly as I had to deal with a devastating condition, unknown to me at the time, as PTSD. Eventually there came a time when I ran out of booze, money and none of my friends were available to run around with to get my mind off of all of the things I didn't want to think about.
So I turned on the TV and started flipping through the channels. Good God Almighty!!! There before my eyes was an episode of Gunsmoke. I couldn't believe it! I settled back in my chair and started watching, getting drawn into the story, loving the characters, and escaping from the life I wanted to get away from. From then on I could barely stand it until the next week when it would come on again.
Now this story may sound a little fantastic to some of you. But I honestly believe that all of those characters and stories on Gunsmoke helped to save my life. They gave me something to look forward to, something to really enjoy once again. And as time went by, other things developed in my life, for the better, and better and better. Thank you Matt and Kitty, Chester and Festus, Doc, Sam, Newley and all the others. Thank you Gunsmoke for all of those wonderful shows!!!
AND, Yes, of course, I am watching all of the reruns on the various cable channels I can find. Yeeeeehaaaaa!
In 1955, I was only SEVEN YEARS OLD when Gunsmoke started. By the time I turned 18 years old, I was still glued to the TV every time it came on. In 1967, just as the new Fall series was getting started, I had the rug pulled out from under my feet when I was drafted into the U. S. Army. No more TV and no more Gunsmoke for me. Then I was sent to Vietnam, where I spent 13 months of my two year tour of duty.
When I returned to my civilian life back in Oklahoma in 1969, I had no interest in watching ANY TV . I had no idea, and would never have expected that Gunsmoke was still on the air. Time went by ever so slowly as I had to deal with a devastating condition, unknown to me at the time, as PTSD. Eventually there came a time when I ran out of booze, money and none of my friends were available to run around with to get my mind off of all of the things I didn't want to think about.
So I turned on the TV and started flipping through the channels. Good God Almighty!!! There before my eyes was an episode of Gunsmoke. I couldn't believe it! I settled back in my chair and started watching, getting drawn into the story, loving the characters, and escaping from the life I wanted to get away from. From then on I could barely stand it until the next week when it would come on again.
Now this story may sound a little fantastic to some of you. But I honestly believe that all of those characters and stories on Gunsmoke helped to save my life. They gave me something to look forward to, something to really enjoy once again. And as time went by, other things developed in my life, for the better, and better and better. Thank you Matt and Kitty, Chester and Festus, Doc, Sam, Newley and all the others. Thank you Gunsmoke for all of those wonderful shows!!!
AND, Yes, of course, I am watching all of the reruns on the various cable channels I can find. Yeeeeehaaaaa!
(*Trivia note of interest*) - Spanning for a total of twenty years (1955-1975) - "Gunsmoke" remains the longest-running, prime-time, live-action TV series of the 20th century.
Both actors James Arness, (as US Marshal, Matt Dillon) and Milburn Stone (as Dr. Galen "Doc" Adams) remained prominent in their roles in "Gunsmoke" for its entire 20-year running time.
During "Gunsmoke's" first six seasons its episodes were just twenty-five minutes in length and this certainly helped to keep the story-lines really tight, to-the-point, and free of superfluous filler scenes which tended to frequently bog down the action in many episodes of the latter seasons that were all fifty minutes in length.
Both actors James Arness, (as US Marshal, Matt Dillon) and Milburn Stone (as Dr. Galen "Doc" Adams) remained prominent in their roles in "Gunsmoke" for its entire 20-year running time.
During "Gunsmoke's" first six seasons its episodes were just twenty-five minutes in length and this certainly helped to keep the story-lines really tight, to-the-point, and free of superfluous filler scenes which tended to frequently bog down the action in many episodes of the latter seasons that were all fifty minutes in length.
- StrictlyConfidential
- Apr 17, 2020
- Permalink
Doing a review of Gunsmoke is a labor of love. 635 episodes over twenty years! Starred James Arness as Marshal Matt Dillon, the steadfast beacon of Dodge City, dogged in his pursuit of killers, thieves and villains. Amanda Blake portrayed the beautiful, fiery Miss Kitty Russell, the proprietor of the Long Branch saloon, and Milburn Stone as the curmudgeon Doc Adams, always stroking his face and patching up countless wounds. Marshal Dillon's sidekick was first Dennis Weaver as Chester Goode, the loyal helper with a limp who always seemed to encounter trouble. Burt Reynolds was Quint Asper, the half-breed blacksmith who could fight with his hands or a gun. And in Season 9, the introduction of Ken Curtis as Festus Haggen, Matt's deputy, the tough, whiskered companion, whose running verbal feuds with Doc Adams ( you ole scudder! ) were always of great amusement. In the early seasons of Gunsmoke, the introductory soliloquy by Matt Dillon as he walked ruefully through Boot Hill cemetery, reflecting on the unfortunate inhabitants, and remarking that men were quicker to draw their guns than to draw upon their logic in the face of danger. The acting was hallmark, the stories exciting and a great cast of characters who appeared in each episode, such as John Dehner, Darren McGavin, Steve Forrest, Morgan Woodward, Lee J. Cobb, John Anderson, Richard Kiley, Ricardo Montalban, Betty Davis, Bruce Dern, Nehemiah Persoff and James Gregory to name a select few. The show's themes of courage, redemption, justice, honor, revenge, love and loyalty stand as timeless monuments to the greatness of each week's episode. Gunsmoke defines the western genre as none other ever will!
I give Gunsmoke (black and white, with Chester) a 10-star. Then I give the remaining seasons with Festus a 4-star. So, that comes out to a 7-Star.
Chester (Dennis Weaver) was a huge part of the show's success. Chester's character is so real, and Dennis Weaver is a genius actor. Chester is goofy, yet serious. He never carries a gun, but is right there to use one if the situation calls for it. He is child like, but likes to drink and loves flirting with pretty girls. Not to mention that he plays the guitar and sings. Further, the touch of friendly antagonism with Chester and Doc seems genuine and entertaining.
When Festus came on the scene, the show went downhill, in my opinion. Festus is just too over-the-top. His scruffy appearance got old after a while, and his constant whining became irritating. Festus tried to replicate the friendly antagonism that Chester had with Doc, but could not pull it off; always looked fake to me.
If you have the opportunity to watch the Chester Gunsmokes, do so....they are great!
Chester (Dennis Weaver) was a huge part of the show's success. Chester's character is so real, and Dennis Weaver is a genius actor. Chester is goofy, yet serious. He never carries a gun, but is right there to use one if the situation calls for it. He is child like, but likes to drink and loves flirting with pretty girls. Not to mention that he plays the guitar and sings. Further, the touch of friendly antagonism with Chester and Doc seems genuine and entertaining.
When Festus came on the scene, the show went downhill, in my opinion. Festus is just too over-the-top. His scruffy appearance got old after a while, and his constant whining became irritating. Festus tried to replicate the friendly antagonism that Chester had with Doc, but could not pull it off; always looked fake to me.
If you have the opportunity to watch the Chester Gunsmokes, do so....they are great!
- mozart-73268
- Nov 23, 2022
- Permalink
I remember watching Gunsmoke in the late 1950's. In black and white or in color it was consistently good, in large part, due to its talented cast. Originally John Wayne was offered the part but felt TV was not his cup of tea. He recommended a tall, good looking James Arness to play Matt Dillon and the rest is history.For the first 9 years, Dennis Weaver played Matt's devoted friend and deputy. Amanda Blake was perfect in the role of Miss Kitty, who ran the local Dodge City saloon. Milburn Stone, a long time screen actor, was given the part of Doc Adams, an outspoken man with a heart of gold. Then there was Ken Curtis who played Festus Hagen, a lovable deputy who was an equal replacement for Dennis Weaver. For 20 years, Gunsmoke graced the television line up at CBS. It was a different western in that its scripts were often filled with emotional stories that developed its characters. It employed many of our finest actors in guest roles. Realistic filming in Thousand Oaks, Ca. and in southwest Utah added to its appeal. It still runs today on Nick at Night and continues to captivate its audience. It is just plain good!!!
For many,"Gunsmoke" remains the ultimate Western series, if only by virtue of it's longevity. At it's peak no other prime-time scripted,live action drama ran for longer than it did and alongside "Wyatt Earp",and "Cheyenne",it ushered in a veritable gold rush of television Westerns for adult viewers. Central to the show's success was James Arness' earnest performance as craggy faced Marshal Matt Dillon of Dodge City who was a hero and a paternal figure who held law and order in the West whose relationship with saloon owner Kitty Russell(Amanda Blake) was implicit but chaste. Alongside his trusted deputy Chester Goode(Dennis Weaver),and the dependable town physician,Doc Adams(Milburn Stone) the series from the first episode became one of the bonafide hits of the mid-1950's becoming during the first couple of seasons the Number One show on television between 1955- 1961,and again was back in the Top Ten of the Nielsen during the late- 1960's and throughout the early-1970's. The astounding success of "Gunsmoke" spawned seven Emmy nominations and won four Prime-Time Emmys in 1958(Best Dramatic Series);1959(Best Supporting Actor Dennis Weaver);1968(Outstanding Actor in a Support Role Milburn Stone);1970(Outstanding Achievement in Film Sound Editing). It was nominated for four Golden Globes with actress Amanda Blake nominated for Best Actress in a Dramatic Series three times in 1970,1971,and 1972 and Milburn Stone for Best Supporting Actor in a Dramatic Series in 1972.
John Wayne,who legend has it,was considered for the role of Marshal Dillon,and recommended his good friend James Arness for the job,and subsequently introduced viewers to the pilot episode("Matt Gets It" on September 10, 1955). Created by John Meston and Norman MacDonnell(for Seasons 1-9) along with producers John Mantley and Phillip Leacock(for Seasons 10-20),the series "Gunsmoke" began on radio in 1952 with William Conrad as Dillon,then made the transition to television. The series premiered on CBS' Saturday night schedule on September 10,1955 producing 233 half- hour episodes in black and white until June 17,1961(Seasons 1-6). On September 30,1961 the show expanded to a hour long format producing 176 episodes in black and white until May 7,1966(Seasons 7-11)Then the show evolved into color for 266 episodes from September 17,1966 until March 31,1975(Seasons 12-20). Only actors James Arness and Milburn Stone were the only cast members that stayed with the series throughout it's entire 20-year run.
Actress Amanda Blake(Kitty Russell) was in Seasons 1-19 only,while other actors such as Dennis Weaver(Chester Goode)was in Seasons 1 thru 9 only. Weaver was gone at the end of the show's ninth season and was replaced by actor Ken Curtis(Festus Hagen) in 1964 and remained with the series throughout it's run until 1975(Seasons 10 thru 20). Ken Curtis actually appeared in several episodes as a guest star. Actor Burt Reynolds(Quint Asper)appeared in Seasons 8 thru 10 for 50 episodes until the end of the show's 10th season when he was replaced by Actor Roger Ewing(Thad Greene) for Seasons 11 thru 13 only. Buck Taylor(Newly)replaced Roger Ewing when he left at the end of Season 12. Taylor also appeared as a guest star in Season 12 episodes,but became a regular in Seasons 13 thru 20 until 1975,when the show ended it's triumph run.
"Gunsmoke" during it's first eight seasons was in the Top Ten of the Nielsens,but when the ratings were slipping during the mid-1960's, a sudden move of the schedule sent the show from Saturday nights where it had been for the past 12 seasons to Monday nights at the beginning of Season 13,sent the show surging back into the Top Ten of the Nielsens becoming one of the top five shows on television from 1967-1975. When it was abruptly canceled on March 31,1975 after 635 episodes and 20 seasons the cast has no warning and learned their fate from press reports. On September 8, 1975, the two shows that replaced "Gunsmoke" were two spinoffs of "The Mary Tyler Moore Show" which were "Rhoda" and "Phyllis",to fill that Monday night schedule. The phenomenal success of "Gunsmoke" helped established a standard for adult Western storytelling that has rarely been matched on the small or big screen. "Gunsmoke" spawned a spin-off called "Dirty Sally" starring Jeannette Nolan(who was a guest star in several episodes of "Gunsmoke" appearing in numerous roles)that lasted one season in 1974. James Arness did reprised the role of Marshal Dillon again when CBS aired five made for television sequels based on "Gunsmoke" that aired from 1987 until 1994. "Gunsmoke" held the title as the longest running prime time drama on television which has now been eclipsed by "Law and Order",and the animated "The Simpsons" for its longevity.
John Wayne,who legend has it,was considered for the role of Marshal Dillon,and recommended his good friend James Arness for the job,and subsequently introduced viewers to the pilot episode("Matt Gets It" on September 10, 1955). Created by John Meston and Norman MacDonnell(for Seasons 1-9) along with producers John Mantley and Phillip Leacock(for Seasons 10-20),the series "Gunsmoke" began on radio in 1952 with William Conrad as Dillon,then made the transition to television. The series premiered on CBS' Saturday night schedule on September 10,1955 producing 233 half- hour episodes in black and white until June 17,1961(Seasons 1-6). On September 30,1961 the show expanded to a hour long format producing 176 episodes in black and white until May 7,1966(Seasons 7-11)Then the show evolved into color for 266 episodes from September 17,1966 until March 31,1975(Seasons 12-20). Only actors James Arness and Milburn Stone were the only cast members that stayed with the series throughout it's entire 20-year run.
Actress Amanda Blake(Kitty Russell) was in Seasons 1-19 only,while other actors such as Dennis Weaver(Chester Goode)was in Seasons 1 thru 9 only. Weaver was gone at the end of the show's ninth season and was replaced by actor Ken Curtis(Festus Hagen) in 1964 and remained with the series throughout it's run until 1975(Seasons 10 thru 20). Ken Curtis actually appeared in several episodes as a guest star. Actor Burt Reynolds(Quint Asper)appeared in Seasons 8 thru 10 for 50 episodes until the end of the show's 10th season when he was replaced by Actor Roger Ewing(Thad Greene) for Seasons 11 thru 13 only. Buck Taylor(Newly)replaced Roger Ewing when he left at the end of Season 12. Taylor also appeared as a guest star in Season 12 episodes,but became a regular in Seasons 13 thru 20 until 1975,when the show ended it's triumph run.
"Gunsmoke" during it's first eight seasons was in the Top Ten of the Nielsens,but when the ratings were slipping during the mid-1960's, a sudden move of the schedule sent the show from Saturday nights where it had been for the past 12 seasons to Monday nights at the beginning of Season 13,sent the show surging back into the Top Ten of the Nielsens becoming one of the top five shows on television from 1967-1975. When it was abruptly canceled on March 31,1975 after 635 episodes and 20 seasons the cast has no warning and learned their fate from press reports. On September 8, 1975, the two shows that replaced "Gunsmoke" were two spinoffs of "The Mary Tyler Moore Show" which were "Rhoda" and "Phyllis",to fill that Monday night schedule. The phenomenal success of "Gunsmoke" helped established a standard for adult Western storytelling that has rarely been matched on the small or big screen. "Gunsmoke" spawned a spin-off called "Dirty Sally" starring Jeannette Nolan(who was a guest star in several episodes of "Gunsmoke" appearing in numerous roles)that lasted one season in 1974. James Arness did reprised the role of Marshal Dillon again when CBS aired five made for television sequels based on "Gunsmoke" that aired from 1987 until 1994. "Gunsmoke" held the title as the longest running prime time drama on television which has now been eclipsed by "Law and Order",and the animated "The Simpsons" for its longevity.
I am 50 years old, and really enjoy watching this show on TVLAND and INSP Network. I remember it when I was a kid, but I didn't appreciate it. This show is a great change from whats on now. I enjoy lots of new shows too, but this is a different time and they spared no expense creating it. It ran for over 20 years so that says a lot..I absolutely love watching it and spotting young movie stars who had roles in the series. Kurt Russell, Harrison Ford, and many others, even Ron Howard..If you're looking for a change and enjoy westerns, give it a shot..
- ronnie_blackiii
- Aug 12, 2020
- Permalink
As a youngster I fell in love with the show during it's last five years on the air....thank God for reruns.....fantastic story writing and actors. I love the early episodes as well as the later episodes. They had a great way of bringing in new characters on a transitional basis, who would eventually become regulars and keep making the show even better; Festus being the best. It kept a real continuity to the show. The show was realistic in that it didn't always have a completely happy ending all the time.....but always provided a moral to the story....something Hollywood has mostly forgotten about today....It could be rough and showed how violent the Old West could be but yet the tight friendship between the main characters had a way of warming your heart.
- jsignoretta
- Dec 26, 2013
- Permalink
- happipuppi13
- Apr 26, 2022
- Permalink
From the radio days,and then to television, "Gunsmoke" has become THE!! classic television western of all time!! Why was it so popular? A lot of reasons!! The imagery of how dreadfully scary it would be to live in the Kansas territory (aka Dodge City) during the late 1800's was superbly executed in this series!! Even the title "Gunsmoke" suggests that there was always a shootout, hence, you always saw gun smoke in the air!! The cast became legendary in this show!! All of them have been the recipients of residuals to this series that have made them wealthy ten times over again in their own rights!! "Gunsmoke" has been the longest running prime time television series in the history of television thus far!! "Law and Order" is now breathing down it's neck!! America's fascination with the rugged old west gave way to many Westerns and Western T.V. Shows... "Gunsmoke" was the typification of American's desire to indulge in the prefabricated small screen version of Cowboys in action!! Accolades for this show are endless, and "Gunsmoke" would, without question, be categorized as something that is as "American as Apple Pie"..... I loved this show, and as a kid, it entertained me in that wholesome sort of way!! You did get a feel for how difficult things were for settlers of Dodge City, and you, as a comfortable twentieth century American, evaluating the deplorable circumstances of yesteryear, can appreciate the sacrifices our pioneers of "Gunsmoke" endured!! The overall assessment of this television show: American classics should be treasured!!!
- dataconflossmoor
- May 21, 2007
- Permalink
I watch this on the Encore westerns channel and I must say I love it as much today as I did when I first saw it. Thankfully there are like 20 seasons of episodes for them to run. This is absolutely the best of the 50's and 60's westerns and that's quite a feat considering there were quite a few good ones including Rawhide, The Virginian, Bonanza, Have Gun Will travel, Wagon Train etc. Dillon wasn't an angel, he was conflicted at times, but he was wise and had integrity knowing what's right and wrong. He didn't hesitate to deal out some frontier justice to people who deserved it so he was no Gene Autry. The cast of characters was always good but I must admit I've always found Chester kind of annoying.
- rbseaking1
- Feb 7, 2012
- Permalink
Yippie-Yi-Yo-Ki-Yay!!
Welcome to the roughest, toughest, meanest town in the entire American West - Dodge City.
It's here that the no-nonsense marshal, Matt Dillon, tries to keep the peace as he confronts more than his fair share of some of the most ruthless outlaws, mean-mouthed rustlers, and trigger-happy gunslingers ever imagined.
So saddle up, folks! And get yourself ready for a rootin'-tootin' showdown of trailblazing action, drama, and excitement from TV's "Gunsmoke".
Yippie-Yi-Yo-Ki-Yay!!
Welcome to the roughest, toughest, meanest town in the entire American West - Dodge City.
It's here that the no-nonsense marshal, Matt Dillon, tries to keep the peace as he confronts more than his fair share of some of the most ruthless outlaws, mean-mouthed rustlers, and trigger-happy gunslingers ever imagined.
So saddle up, folks! And get yourself ready for a rootin'-tootin' showdown of trailblazing action, drama, and excitement from TV's "Gunsmoke".
Yippie-Yi-Yo-Ki-Yay!!
- strong-122-478885
- Mar 11, 2018
- Permalink
- Tthomaskyte
- May 4, 2012
- Permalink
I finally got the complete series in 2020 and Dad had passed away to not watch it with me. If i was born a boy i was to be named Matthew after Matt Dillon. So before 4/26/20 i had never seen a black and white or Chester. Nimoy is no Injun. Love it when Festus talks & sings in his real voice. Love the song 6 shiny black horses. Gotta deal with that Kim Darby i can't stand her. She gets her come uppance though in Halloween 666. Kitty and Dillon were banging every night, it was so obvious. Ands he was going to retire his badge till a wh*re got hurt. Buy they valued them women, not worth a penny. Steve Forrest almost killed Kitty, sadly though he does not. The reasons why i watch it - Jaffe, Milford, Ruskin, Haig, Bramley, Larch, Cleef, Brand, Davis, Strange who is so cute, Holman, Watson, and all the other sexy villain's that guest star.
- QueenoftheGoons
- May 30, 2022
- Permalink
This must rate as one of the most bizarre and weird Western television series ever. Hard to understand how this remained on television for twenty years. Sheriff Matt Dillon is basically a serial killer. He just shoots people dead without blinking an eye literally every episode. He is either asexual or neutered. No interest in females. He never once kisses anyone. No romance. Nothing. Whoever wrote the scripts for this show was a weirdo. Romance and kissing is out, but constant killings and even sadistic behavior by almost all the villains is the norm. The acting wasn't anything to write home about. Most performances were flat, wooden and totally void of emotion. People are killed off without a blink of an eye. It is all ho hum. Enough said.
- angelsunchained
- Oct 9, 2023
- Permalink