At a private psychiatric clinic, the daily dramas and interactions between the doctors, nurses, administrators, benefactors and patients are accentuated by the personal and family crises of ... Read allAt a private psychiatric clinic, the daily dramas and interactions between the doctors, nurses, administrators, benefactors and patients are accentuated by the personal and family crises of these individuals.At a private psychiatric clinic, the daily dramas and interactions between the doctors, nurses, administrators, benefactors and patients are accentuated by the personal and family crises of these individuals.
Featured reviews
Minnelli uses a bit of the soundtrack of Seven Brides For Seven Brothers, here (the picture that trumped his own Brigadoon at the box office) - in a scene at the movies. Guess he had no hard feelings.
One of Minnelli's interesting misfires. Even though it doesn't really work, I've seen it three or four times.
The acting is good, overall. Richard Widmark (as the director of the clinic) has two leading ladies, Lauren Bacall and Gloria Grahame. This is one of the few times I've ever really seen Grahame miscast. She had a wide range, after all she played everything from Violet Bick in It's A Wonderful Life, to Rosemary Bartlow in The Bad And The Beautiful, to Ado Annie in Oklahoma. But I think you will agree her role defeats her best efforts here. She starts out very well but I'm not sure I always understood where she was coming from as the film wore on. Bacall plays a simple, sensible girl, and does a good job. Lillian Gish plays the unpredictable Miss Inch, Charles Boyer the self-destructing Dr. Devanal, John Kerr the young and artistic Stevie (a role originally announced for James Dean). Oscar Levant is called upon to go outside his usual comfort zone and I'm not sure he makes it. Susan Strasburg is excellent in a small role.
People fret about the drapes--well really they're only the trigger for the clash. I have the strong feeling that by leaving Chicago to settle in this back-water, McIver has made a mountain of trouble for himself. His wife Karen (splendid performance by Gloria Grahame) is experiencing severe boredom and frustration; she's a sensual romantic woman who is being ignored by her husband, who is trying to find romance with Meg Rinehart (a cool Lauren Bacall). The romantic disappointments of the main characters make this film work.
It's an absorbing story of the patients and the doctors at a mental institution. Widmark has basically taken over from the troubled Boyer - though Boyer retains his title, Widmark's contract gives him more power. Bacall, a recent widow, is a doctor on staff, and Lillian Gish is an administrator. The patient most focused on is Stevie, played by John Kerr. He is making good progress with his recovery, and in fact, some of the better patients are given control over designing their lounge. The sticking point becomes the draperies which become a political football. Widmark's wife, Gloria Grahame, wants to impose herself onto the institution that is taking her husband away from her by working with a board member on the drapes; Lillian Gish wants to save money and go the cheap route; and the patients have their own ideas.
This is a very good drama with good acting from all involved. Grahame is a brunette here and has never been more beautiful, plus she gets to wear some beautiful clothes. She, along with the others, gives a terrific performance.
The one with the best role is Lillian Gish, and she is fantastic. What an actress and what a career. Who could have believed she could play such a perfect bitch? Well worth watching if the plot is a little thin.
Did you know
- TriviaMarks the return of Lillian Gish to MGM after a 22-year absence. The Cobweb was Lauren Bacall first film for MGM.
- GoofsWhen Karen (Gloria Grahame) storms into her bedroom and kicks off her shoes, she apparently launches the first one over the walls of the set, as it shoots straight up toward the supposedly low ceiling but never comes down.
- Quotes
Steven Holte: Artists are better off dead.
Karen McIver: Why?
Steven Holte: People pay more attention to them when they're dead. That's what's so troublesome.
Karen McIver: Is that what you are, a painter?
Steven Holte: They said Van Gogh was crazy because he killed himself. He couldn't sell a painting while he was alive, and now they're worth thirty million dollars. They weren't that bad then and they're not that good now, so who's crazy?
- ConnectionsFeatured in Point Blank (1967)
Details
- Release date
- Country of origin
- Language
- Also known as
- Die Verlorenen
- Filming locations
- St. Louis Street, Lot 3, Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA(McIver's neighborhood, demolished in 1972)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,976,000 (estimated)
- Runtime2 hours 14 minutes
- Aspect ratio
- 2.55 : 1