The Mating Season

"The Mating season" is definitely, though unexpectedly, a beautiful movie. The plot relies on a simple but original idea: the mother-in-law is a positive character, in some sense the actual heroine of the movie. The misfit between the low-class Ellen McNulty (Thelma Ritter) and the upper-class folks surrounding her, with her son (John Lund) as a link, is a source of continuous fun. Thelma Ritter gives a first-class performance.

Also the rest of the cast works beautifully, especially Larry Keating. The whole movie is a pattern of good taste. What about Gene Tierney? We see her in short-pants... later she sings a French song. This would be enough to recommend the film, isn't it? Now, forget Gene Tierney's beauty for a moment (that's hard, I know): she acted in comedies, dramas, misteries, thrillers, film-noirs, westerns, adventure and historical movies, and so on. She always enters into her role with perfect ease and versatility. She is a great actress, this is the true point. Gene adds further class to "The Mating Season", a little jewel not to be missed.

Though Gene Tierney and John Lund are the leads in this film, Thelma Ritter steals it completely as Lund's down to earth plebian mother from New Jersey. Thelma got one of her Oscar nominations for Best Supporting Actress, the second of six she was to earn in her career.

Mitchell Leisen directs this charming comedy about a pair of sudden newlyweds, she a débutante and him a working stiff reporter. They meet when Lund saves Tierney's life as she goes off the road and drives precariously on to a cliff's edge. Both abandon their respective prospective mates, Lund says goodbye to Jan Sterling and she to James Lorimer who also happens to be the son of Lund's boss Larry Keating.

Tierney's one nervous new bride wanting to make sure her first dinner party goes right and when Ritter comes knocking at her door, Tierney mistakes her for the new maid she wanted. God knows Thelma Ritter played enough maids in her career, it was an honest mistake. Then of course Lund can't quite break it to her, even after grand dame Miriam Hopkins as Tierney's mother arrives on the scene.

It all sounds real silly, but it actually does work, Leisen's direction and the talent of his cast actually carry this off.

Thelma Ritter went six times to the Oscars as a nominee for Best Supporting Actress and she could have won in any of those years. This year of 1951 her nomination and everything else that year had to face up against A Streetcar Named Desire and she lost to Kim Hunter as Stella Kowalski.

Maybe she should have been up for Best Actress though I doubt Thelma Ritter would have won against Vivien Leigh. Still she's the main reason to see The Mating Season.

Where do I start, this seems to be just a well done ensemble farce with elements of screwball comedy. Mistaken identity, overbearing mother in law. But when you take a second look, this is a movie with cynical undercurrents about the American dream. I don't want to give away the plot so I will just comment on the excellent cast and direction by Mitchell Leisen. Leisen treats the material with such respect and care, what could have been average is fresh and new. Gene Tierney has a great comic touch, Miriam Hopkins gives a great over the top performance, then what can I say Thelma Ritter, just amazing. I was really impressed with her warm hearted scenes with Gene Tierney. There is not a weak link in the supporting cast. This is great ensemble acting. The movie comes to a very satisfying conclusion. This is one of the most underrated comedies of the era. I do believe this movies is gaining the respect it deserves. Most critics today consider this a CLASSIC. I hope Paramount will release this on DVD.

This one has the distinct virtue of allowing Thelma Ritter more than a few brief scenes and, as her fans will tell you, she's the best reason for seeing this well-scripted, smoothly directed comedy of manners.

The beautiful Gene Tierney and handsome John Lund make a convincingly in-love married couple, though this role probably sealed John's fate as a "stuffed shirt" in the roles he later accepted. Miriam Hopkins is devastatingly effective as a wretchedly spoiled woman and Larry Keating is just fine as a feet-on-the-ground boss.

If you can catch this one, its dated elements shouldn't detract from a very enjoyable viewing experience.

Okay, before I begin, I should point out that cynical people are warned NOT to watch this little fantasy film. However, everyone else should delight in watching this very simple yet very enjoyable film. Sure, there are a few story elements that just don't make sense--but my advice is to try to ignore these and keep watching--the payoff makes it well worth your time.

A young couple, John Lund and Gene Tierney, are getting married but are unaware that Lund's mother (Thelma Ritter) is broke and has no place to live. However, Ritter is very proud and won't admit this or that she doesn't have the money to look nice for the wedding, so she skips the service on a pretense. Later, and here's where realism goes out the window, she shows up at Lund's and Tierney's apartment and Tierney thinks Ritter is the maid who has come to help her cook for a big party! Ritter does NOT tell her who she really is and makes a terrific spread. Only later does Lund come in the kitchen and sees what's occurred! Now even then, you MUST suspend disbelief because Lund doesn't tell his wife the truth--he was interrupted as he was telling her later that night, as she was trying to make passionate love to him and he just forgot! As a guy, I actually can believe this--at least short-term, but not for most of the movie! BEAR WITH IT!!! Ritter, one of the best forgotten supporting players (here in a starring role), is utterly charming as the housekeeper and she is able to do wonders to help the young but troubled marriage. How it all works out so perfectly in the end makes it all worth while (particular with as it involves Lund's boss, played by Larry Keating). A charming film that is practically impossible not to like!! They don't make sweet and charming films like this any more.