Samurai II: Duel at Ichijoji Temple
Original title: Zoku Miyamoto Musashi: Ichijôji no kettô
IMDb RATING
7.3/10
7.1K
YOUR RATING
Musashi Miyamoto returns to Kyoto after years of absence. After a series of fights against the Yoshioka School, he challenges its master to a duel.Musashi Miyamoto returns to Kyoto after years of absence. After a series of fights against the Yoshioka School, he challenges its master to a duel.Musashi Miyamoto returns to Kyoto after years of absence. After a series of fights against the Yoshioka School, he challenges its master to a duel.
Storyline
Did you know
- TriviaIn a scene in which Musashi is staying in a courtesan's compound to avoid his antagonists, he is seen painting in ink. In reality, Musashi was an artist and actually did create many works of art, such as one titled "Shrike in a barren tree", and they still exist to this day in museums throughout Japan.
- GoofsMany of the guys killed in swordplay go down with either no visible contact between their bodies and a katana, or appear to be hit in the arm or leg with a non-fatal slash that stills ends them, regardless.
- Quotes
Musashi Miyamoto (Takezo): I renounce my love of women.
- ConnectionsFeatured in Samurai III: Duel at Ganryu Island (1956)
Featured review
"Miyamoto Musashi" was already a great movie but this movie is even a better one on basically every front.
This movie is part of a real trilogy, that follows one story and one main character. It's therefore also best to watch these 3 movies in a row, to appreciate it best. All 3 movies closely follow each other, in which the first movie is being really used as a movie to set up things, while this second movie is mostly being used to build up to its climax that will occur in the third movie.
This time the movie flows better because the story gets used better as well. Like mentioned earlier, the first movie was still being mostly a setup movie for the series. In this movie we actually get to see more epic moments and fights, as it follows the further travels of Musashi Miyamoto, on his way to become a master-swordsman. Its story and different characters all work out nicely, as things also gets developed more, with its drama and romance.
There are a couple of really great fight sequences, of course mostly featuring Toshirô Mifune. It makes the movie often exciting to watch, as does the overall look for the movie. The movie benefits from its beautiful natural environments, as well as some nicely done studio work. Using color wasn't quite that common yet for '50's Japanese cinema, since it was quite costly and not as advanced yet as in the western world. However color had always worked out nicely for these three movies and it helps to make the movie a really great looking one. You also have to give credit for this to the movie its cinematography, done by Jun Yasumoto, who strangely enough worked on just the first two movies but didn't shot the third and final one.
A movie that really has everything in it.
9/10
http://bobafett1138.blogspot.com/
This movie is part of a real trilogy, that follows one story and one main character. It's therefore also best to watch these 3 movies in a row, to appreciate it best. All 3 movies closely follow each other, in which the first movie is being really used as a movie to set up things, while this second movie is mostly being used to build up to its climax that will occur in the third movie.
This time the movie flows better because the story gets used better as well. Like mentioned earlier, the first movie was still being mostly a setup movie for the series. In this movie we actually get to see more epic moments and fights, as it follows the further travels of Musashi Miyamoto, on his way to become a master-swordsman. Its story and different characters all work out nicely, as things also gets developed more, with its drama and romance.
There are a couple of really great fight sequences, of course mostly featuring Toshirô Mifune. It makes the movie often exciting to watch, as does the overall look for the movie. The movie benefits from its beautiful natural environments, as well as some nicely done studio work. Using color wasn't quite that common yet for '50's Japanese cinema, since it was quite costly and not as advanced yet as in the western world. However color had always worked out nicely for these three movies and it helps to make the movie a really great looking one. You also have to give credit for this to the movie its cinematography, done by Jun Yasumoto, who strangely enough worked on just the first two movies but didn't shot the third and final one.
A movie that really has everything in it.
9/10
http://bobafett1138.blogspot.com/
- Boba_Fett1138
- Dec 8, 2009
- Permalink
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Details
- Release date
- Country of origin
- Language
- Also known as
- Duel at Ichijoji Temple
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 44 minutes
- Sound mix
- Aspect ratio
- 1.37 : 1
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By what name was Samurai II: Duel at Ichijoji Temple (1955) officially released in India in English?
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