The Bribe

This was quite an enjoyable film experience. Robert Taylor plays a federal agent flying down South to look into a smuggling problem. Whilst in the tropical Carlita, Taylor begins to look into the suspects he has been briefed about: a married couple that work at a night club. Sultry seductress Ava Gardner and husband John Hodiak play the couple. Director Robert Z. Leonard does a fine job with atmosphere in this film noir classic of greed, retribution, and forbidden love. The settings reek with a kind of sleazy realism that you rarely see in films of this type. Leonard also shoots his scenes with an intensity and trust in his performers which is also refreshing. And why wouldn't he trust his performers? He has some of the best. Taylor gives the best performance I ever saw come out of him. He is actually believable in his role as a man torn with a love he should not have and a decision to make regarding his personal integrity. Gardner is also at her best giving a truly interesting portrayal as a woman also torn apart by like things. But the film really belongs to two "character" actors if you will. Screen legends Charles Laughton and Vincent Price, playing men with dubious natures, give great performances and bring this film up notches. Price is the real heavy and oozes suave, despicable charm. His climatic scene is one of the best film finales of all-time for my money. It is Charles Laughton; however, as a round bounder of sorts tressed in a grubby white suit with unkempt hair seeming to be always around when you don't want him that really steals the show. Laughton gives one of those performances that makes you glued to his every word and action. He utters his lines with careful execution and deliberate pauses. He takes the mundane and turns it into something more like every time he sits down to take his shoes off and rub his bad feet. Many highlights come to mind with this film: the aforementioned finale, Laughton rolling languidly through his scenes chewing whatever scenery is available, Laughton and Price sharing some scenes together(great to see these two in the same scene), Ava Gardner dancing, and just above-average camera work and crisp dialog in that great film noir tradition. A classic!

"The Bribe" is a somewhat slow noir drama starring Robert Taylor, Ava Gardner, Charles Laughton, John Hodiak, and Vincent Price. With a cast like that, nothing is all bad. Though the story drags in spots and the bad guys are somewhat obvious, it still makes for good viewing. Taylor is Rigby, a fed investigating war surplus violations involving the sale of airplane motors in a place called Carlotta in South America. The suspects have been narrowed down to two Americans, Tug Hintten (Hodiak) and his wife, Elizabeth, a singer (Gardner). Once in Carlotta, Rigby meets J.J. Bealer, portrayed by Charles Laughton, and Carwood (Vincent Price). They're worth watching, too, though Rigby becomes instantly distracted by Elizabeth. Their love story develops overnight, which might seem strange, but it's Ava at her most gorgeous and Taylor at his most ruggedly handsome. You can hardly blame either one of them. The questions for Rigby are: Where are the motors being hidden, who's the head guy, who's involved...and how involved is Elizabeth? The movie, with the exception of the finale, is fairly routine stuff. Laughton and Price have the best roles. Laughton is fabulous as a slovenly loser whose feet hurt, and Price is excellent. Everyone else is good, including Hodiak, his career in major nosedive as he appears in a supporting role, though a showy one as a drunk with a weak heart. The big action takes place at the finale, which is exciting and visually marvelous. We could have used a little more of that type of thing throughout the film.

Federal agent Rigby (Robert Taylor) is sent to South America to stop a group smuggling aircraft engines, but falls for an alluring singer (Ava Gardner), who just happens to be the wife of one of the main suspects.

After reading not very positive reviews of this, I went into The Bribe with low expectations. It's got a great cast though: Robert Taylor, Ava Gardner, Charles Laughton, Vincent Price and John Hodiak.

I was pleasantly surprised. Being an MGM film, the set design, costumes and cinematography were top notch. The overwrought script and silly narration bog the film down a bit.

Taylor is his usual stolid self, Gardner was quite appealing (and beautiful as ever), while Price was good as the main baddie. However, the best actor is easily Charles Laughton. He gives an excellent performance as a henchman constantly complaining about his bad feet.

There's some good action sequences, especially the finale (directed by Vincente Minnelli!), involving a chase through a fireworks display. Good fun.

If you like a full cast of great veteran actors, this B&W film is perfect to entertain you from beginning to the very end. Robert Taylor,(Rigby) is a Government Agent assigned to investigate the misuse of Government surplus from World War II and mostly airplane engines that were being smuggled out of Central America and sold to other countries. Rigby is given some information to lead him in the right direction to find out just who is involved in this operation. Ava Gardner, Elizabeth Hintten, is married to John Hodiak,(Tug Hintten) and Rigby gets very involved with this couple and especially Tug's wife. There is a creepy, dirty fat looking guy, played by Charles Laughton,(J.J. Bealer) who follows Rigby like his own shadow. Vincent Price,(Carwood) met Rigby on the airplane going to Central America and met him once again for a fishing trip to catch a swordfish and Carwood gets confused and throws the boat's engine into reverse and causes all kinds of problems. If you like veteran actors giving outstanding performances, this is the film for you.

The reflective voice-over narration was a staple of film noir, but here it boasts the conceit of Robert Taylor addressing it to himself in the second person ("You..."). That curious choice informs the first half of The Bribe, told in flashback; midway, we catch up to the present and the droning ceases. Starting as a routine foreign-intrigue drama -- something about surplus airplane motors, but who cares -- set in an island off Central America called Carlota (or sometimes Carlotta; the film can't quite decide), the film boasts a top-notch cast: Taylor, Ava Gardner, John Hodiak, Vincent Price and Charles Laughton, who could be either the most actorly of hams or the hammiest of actors but here opts for the latter. Most of the way through it's not bad, but in its second half the tone darkens noticeably, when director Leonard decides to treat us to some stylistic flourishes. The over-the-top, Wellsian-Hitchcockian climax is (literally) pyrotechnic, and actually stands as one of the more memorable sound-and-light shows in the whole noir cycle.