IMDb RATING
6.3/10
1.7K
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Two brothers and one bride fight amid carpetbaggers in Texas.Two brothers and one bride fight amid carpetbaggers in Texas.Two brothers and one bride fight amid carpetbaggers in Texas.
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Robert Blake
- Rafael Ortega
- (as Bobby Blake)
Jamie Farr
- Pedro Ortega
- (as Jameel Farah)
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Featured reviews
Three Violent People (1956) **
This is a thoroughly ordinary western with Charlton Heston heading the cast as a Civil War veteran returning home with his new wife (Anne Baxter) whom he ultimately discovers has had a rather dishonorable past. On top of that he has to deal with carpet baggers and the jealousy of his one-armed younger brother (played by Tom Tryon) who decides he has a lot of old scores he needs to settle. There's not very much to thrill about here, and none of our three principals are very "violent", but it's a treat to watch Baxter and Heston together again after their stint in THE TEN COMMANDMENTS. For what it's worth, Robert Blake is featured in a role as a young Mexican. ** out of ****
More a drama set in the west than a western
Florid and melodramatic but in a good way. Anne Baxter and Charlton Heston interact with each other much better here than in The Ten Commandments probably because Anne is much more suited to playing a well educated woman of ill repute in the old west than a princess of the Nile. She and Tom Tryon also have an excellent vibe to their scenes. The beginning is on the humorous side with Elaine Stritch showing up and looking very young but still in possession of that basso voice. Then when we get to the ranch there is a fest for old TV viewers with Baretta, Klinger & Sgt O'Rourke from F Troop all showing up. The film is nothing original but is well shot and enjoyably action packed, a good example of the genre and Anne is very good.
Its virtues can now be appreciated
At the time of its release, "Three Violent People" attracted little notice. Most critics probably labeled it "routine" and then turned their attention to other matters. Now, in this age of decline in film quality, we can look back and be impressed by things we once took for granted: a strong, consistent, logically-developed plot; characters that have some style and substance; dialog which consists of more than merely "Watch it!" and "Move over!"
Not that "Three Violent People" is some sort of undiscovered gem. By the standards of its day it was little more than a passable western with a better than average cast and lovely color photography, but what pleasure it now brings!
Charlton Heston and Anne Baxter, (re-united from "The Ten Commandments"), make an attractive couple. He's strong and stalwart, she looks good in her elaborate costumes. (However did she fit those dresses into a trunk to carry on a stagecoach?) Tom Tryon may not seem fraternally related to Heston but he adds his usual dash of smoldering sensuality. He even manages to do a bare-chest scene even though he plays a man who's lost his right arm! (But then, Tryon usually managed to provide some "beefcake," even in a Disney comedy such as "Moon Pilot.") Also worth noting are three of Gilbert Roland's sons: Jamie ("MASH") Farr, Robert ("In Cold Blood") Blake, and Ross Bagdasarian, who later scored a hit with his Christmas song featuring Alvin and the Chipmunks.
One final point, if Heston and Tryon are two of the "Violent People" of the title, then who is the third? Anne Baxter? She may be deceitful and manipulative, but "violent" doesn't seem like an apt adjective to describe her.
Not that "Three Violent People" is some sort of undiscovered gem. By the standards of its day it was little more than a passable western with a better than average cast and lovely color photography, but what pleasure it now brings!
Charlton Heston and Anne Baxter, (re-united from "The Ten Commandments"), make an attractive couple. He's strong and stalwart, she looks good in her elaborate costumes. (However did she fit those dresses into a trunk to carry on a stagecoach?) Tom Tryon may not seem fraternally related to Heston but he adds his usual dash of smoldering sensuality. He even manages to do a bare-chest scene even though he plays a man who's lost his right arm! (But then, Tryon usually managed to provide some "beefcake," even in a Disney comedy such as "Moon Pilot.") Also worth noting are three of Gilbert Roland's sons: Jamie ("MASH") Farr, Robert ("In Cold Blood") Blake, and Ross Bagdasarian, who later scored a hit with his Christmas song featuring Alvin and the Chipmunks.
One final point, if Heston and Tryon are two of the "Violent People" of the title, then who is the third? Anne Baxter? She may be deceitful and manipulative, but "violent" doesn't seem like an apt adjective to describe her.
Anne Baxter Makes It Worth
After the American Civil War, Captain Colt Saunders (Charlton Heston) returns to Texas to his homeland Bar S Ranch, which has belonged to his family for generations. While in town, he has an incident and meets the former gal from St. Louis Lorna Hunter (Anne Baxter) and without knowing her past, he immediately proposes and gets married with her. When they arrive in Bar S, he meets his brother Beauregard 'Cinch' Saunders (Tom Tryon), the black-sheep of the family that lost one arm in his childhood and blames Colt for the accident. Colt has problems with the commissioner Harrison (Bruce Bennett) of the corrupt provisional government of Texas, and the situation gets worse when one of his men identify Lorna as "a flower of the Old South with whom he used to skip around with back in St. Louis". Colt has to deal with problems with the corrupt representative of the government that is collapsing, with his rancorous brother, with his pregnant wife and with his closest friend Innocencio Ortega (Gilbert Roland).
"Three Violent People" is a reasonable western that shows an after-war period and its consequences. The story has some good moments, mostly when Anne Baxter participates in the role of a witty lady with a past that experiences love for the first time in her life. Charlton Heston fits perfectly to the role of Captain Colt Saunders. However, the conclusion is too much corny and moralist. Although not being a great movie, "Three Violent People" is a good entertainment. My vote is six.
Title (Brazil) "Trindade Violenta" ("Violent Trinity")
"Three Violent People" is a reasonable western that shows an after-war period and its consequences. The story has some good moments, mostly when Anne Baxter participates in the role of a witty lady with a past that experiences love for the first time in her life. Charlton Heston fits perfectly to the role of Captain Colt Saunders. However, the conclusion is too much corny and moralist. Although not being a great movie, "Three Violent People" is a good entertainment. My vote is six.
Title (Brazil) "Trindade Violenta" ("Violent Trinity")
You know, you're the first person to understand I got hurt that day.
Three Violent People is directed by Rudolph Maté and adapted to screenplay by James Edward Grant from a story co-written by Leonard Praskins and Barney Slater. It stars Charlton Heston, Anne Baxter, Gilbert Roland and Forrest Tucker. Out of Paramount Pictures, it's a VistaVision production with Technicolor photography by Loyal Griggs and music scored by Walter Scharf.
It's post Civil War Texas and Confederate Captain Colt Saunders (Heston) finds himself with a bride (Baxter) who has a secret past, and taxable assets at his ranch that scheming Carpetbaggers want for themselves. Into the mix comes Colt's brother Cinch (Tryon), who is minus an arm from an accident in childhood - where Colt was his heroic saviour. Things will come to a head as resentments, skeleton's in closets and post war greed will fracture the dynamic of the Bar "S" ranch.
Try to remember that people aren't perfect. They just aren't. They make mistakes. And when they do, they suffer. They pay. Inside themselves they pay.
It made little impact back on release in 56, where the release of Heston's other film that year, The Ten Commandments, dwarfed it considerably and simultaneously propelled Heston into the big league. It didn't help that Three Violent People is a very character driven picture, literate and heavy on the melodrama. This is no gun slinging action based bonanza, this features interesting characters talking a lot, where the screenplay has the big players nicely drawn, creating a pot boiler that only rewards those open to an intelligently paced structure. The title, sadly, is misleading and doesn't do the film any favours.
You were one of the rear echelon heroes who hid on General Butler's staff while better men were getting killed in battle.
Film has definite links to another "literate" Heston picture from 1954, The Naked Jungle. Sanctimonious macho male takes a wife and recoils when learning of her past. Cue the fleshing out of relationships for an hour until the pot starts boiling over and the pace ups and unfolds with a pleasingly suspenseful third act. Action until that third act is sparse, though there's good drama to keep one interested, very much so. This is also a gorgeous picture to look at, not just the rugged but beautiful landscape around the Bar "S" (Arizona), but also the colours that beam out from the screen, Loyal Griggs' (Shane) photography reason enough to seek out this undervalued Western.
I got the one with the red hair ready for the buzzards.
Lead cast performances are up and down, Baxter and Heston's chemistry is fine and sexy, but they do appear to be in competition with each other to see who can steal a scene. Baxter, looking positively ravishing throughout, really over does it early in the pic, while Heston forgoes his most agreeable subtlety from those early passages to ham it up later in the day. The best performance comes from Roland (Cheyenne Autumn), who as Bar "S" gran vaquero, Innocencio Ortega, not only looks immeasurable cool, he also casts a humanistic shadow over proceedings. Tryon, whose edgy one armed brother adds major spice to the narrative, turns in a rare effective performance.
The problems are evident throughout, some over soaping by actors who should have known better and the villains are badly in need of flesh on their bones. Yet this is still a Western that plays better now to Western fans than it would have done back in the 50s. For now the character driven bent can be appreciated without expectation of a "yee-haw" fuelled Oater. This be one for the ears, eyes and the brain rather than the pulse. 7/10
It's post Civil War Texas and Confederate Captain Colt Saunders (Heston) finds himself with a bride (Baxter) who has a secret past, and taxable assets at his ranch that scheming Carpetbaggers want for themselves. Into the mix comes Colt's brother Cinch (Tryon), who is minus an arm from an accident in childhood - where Colt was his heroic saviour. Things will come to a head as resentments, skeleton's in closets and post war greed will fracture the dynamic of the Bar "S" ranch.
Try to remember that people aren't perfect. They just aren't. They make mistakes. And when they do, they suffer. They pay. Inside themselves they pay.
It made little impact back on release in 56, where the release of Heston's other film that year, The Ten Commandments, dwarfed it considerably and simultaneously propelled Heston into the big league. It didn't help that Three Violent People is a very character driven picture, literate and heavy on the melodrama. This is no gun slinging action based bonanza, this features interesting characters talking a lot, where the screenplay has the big players nicely drawn, creating a pot boiler that only rewards those open to an intelligently paced structure. The title, sadly, is misleading and doesn't do the film any favours.
You were one of the rear echelon heroes who hid on General Butler's staff while better men were getting killed in battle.
Film has definite links to another "literate" Heston picture from 1954, The Naked Jungle. Sanctimonious macho male takes a wife and recoils when learning of her past. Cue the fleshing out of relationships for an hour until the pot starts boiling over and the pace ups and unfolds with a pleasingly suspenseful third act. Action until that third act is sparse, though there's good drama to keep one interested, very much so. This is also a gorgeous picture to look at, not just the rugged but beautiful landscape around the Bar "S" (Arizona), but also the colours that beam out from the screen, Loyal Griggs' (Shane) photography reason enough to seek out this undervalued Western.
I got the one with the red hair ready for the buzzards.
Lead cast performances are up and down, Baxter and Heston's chemistry is fine and sexy, but they do appear to be in competition with each other to see who can steal a scene. Baxter, looking positively ravishing throughout, really over does it early in the pic, while Heston forgoes his most agreeable subtlety from those early passages to ham it up later in the day. The best performance comes from Roland (Cheyenne Autumn), who as Bar "S" gran vaquero, Innocencio Ortega, not only looks immeasurable cool, he also casts a humanistic shadow over proceedings. Tryon, whose edgy one armed brother adds major spice to the narrative, turns in a rare effective performance.
The problems are evident throughout, some over soaping by actors who should have known better and the villains are badly in need of flesh on their bones. Yet this is still a Western that plays better now to Western fans than it would have done back in the 50s. For now the character driven bent can be appreciated without expectation of a "yee-haw" fuelled Oater. This be one for the ears, eyes and the brain rather than the pulse. 7/10
Did you know
- TriviaProduced immediately after Charlton Heston completed The Ten Commandments (1956) and reunited him with co-star Anne Baxter. This was Heston's last film under his original Paramount contract. He felt that Tom Tryon, who was cast as his brother, was not right for the part. However, because "The Ten Commandments" had not yet been released, Heston hadn't yet achieved the star clout necessary to demand cast changes. (Later, in "The Actor's Life: Journals 1956-76", Heston writes that " ... he was very good in the part. We were lucky to have him".)
- GoofsAt one point the sun goes down, the screen is black for several seconds, then the sun comes up - in exactly the same spot, with exactly the same clouds.
- Quotes
Beauregard 'Cinch' Saunders: You have until the bottle is empty to draw, and then I'll kill you in cold blood whether you have a gun in your hand or not.
- ConnectionsReferenced in Decoy: Stranglehold (1957)
- SoundtracksUn Momento
Lyrics by Mack David
Music by Margery Wolpin (as Martita)
Performed by Ross Bagdasarian (uncredited)
- How long is Three Violent People?Powered by Alexa
Details
- Runtime
- 1h 40m(100 min)
- Aspect ratio
- 1.85 : 1
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