User reviews

"King of the Rocket Men" was the first appearance of the man in the flying suit. In later years it would become associated with the Commando Cody character both in film and on TV.

The "king" of the title is Jeff King (Tristram Coffin) who is trying to unmask the evil Dr. Vulcan who is secretly trying to undermine a desert research project being conducted by Science Associates. Overseeing the project is a board of directors of whom a Dr. Vulcan, his identity unknown, is a member. It seems that one of their number, Professor Millard (James Craven) has developed a powerful machine called "the Decimater" which is capable of mass destruction. The rest of the serial is spent with Dr. Vulcan and his chief henchman Dirken (Don Haggerty) attempting to steal the discovery and Rocket Man's thwarting them at every turn. Mae Clarke as a reporter and House Peters Jr. as Chief of Security assist King.

This serial is one of the better of Republic's post war serials. There is plenty of action throughout, including chases, fights, cliffhangers and an appearance by Rocket Man in every chapter. The stunt work performed mainly by Tom Steele, Dale Van Sickel and David Sharpe (doubling Coffin in the Rocket Man sequences), is up to Republic's usual high standards. You'll spot each of the aforementioned stuntmen appearing in several minor roles as henchmen.

But the real star of the serial are its magnificent special effects created by Theodore and Howard Lydecker. Rocket Man seems to have borrowed his flying ability from Republic's earlier serial "The Adventures of Captain Marvel" (1941). The Lydeckers employed the use of an oversized dummy running up and down an almost invisible cable and photographing it from different angles to make it appear life-size. It's quite realistic for its time.

The best sequence is saved for the end when Dr. Vulcan attempts to destroy New York City. There are earthquakes, tidal waves and scenes of mass destruction achieved through the skillful use of miniatures.

The acting is better than most serials. Coffin, who usually played oily villains, gives a creditable performance in the lead. Mae Clarke, who had achieved notoriety in "Public Enemy" by having James Cagney push a grapefruit in her face, does her best with limited material as the heroine. Don Haggerty as Dirken makes a formidable villain in what I believe was his only serial. Haggerty can usually be seen in featured roles as a cop or thug. He never got the credit or the roles he deserved.

So who was Dr. Vulcan? To find out, tune into the next chapter of "King of the Rocket Men" at this theatre next week.

1949's "King of the Rocket Men" was the first of three serials from Republic Pictures featuring a man wearing essentially the same rocket suit and helmet. The other two, both released in 1952, were "Radar Men From the Moon" and "Zombies of the Stratosphere." All three have things going for them though, each time, Republic tried to reinvent the character ... Jeff King in "King," Commando Cody in "Radar," and Larry Martin in "Zombies." The first and second serials were later revised for different purposes. "King of the Rocket Men" was edited to remove the cliffhanger sequences and the "remember when" episode (the one which is primarily flashbacks of prior chapters) and re-released it as a feature film titled "Lost Planet Airmen" in 1951. And "Radar Men From the Moon" was released as a 12-episode TV series under the new title, "Commando Cody: Sky Marshall of the Universe" in 1953. The third serial, "Zombies," while not remade, is probably the best remembered since it marked the science-fiction feature film acting debut of Leonard Nimoy (later, Mr. Spock of Star Trek fame) playing Narab, a Martian zombie.

But, "King of the Rocket Men" was the best of the three. Especially during 1949 and subsequent years, it was far more believable to envision a potential traitor, blackmailing government entities and possibly selling secrets to a foreign power than to believe in invaders from the Moon or Mars (in "Radar" and "Zombies," respectively). Also, and this is just my opinion, the two later serials seemed a bit contrived ... like they were merely attempting to cash in on the success of "King" ... a very well-acted serial for the time with an iron-clad plot line.

So, why the 8 of 10 rating? Back in 1949, money was tight in the studios. And sometimes, it was cheaper to "buy" special effects than it was to make them. That's exactly what Republic Pictures did. Since they wanted cataclysmic special effects in the last chapter but didn't want to spend the money, they simply bought rights to the 1933 film, "Deluge," for the sole purpose of borrowing the special effects footage for use in "King." And while there's nothing inherently wrong in such a practice (it has been done many times by Hollywood), it almost forced "Deluge" into obscurity. There were very few copies of "Deluge" available and, after Republic borrowed the scenes, they trashed the rest of the footage. Fortunately, one copy (not the Italian one with English subtitles) was discovered in France and it has since been preserved (though not openly released by any studio). In English? Don't know.

This movie serial has been on my mind for years. I finally found it via the internet. What a wonderful find! Not the greatest of acting, just a nice memory from days gone by, from when I was a kid and paying 3d (pennies) old stuff!!, in 1956-7 to go to Saturday morning movies with my brothers and be so excited at having to wait until the following week to see if Jeff King would escape! He always did, but it was never as was portrayed the previous week.... the mind forgets the small details when a week has gone by. Tristram Coffin made hundreds of film and television appearances, none of which were Oscar winners, but he was always presenting himself with a hero presence. As I say, not the greatest acting, but a brilliant step back in time to when all life was really rather innocent. Great stuff!!

Dr. Vulcan, a mysterious criminal, has been sabotaging the experiments of a group of scientists at Science Associates (SA), as well as murdering the ones who come close to discovering his identity. He murders Prof. Millard, a rocket expert, who has been suspecting the nature of Vulcan's attacks. Millard is saved from his death by his colleague, Jeff King, a sonic propulsion expert. In order to save the works and surviving members of SA (where Vulcan in his true identity, serves as a member of the board of directors), King assumes the identity of Rocket Man, using a jet rocket pack designed by Millard. For 12 chapters, King/Rocket Man battles the forces of Vulcan and tries to prevents Millard's latest invention, the Sonic Desemator, from falling into the hands of Vulcan. For 1948, KOTR comes off as a good serial, but really you think it could have a been a wee bit better coming out of Republic. Coffin turns in a decent performance as King, after playing mainly villains all his career. Haggerty is great though as Vulcan's henchman Dirken, and makes you wish Republic used him more as a villain in more serials and Bs. Brannon is no Witney, English, or Bennett when it comes to serial directing, but this is one of his better serials. Many errors of logic in the serial, but does it matter in a serial about a scientist fighting crime in a rocket suit? Rating, based on serials, 6.

It's one of Republic's last great serials, the inspiration for Disney's "The Rocketeer," and just great fun. Really standout special effects, the patented Republic furniture-smashing, body-slamming fights, a goofy plot, and just as much action and movement as you can stand. Any kid that didn't wish to be a "rocket man" sometime in their childhood had no red blood in them. Highly recommended. Star Tris Coffin should be rediscovered.

This has some of the most convincing flying sequences for its time. The later Superman serial had him "fly" as a cartoon: here, King appears really to fly. I have read that the flying sequences used a lightweight dummy on wires. It looks pretty convincing.

Minor spoiler: There was only one "rocket man": the serial title suggests more. (The hero's name is Jeff King) For that matter, the flight controller is marked, "Slow," "Fast," "Up," and "Down." Not bad, but rough if one had to change direction in flight.

Naturally, the serial uses the standard formula of a colorful villain who's out to steal a secret, whom the hero has to contend with.

Worth viewing, but light entertainment.

This was a fantastic serial with great special effects for it's time. Unfortunately, many who review such fare today do so from feature length versions. One must always remember that these serials were meant to be viewed, chapter by chapter, on a weekly basis. It was the draw that got you back to the theater and a five cent bag of fresh popcorn with real butter, not butter substitute. This cherished specialized cinema of the 1940's and early 50's, produced mainly for kids, was known widely as "Saturday Mornings At the Movies".

To understand and appreciate such cinema, one really needs to have the inventive mind of a child, growing up during such exciting times of pioneering new technology. There was no 24 hour television in color or black and white, VCR's, or anything to get in the way of a child's greatest attribute, their imagination. This was the generation that would grow up to make all of these modern day wonders come true.

It is also fair to mention that stars like Tristram Coffin, deserved to be remembered for the fine actors they were; despite the limited range of the roles they played. After all, it takes a fine actor to make even a child believe that a man can strap two powerful flaming rockets to his back, attached to a flimsy leather jacket with four simple control knobs in front, and fly convincingly - without being killed. How many of our high paid, so-called actors of today can effectively accomplish such a feat?

King of the Rocket Men is one of the most original movie serials ever produced post-WWII. This is the stuff that dreams are still made of. What kid wouldn't give anything to be able to fly in a sonically propelled rocket pack and kick some bad guys butt? More than 50 years after it was made, this serial still has the pulse-quickening action adventure and really great acting that made it the classic that it is. The acting was serious, which made you believe this could actually happen. These actors were highly under-appreciated, yet were better than many of the celebrity "actors" that demand to be the center of attention today. The Rocketeer was based on this serial, and even though it had great production, it just barely induced the kind of excitement Jeff King gave us for 12 exciting episodes. It's a shame the sequels to this were silly and unbelievable. Allen Duffis hit the nail on the head. This is the standard that ALL of the Saturday morning and prime time adventure shows that came after wished they could be. The only thing that was as good was the first Indiana Jones movie, and that got it's inspiration from show's like this. I still marvel at the flying scenes through the canyons and across the Culver City skyline, which still look so real it's breath-taking. The Liedecker Brothers were geniuses. I wish they could make new serials just as good as this one today. I wish a really good sharp copy of these serials could be professionally put on DVD to preserve these serials forever. This one deserves to be protected for the future.

I had to check this out from hearing about its ridiculous ending style each episode, how our hero is essentially in a sure-to-die situation, mostly looks as if he exploded with the vehicle / building, he was last seen occupying...

And at the beginning of the coming episode, the resolution is ALWAYS like, our hero was already a mile away from the disaster or something. How is this possible to pull off with the public per EVERY episode, and not loosing the entire audience after episode two?!.. incredible.

I watched all the endings and beginnings recently for fun... and out of a bit of masochism... and watching the movie 'Misery' just now i was delighted to hear Kathy Bates talking (screaming rather) about this series during a hysterical temper tantrum! Funny. And what a coincidence. I totally knew what she was talking about, elevating the scene quite some.

While I don't want to date myself, this is the first film I actually saw made. It's a 13 part chapter play, aka serial, that fifties kids enjoyed on Saturdays at the movies. All serials had a formula. They ended with a cliffhanger, they began with the "take out" of the previous week's episode, and featured lots of action and lame dialog. This one also offered the best human flying effects to that time. In fact, nobody surpassed them until Superman: The Movie. You can thank the Lydecker Brothers who not only created the effect, but nearly sunk NY City with a tidal wave. 4.5 hours of film on a budget of $175,000. You can only shake your head in amazement. I've seen the series a dozen times. I can recall seeing a screening of it in a local theater where they played all 13 episodes back to back. It got so that one section of the audience would cheer the producer and another the director. Everybody booed the actors. When did you last have a movie going experience like that?

In this 12-chapter action serial from Republic Pictures and director Fred C. Brannon, the mysterious Dr. Vulcan is responsible for a series of murders of prominent scientists, as well as the theft of their scientific breakthroughs, which he sells to foreign powers. It's up to Jeff King (Tristram Coffin), a member of the Science Associates, a gathering of America's greatest thinkers, to discover the identity of Dr. Vulcan and bring him to justice. King is assisted by plucky reporter Glenda Thomas (Mae Clarke) and Associates member Burt Winslow (House Peters Jr.), as well as by the believed-dead Professor Millard (James Craven). Millard has developed a prototype rocket-suit that will allow the wearer to fly through the air at great speeds. Jeff King dons the apparatus to become...King of the Rocket Men!

This was more cheaply produced than the other Republic serials, utilizing much stock footage, and even padding most of one chapter with clips from earlier chapters. Still, this was a big enough hit to spawn a few more "Jet-Pack" serials in the years to come. The final chapter is quite epic, even if a lot of it is repurposed scenes from older movies. Most of the action scenes are the usual fist-fights and driving off of cliffs. It's all entertaining, in a simple way, but not one of the more memorable serials in Republic history, outside of the Rocket Man's image.

Despite the title, this serial has nothing to do with either Leonardo DiCaprio or Elton John. Nonetheless, 'King of the Rocketmen' is a good piece of fun, with good special effects and stunt shots used to create a realistic illusion of actual flight. It moves fast, there are plenty of good fight scenes, and the acting is good. The casting of Tristam Coffin as the hero, Rocketman, is a little strange, since Coffin appeared to be clearly over 45, thin, with a small jaw and a pencil thin mustache: not the classic vision of a matinée hero, he usually played villains. But Coffin was a decent actor and pulled it off. The script is pretty straightforward, moving quick enough that the audience doesn't have too much extra time to think about how ludicrous the whole thing is.

This serial was released on June 8, 1949, three weeks prior to the premiere of Captain Video on TV. It is known that the creators of Captain Video looked to movie serials for inspiration, and Rocket Man was the first serial hero whose very name indicated both science fiction and heroics. Beginning with Captain Video, who became one of the first superstars of early TV, and continuing with Tom Corbett (Space Cadet), Commander Cory of Space Patrol, and Rocky Jones (Space Ranger)there was a bona fide craze from 1949 to 1955 for science fiction heroes with super-heroic or militaristic names. Rocket Man was the 1st of these, yet is seldom given credit for starting the trend.

The villain of this serial, Dr. Vulcan, is an international thug and dealer in stolen weapons and technology. There is a sequence where Rocketman has to stop a stolen ballistic missile (called an 'air torpedo') from hitting and blowing up LA. We know from recent history, however, that when a flying menace is approaching a city, that the correct thing to do is stand down and let 3,000 people be killed so that Your Party will be able to seize total control of the government and be able to implement a quasi-fascist state. Why Rocketman didn't understand this is a mystery.

The other unrealistic thing about this serial is that Rocketman pursues the actual terrorists, as opposed to doing the logical thing: use the terrorists as an excuse to invade an oil-rich nation. But then, serials were never supposed to be very logical.

A year after this serial was completed, a Superman serial featured a run away atomic missile. Serials, although ostensibly the province of youngsters, were reflecting some of the collective anxieties of society. This was the era when WMD's (though the word wasn't yet coined) entered mass consciousness.

Presciently, a major plot point is Dr. Vulcan's plan for a large scale terror attack on NYC. I don't want to spoil anything for you, so I won't describe how that resolves.

Flaws aside, this is one of the last serials where any attempt was made at an illusion of verisimilitude. You can have fun and smile to yourself at how absurd it gets, but it isn't laugh out loud ludicrous or painfully bad like an Ed Wood movie. You can see in later Republic serials, such as 'Commando Cody' and 'Flying Disc Man from Mars', that things went downhill pretty fast after this. If you are a fan of serials or a fan of fast-moving old school cheeze, you should enjoy King of the Rocketmen. Obviously, I did.

"King of the Rocketmen" (which would become the inspiration for "The Rocketeer") was an average serial, with decent special effects being its only strong point, and a good performance by Tristram Coffin. My biggest problem with it is that it seems to be a remake of the "Captain Marvel" serial (one member of a group of scientists is really the evil mastermind after a certain destructive prize. However, I can't tell one from another, and I don't know who ANY of them are, so I can't be shocked or surprised when I find out who Dr. Vulcan is). The dialogue is REALLY lame (for a serial), the fights are static (Coffin's hat NEVER comes off in a fight scene!), and the Rocketman suit is hilariously lame! The ending is pretty exciting though, and it's one of the very few times the hero gets into a fistfight with the mastermind himself. If you REALLY like serials (or like serials that are so bad they're good), give it a shot.

I give this serial C-.

The first of four Republic productions with Rocket Man (the other three being Commander Cody, Radar Men From The Moon and Zombies Of The Stratosphere).

To me, Rocket Man is a vital part of Republic serials, even more vital than 1941's Captain Marvel. In the above mentioned later three serials Rocket Man has a spaceship as well - then things are on an even better level!

But this spaceship-less serial is still a knockout, and that mighty music played over every fight scene is still playing in my head as I type this review.

In this same year, 1949, Columbia's Batman And Robin serial also had a remote control machine that could control cars from a distance. Not sure exactly how many old time B&W serials used this device? I personally like Batman And Robin more than King Of The Rocket Men as I thought the Columbia serial had better casting all round, better music cues all round, and hey, Batman is Batman, he is always better (note, I was born decades after "King" was released, so I might look at it differently to older viewers?).

But "King" is still mighty entertaining and years later one of the effects team - Howard Lydecker - would work for Irwin Allen in Voyage to the Bottom of the Sea (1964) and Lost In Space (1965) - that alone is reason enough to see "King".