The Bold and the Brave

Mickey Rooney received an Oscar nomination for Best Actor in a Supporting Role in this movie which presents a small group of American soldiers in Italy in 1944.

Three types of soldiers are presented here, based on their reactions to their first encounter with the German enemy while in Italy.

Rooney is the energetic and a happy go-with-the-punches soldier.

Wendell Corey is a fairly well balanced soldier but is unable to kill the enemy when he is faced with the possibility.

Don Taylor is a superman in battle situations but has trouble when faced with normal human spiritual matters, no doubt stunted by his upbringing.

Nicole Maurey is a local Italian prostitute, forced to sell herself for survival.

The names of three of the actors in this film are probably not very well known today, Wendell Corey, Don Taylor and Nicole Maurey. Mickey Rooney, who is I hope remembered rightly got an Oscar for his role, and the film is extremely good because of its balanced and well written screenplay. The director is unknown to me, and Mickey Rooney directed himself in a gambling scene, and that scene alone is worthy of the best of Howard Hawks. The film is set towards the end of WW2 in Italy, and the first half is a psychological journey for three soldiers and a woman who has turned to prostitution to survive. She falls in love with a preacher, at first against his religious beliefs and when he discovers her past his disgust overwhelms him, and there are consequences to this for the men who serve under him. No spoilers but the love scenes when he is temporarily transformed by love are beautifully acted and moving to watch. Don Talor plays the preacher and Nicole Maurey the woman who needs love, and not to be used. Wendell Corey is brilliant as a man who cannot kill, and his psychological development is accurate and again moving. The latter part of the film is grim in its war scenes, and the futility of war is admirably conveyed. I am not a fan of most War films, but this joins the handful that I do admire and respect. I would give it a ten if it was not for the final words onscreen, focussing too much on cowardice and bravery. These men are just there, doing their best in a theatre of war and suffering, and in this film, it is the analysis of their inner selves that is paramount. The same story could have been equally told from the other side. Well worth seeing.

I remember seeing this at a drive-in back when it first came out with my cousin's family in Rochester. This is one of those films that really sticks with you. At the time however some of the more adult themes of the film went completely over my head.

The Bold And The Brave focuses on three soldiers in the Italian campaign. Wendell Corey plays an amiable drifter type who in civilian life was a lawyer, but never practiced much law as he was married to a rich woman. He's not sure if he has the right stuff.

Corey's best pal is Mickey Rooney who got an Oscar nomination for Best Supporting Actor. He's a cheerful extrovert who lives for his off duty moments. He's got a marvelous scene cleaning out the company in a crap game. In the end though, that truly does him in.

Both are commanded by Don Taylor who is their uptight model GI Joe sergeant. In war he's great, but has some issues in his personal life. They call him preacher and it's suggested ever so gently that he's been celibate. Corey tries to fix him up with Nicole Maurey who also gives a great performance as a girl who does what she can to survive the war.

The Bold And The Brave has for some reason been lost for years. Hopefully it will be broadcast and a new generation can appreciate a fine underrated classic.

I recently viewed this movie after not seeing it in several decades. It had always stuck out in my memory as one of the best of the 1950s war movies.

The writing was excellent, a great story of men in war, the brave, the bold, the fallen, the fallen women, and the pious men. The crux of the plot concerns a religious zealot that disdains alcohol, women and gambling, yet feels no empathy at blowing away the enemy. God and Country I guess. As the story progresses, he feels betrayed by his comrades.

The problem I had, was that during the first half of the movie, the acting seemed stiff and all but Rooney seemed to be over-acting...to the point of parody. Then about half way thru, things pick up and so does the acting. I wonder, since Rooney is "un-credited" as one of the directors, perhaps he stepped in to pull this one out of the fire.

The crap game is legendary, and the final action is quite good. The ballad sung over the opening credits and at the conclusion are an added bonus.

While not quite as good as "Attack"(1956) or "The Steel Helmet"(1951) this is still fun 50s war stuff.

This low-budget, old-fashioned film, set in Italy during World War II, is probably best remembered for Mickey Rooney's Oscar-nominated performance in a supporting role. And he does steal the show as Dooley, the fast-talking soldier with a dream. But the primary plot revolves around Wendell Corey and Don Taylor's roles as soldiers with very different approaches to war, and life. Corey and Taylor also do fine work, if less flamboyant than Mickey's. The film is extremely well-plotted, in a way that's very rare in today's movies, and the screenplay also was Oscar-nominated. It's a thoughtful piece with something to say about human character. The film has basically disappeared from view. It never appears on TV, and is very hard to find anywhere. But if you come across it, it's well worth viewing.