Holiday Affair

This is very much a 'film of its time', but it was designed to be precisely that. It dealt with one of the major social issues of the immediate postwar years, the problems of the grieving young women whose husbands had been killed in the War. The main character in this film is just such a pretty young war widow, played by Janet Leigh. She keeps framed photos of her husband in uniform all round her apartment and beside her bed, and can't let him go. Her little boy Guy is turned into what she calls 'the man of the house'. She cannot come to terms with her loss or make a new life for herself, despite the fact that three or four years have gone by. America was full of women in her condition at this time, women who had been deeply in love with their husbands, lost them in combat, and were then expected to find a new man. Janet Leigh just can't do that. A boring and 'stable' admirer, played by Wendell Corey, has been patiently courting her for two years and keeps telling her that friendship is enough for a marriage and she doesn't need to love him. She is gradually bringing herself round to accept this kind of a future and even says yes to him at last, convincing herself that it will give her 'a quiet life' and a father for her boy (who does not like Corey and keeps insulting him). This film was given a misleading title, because there is no 'affair' and the 'holiday' refers merely to the fact that it is Christmas time. However, this is not, as some imagine, just 'a good Christmas film'. Christmas is merely the convenient background for the story. The story is really about Janet Leigh's struggle to come to terms with her loss. Through an amusing, if somewhat hectic, series of circumstances, Leigh meets Robert Mitchum. He is working in a New York City department store selling toy trains and she is a 'comparison shopper' working for a rival department store. She goes around buying things, taking them to her employer for study, and then returning them and getting a refund. Mitchum discovers this and is about to turn her in, but when he hears she is a war widow with a child, he takes pity on her and lets her go. This is spotted by the floorwalker, and Mitchum is instantly fired. Then a highly complex relationship develops, involving the boy, a train set, various misunderstandings and comic coincidences, and Fate, which obviously had it in mind all along, brings them closer and closer together. This gets up the nose of Corey, who takes it very badly indeed. Little Guy adores Mitchum, and the story is really very ingenious and amusing, as to how things go on from there. I can't reveal what happens in the end, but you could say Leigh is really on the spot and struggles between boring safety and passionate uncertainty. Mitchum proposes too, and which one will she, can she, choose? This film would have gone straight to the heart for many thousands, probably tens of thousands, of young American widows in her position at that time. As social history it is very important. The film is very sensitively done and must have been a big hit when it came out. It is entertaining to watch, has many amusing moments, and excellent performances.

I've only seen this a couple of times on television as it's one of those forgotten Christmas classics that didn't get that much airplay over the years. It's not a traditional sentimental Christmas film but it's setting is during the Christmas season. Robert Mitchum stars as a department store sales clerk who falls for a WWII war widow who is the mother of a boy and engaged to be married. Janet Leigh co-stars with Wendell Corey as her fiancé. Harry Morgan is among the supporting cast. Janet Leigh had made almost a dozen films since her screen debut a couple two years before A Holiday Affair was made but this was only her second film in a lead actress role. The whole cast is great in this adaptation of a story called Christmas Gift by magazine writer John D. Weaver. Don Hartman only directed five films in his career including this but was a busy guy in Hollywood as a screenwriter, producer, director and composer. Veteran cinematographer Milton Krasner whose career extended from the 30's into the 70's photographs this film. His excellent work included The Farmer's Daughter, Sweet Bird of Youth, The Seven Year Itch, Bus Stop and The Sterile Cukoo. Harry Marker whose film career began in the silents and went into the sixties is the film's editor. It's a good story with a good script and I would give it an 8.0 out of 10.

Janet Leigh, playing a young war widow with a small child, meets Robert Mitchum in a department store - where he contributes to her losing her job. From then on he's on the chase to get Leigh away from her nice but boring boyfriend (played with a bit more life than usual by Wendell Corey).

Through this admittedly thin plot, there are lots of opportunities for Mitchum to be both charming and irritating, and long before the end you can see where Leigh is going to be by the end. But as a Christmas movie, with the atmosphere and the sheer class of Mitchum and Leigh, this really is a pearl and not to be missed.

Bright and engaging holiday-themed romantic comedy has single mom Janet Leigh wooed by two men over the holidays: devil-may-care Robert Mitchum (who really does have a sardonic demon in his eyes!) and staunch, dull Wendell Corey. Poor Corey really has a thankless role here, not only playing the third wheel but berated for it as well; still, he plays dishwater-dull to perfection and his voice of reason would surely give Leigh cause to second-guess her heart. Surprisingly quirky film isn't the least bit obvious or clichéd, and Janet's screen-relationship with Gordon Gebert, the likable youngster playing her son, is very well handled. *** from ****

After accidentally discovering this film on one or another classic film network's graveyard shift holiday schedule, I've often wondered why it is not more prominently featured. The film blends some time honored themes of Christmas (the suspense and longing children feel at Christmastime, for example) with more complex undertones involving Janet Leigh's character, Connie. You see, Connie needs to decide whether she asked Santa for the safe and familiar toy (Wendell Corey) or the complicated model shipped without directions that may be a whole lot more interesting (Robert Mitchum). Leigh's wistful performance as a war widow struggling with needing to begin life again while trying to preserve the memory of her husband rings true. This is a great little holiday film and is now shown every Christmas at my house, just in case it gets relegated again to the no-show lists on air. Mitchum's performance is effortless and he seems to be enjoying himself-you will, too.