You're Never Too Young

I was watching this movie and suddenly thought it seemed very familiar!! I then realized it was a re-making of the 1942 movie "The Major and the Minor" starring Ginger Rogers! There is a sub-plot that is different,but many of the scenes are identical except for the fact that now it is Jerry Lewis playing a 12 year old boy instead of Ginger as a 12 year old girl.Another pairing of Lewis and Martin-lightweight but enjoyable.

With this movie, Martin & Lewis have a reunion with a couple of co-stars from their first feature-My Friend Irma: Diana Lynn, Jane Stacy in that and its sequel, is not only Dean's girl here but also a crush of Jerry's. And Hans Conried plays Jer's barber mentor, Francois. Then there's a couple of cameos from other of M & L's flicks-Nancy Kulp, from The Caddy, as a lady with a "12"-year-old son and Bobby Barber, from Money from Home, as a newsstand clerk. With that out of the way, I'll just say the plot of a jewel robber (Raymond Burr) trying to get the diamond out of Jerry's coat pocket-which the latter doesn't know about-as Jer tries to pass himself off as a minor in order to get a half-fare train ticket with him ending up at a girls school where Martin and Lynn teach is perhaps the most ridiculous story yet for the boys' movies but darned if I didn't find myself constantly laughing anyway! As usual, plenty of Lewis' mugging and doing impersonations provide plenty of fun entertainment along with Martin's smooth crooning on many romantic ballads. And seeing the latter get constantly hit and bumped into by his partner just adds to the fun. So despite the many nonsense shenanigans, I heartily recommend You're Never Too Young.

Considered the best of the Martin and Lewis comedies, this remake of "The Major and The Minor" (with Lewis in the Ginger Rogers role as an adult disguised as a child to qualify for a half-fare train ticket) improves on the original with a never ending romp of slap-stick humor, musical comedy numbers, and color. Diana Lynn, who plays a teacher, played the teenage roommate to Ginger Rogers in the original. Diana Lynn also starred in Martin and Lewis' debut films "My Friend Irma" and "My Friend Irma Goes To New York." Lewis as a boy is never really believable, but that's okay, it's meant as a spoof of anyone who has tried to pass off an older child as younger for half fare tickets. Most important, the humor is very, very fast and funny. Despite some nice musical moments between Dean and Jerry, there is no mistaking this is Jerry's tour-de-farce, and the reason for their split up obvious. Enjoy the pinnacle of their partnership.

With a bit of James Bondesque finale, climax. This is one Jerry Lewis feature with many musicals, as Esther Williams' features were, but with comedy and gags galore. I feel that Frank Tashlin's movies with Lewis were a bit different though. It is efficient, funny, with I repeat more musicals as usual for Lewis, thanks to Dean Martin. Ray Burr as the heavy is an excellent choice.

The best Martin-Lewis collaboration is, to me, Hollywood OR BUST, but this one is not so far behind.

It has some hilarious spoofs of Chaplin's GREAT DICTATOR (the sequence where Mussolini and Hitler are on a barber's chair); NORTH BY NORTHWEST (the sequence in the train where Lewis is in Lynn's room), and of THE MAJOR AND THE MINOR, but, above all, Lewis is in great form playing an 11-year-old kid on the run from murderer and diamond thief Raymond Burr (fresh from playing the evil Thorwald in Hitchcock's REAR WINDOW the previous year).

I reckon Martin was a better actor than Lewis, but his part is less eye-catching. He sings two or three songs, but they are not the best in his career repertoire - quite forgettable, in fact - which does not do him any favors. One sequence where he is supposed to conduct a choir and Lewis takes over pretty much symbolizes Lewis' upper hand throughout YOU ARE NEVER TOO YOUNG.

Diana Lynn is attractive enough in her part, Burr is quite good as the heavy, and the rest of the cast is hardly perceptible.

Taurog's direction is purely commercial with some great action sequences, especially the final ski and boat chase; color photography is quite good for a 1955 low budget movie; and the script is good enough to keep you interested.

A well deserved 7/10.