The Girl He Left Behind

A rich mummy's boy gets bad grades at college so is forced to enlist in the Infantry. This was supposed to be a comedy, though I found the humour lacking, probably because the lead actor, Tab Hunter, wasn't very good. Natalie Wood had a smaller role playing Tab Hunters girlfriend, and the future major of Amity Island in Jaws played a sergeant. Only watch is you are very bored.

Spoiled rich kid (Hunter) is drafted into the army where he creates problems.

For about a ten-year period from the smash-hit Mr. Roberts (1955) to the deepening involvement in Vietnam, Hollywood produced a spate of service comedies, including this one. These were movies trading on the lighter side of military service. They existed in what might be called the triumphant after-glow of WWII, and perhaps as a way of further forgetting that awkward war in Korea. Of course, Hollywood being Hollywood, liberties with real military service were taken, sometimes in wholesale lots. Nonetheless, comedies like Mr. Roberts, Operation Mad Ball (1957), Operation Petticoat (1959) were genuinely funny and harmless entertainment unless taken seriously.

Few people, I expect, remember this entry and for good reason—it's not even amusing, let alone funny. Which means for one thing that folks familiar with Basic Training are not apt to overlook the many liberties taken, as other reviewers detail. Clearly, Warner Bros. intended the movie as a vehicle for its younger players, probably hoping for chemistry between Hunter and Wood. And that's the trouble. Hunter simply lacks the skills for what's actually a rather difficult role. Shaeffer needs to be not just arrogant, but also likable at some level. Unfortunately, Hunter's Pvt. Shaeffer is just obnoxious without the redeeming qualities that a Jack Lemmon or a Tony Curtis, for example, could have managed. And since Hunter's miscasting is in about every scene, the movie is more unpleasant than anything else.

Wood's role as the girlfriend is clearly secondary to Hunter's, and one most any young actress less talented could have handled. But at least, the movie's a payday for such fine supporting players as Jones, Janssen, and especially the arch Murray Hamilton whose platoon sergeant is made to suffer indignities from a trainee no real sergeant would put up with. I'm just sorry Jim Garner wasn't young enough to bring his superb light-comedy skills to the lead role. Then the movie might have worked.

.....then by all means let me know directly at the above e-mail address so that I may arrange for a copy for you. This winning military "dramedy" stars the never-lovelier Natalie Wood as the titular dish waiting back home for her college-flunkie boyfriend (and barracks brat) Tab Hunter to smarten up and get a life in the army. Among the many highlights are some meaty set-pieces pitting n'er-do-well Hunter against his superior officers, all played with gusto by Murray Hamilton, Jim Backus and David Janssen (while Henry Jones and Alan King deliver equally fine turns as Hunter's pals. Look for James Garner, too). Action, comedy and emotional resonance in equal measures in a true classic of its kind that unfortunately never got its due. Worth repeat viewings if only to behold Ms. Wood's unique incandescence at its peak.

The title role of The Girl He Left Behind is none other than Natalie Wood. But it is Tab Hunter who is doing the leaving because he's gotten a greetings letter from President Eisenhower inviting him to join the US Army. Those draft notices can ruin the plans of many a young man.

In this case the young man Hunter is playing is quite rich and really acts to the manor born. If he's got the right stuff it will take all the people above him in his training company from captain David Janssen to First Sergeant Jim Backus to platoon sergeant Murray Hamilton to bring it out of him.

Fifteen years after this film was made I was doing basic training at a lovely garden spot of the earth called Fort Polk, Louisiana. It would never have occurred to me to mouth off the way Tab Hunter was doing to those above him. I've also never seen a basic training film that didn't have one trainee doing a single pushup. Hunter should have been down in a prone position on all fours pushing the good earth of Fort Ord away from him.

The Girl He Left Behind was filmed at Ford Ord and that certainly made it look authentic if it wasn't quite. In the cast as Hunter's fellow trainees are Alan King, Henry Jones and James Garner in what was his second film appearance.

Both Hunter's memoirs and a recent biography of Natalie Wood mention that at this time the two of them were linked romantically in a series of studio arranged dates. We know now just how far from the truth that was, but at least from Hunter's point of view, Natalie Wood was a good scout about it all. One of the lines I remember best from his autobiography was that he (Tab) could have qualified for veteran's benefits with all the military movies he was cast in. He certainly did have that all American military look about him.

The Girl He Left Behind is one of the most unrealistic of army films I've ever seen, still it has a great cast and I'm a fan of a whole lot of the people in this film.

Tab Hunter plays a disgruntled college football star with bad grades who reluctantly joins the Peace Time Army, immediately getting on the wrong side of the other G.I.s with his surly attitude. I doubt, even in 1956, that Army officers would have put up with as many of Hunter's time-wasting shenanigans as they do here: he nods off and snores during a speech, he gets sarcastic and throws a few punches, his mother and former girlfriend both come for visits during Basic Training. The Fort Ord locations in California are well-captured, but this script seems conjured up by Hollywood persons unfamiliar with the milieu. For his part, Tab Hunter does almost nothing naturally as an actor. When he focuses on another performer, Hunter's intense stare makes him look furious--and when he's joshing or sweet-talking his mama, the smile is forced and nervous. Hunter isn't a bad actor, necessarily; there are one or two scenes where he seems in the moment. Still, both he and Natalie Wood are slumming here, giving about fifty-percent of what they've got. Supporting players Henry Jones, Jim Backus, Murray Hamilton, James Garner (in a small role), David Janssen, and even Alan King (as the proverbial barracks clown) do much better work than the stars. ** from ****