IMDb RATING
7.0/10
3.6K
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A married musical team splits up so the wife can become a serious actress.A married musical team splits up so the wife can become a serious actress.A married musical team splits up so the wife can become a serious actress.
- Nominated for 1 Oscar
- 3 wins & 4 nominations total
Jacques François
- Jacques Pierre Barredout
- (as Jacques Francois)
John Albright
- Look Photographer
- (uncredited)
Jean Andren
- 1st Woman
- (uncredited)
Lois Austin
- Guest in Lobby
- (uncredited)
Dick Baron
- Bobby Soxer
- (uncredited)
Mary Bayless
- Guest in Lobby
- (uncredited)
Margaret Bert
- Mary
- (uncredited)
Betty Blythe
- Guest in Lobby
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFred Astaire had sung "They Can't Take That Away from Me" to Ginger Rogers previously in Shall We Dance (1937), but they had never danced to it. Rogers suggested that they use the song again (this time dancing), and so it was included.
- GoofsIn "Shoes With Wings On" dance, one dancer has his shoes off when trying the tap shoes. When he takes them off and gives them to Fred Astaire's character, the dancer forgets to pick up his shoes when he walks out the door. After that, they are not to be found when the routine continues.
- Quotes
Ezra Millar: Thank you. I'm touched, the piano's touched, and Tchaikovsky's touched.
- ConnectionsEdited into Hollywood: The Dream Factory (1972)
- SoundtracksThey Can't Take That Away from Me
(1937)
Music by George Gershwin
Lyrics by Ira Gershwin
Sung by Fred Astaire (uncredited)
Danced by Fred Astaire (uncredited) and Ginger Rogers (uncredited)
Featured review
For their reunion and final screen pairing, Fred Astaire and Ginger Rogers were teamed again by MGM in The Barkleys of Broadway. They play a pair of musical comedy performers who do have their occasional spats off the stage.
One thing Arthur Freed at MGM did for the pair was give them a better and more mature story to work with than they ever did at RKO back in the Thirties. That was part of the charm though, you didn't really care about the silliness of the plots with music written by folks like, Kern, Gershwin, Porter, and Berlin.
As in real life Fred was the creative one of the pair and he's criticizing Ginger a bit too much at times. So much so that she's very receptive to French director Jacques Francois's overtures to star in a straight dramatic play about young Sarah Bernhardt. This presents quite the dilemma for Fred in his professional and personal life.
Harry Warren and Ira Gershwin wrote the score for The Barkleys of Broadway. I like very much the song You'd Be Hard To Replace it so fits Fred and Ginger for singing and dancing.
Creative continuity was established with the RKO films as They Can't Take That Away From Me which was introduced in Shall We Dance and written by Ira and George Gershwin sung and danced elegantly here. It's one of my favorite ballads ever.
Oscar Levant is his usual laconic and witty self here who inflicts the Saber Dance on party guests and later does Tschaikovsky's Concerto in B Flat in the grand and classical style. Levant's reputation as a wit overshadows his very real skill as a pianist, but not in this film. Also his close association with the Gershwin brothers gives some more official continuity with this film.
I suppose Fred and Ginger could have done more films together, but I suppose that in The Barkleys of Broadway they left their fans on a high note. They'll never dancing partners like them ever again.
One thing Arthur Freed at MGM did for the pair was give them a better and more mature story to work with than they ever did at RKO back in the Thirties. That was part of the charm though, you didn't really care about the silliness of the plots with music written by folks like, Kern, Gershwin, Porter, and Berlin.
As in real life Fred was the creative one of the pair and he's criticizing Ginger a bit too much at times. So much so that she's very receptive to French director Jacques Francois's overtures to star in a straight dramatic play about young Sarah Bernhardt. This presents quite the dilemma for Fred in his professional and personal life.
Harry Warren and Ira Gershwin wrote the score for The Barkleys of Broadway. I like very much the song You'd Be Hard To Replace it so fits Fred and Ginger for singing and dancing.
Creative continuity was established with the RKO films as They Can't Take That Away From Me which was introduced in Shall We Dance and written by Ira and George Gershwin sung and danced elegantly here. It's one of my favorite ballads ever.
Oscar Levant is his usual laconic and witty self here who inflicts the Saber Dance on party guests and later does Tschaikovsky's Concerto in B Flat in the grand and classical style. Levant's reputation as a wit overshadows his very real skill as a pianist, but not in this film. Also his close association with the Gershwin brothers gives some more official continuity with this film.
I suppose Fred and Ginger could have done more films together, but I suppose that in The Barkleys of Broadway they left their fans on a high note. They'll never dancing partners like them ever again.
- bkoganbing
- Dec 28, 2007
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Details
Box office
- Budget
- $2,325,420 (estimated)
- Runtime1 hour 49 minutes
- Aspect ratio
- 1.37 : 1
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By what name was The Barkleys of Broadway (1949) officially released in India in English?
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