Cape Fear

Sam Bowden (Gregory Peck) is a happily married lawyer with a teenage daughter, a quiet life and little worries to care for until released convict Max Cady (Robert Mitchum) moves near by seeking for revenge against him. Cady blames Bowden for his 8 years imprisonment because the lawyer failed to get him an innocent verdict in Court for a serious crime he was accused of (and he had committed). The man starts by stalking Bowden and his family while he waits for the appropriate moment to make his move. In the meantime, Cady does not hide his intentions and Bowden knows perfectly well they are in big trouble.

The film is tense all along and interest doesn't fall at any moment. There is a correct direction by J. Lee Thompson, a slightly more than average director who probably did here one of his best jobs (the other one "The Guns of Navarone" (1962) a very entertaining World War II adventure). Black and white shooting was a good idea and helps to create some sort of sordid and dark atmosphere when required as well as the musical score.

Casting is very good too. Gregory Peck is correct in one of his many common good guy roles. Polly Bergen is believable as the frightened wife and there is also good acting by Martin Balsam (as Bowden's chief of police friend) and Telly Savalas (as a private detective hired to help the family). But the major credit in this issue goes without doubt to Robert Michum's performance as the dangerous avenger. He looks calm and quiet -with few exceptions- all the way to the final climax sequences but you know perfectly the man is real mean and deadly. This surely was one of Mitchum's best appearances in his long film carrier.

The 1991 Cape Fear version with Robert de Niro -although a watchable movie- is not as good and thrilling as this one where evil doesn't appear clearly till the end but menace is always there.

A very good thriller indeed!

Sam Bowden is a lawyer who, eight years ago, acted as a witness against Max Cady to put him behind bars. Released from prison, Cady has studied the law and is set on terrorising the Bowdens without actually overstepping his legal rights. As Cady toes the line with increasingly worrying results, Browden begins to cross the line to deal with him and protect his family.

Having seen the remake first I wanted to go back and see it done originally. My first impression was that the remake had done some elements better than this. For example Nolte's lawyer is a lot less clean-cut than Pecks'. Also the sexual threat to the daughter is a lot more played out in the remake. Getting past this I saw how this was actually a better film in many ways. As a drama it moves along at a good pace – not jumping from one thrill to the next but not dragging either.

The film can only hint at the deeds of Cady because of the censors but it is clear even to the blind that Cady is a monster. This ups the tension as everything is slowly build to and we don't get a bloody or sexually shocking scene as a pay-off, no, here the tension is build on top of other tension. The direction is good, giving a dark feel to the look of the film as well as hinting constantly. Even if some of the thrills are signposted it still works well.

However, without Mitchum's performance this would be a very different film. With the help of De Niro's sneer or menacing tattoos, he is still a better Cady. He is on top form – where De Niro wore his threat large, Mitchum hints at it under a veneer of casual disinterest, making the threat seem bigger when he acts. Peck is good even if his character is too clean-cut when he should have been pushed further over the line for my tastes. Bergen doesn't have much to do, but her final scene with Mitchum is powerful and she really lets rip. Martin is perfectly cast – she looks like a child but also is `developed' enough to be a sexual role for Mitchum to prey on. It is easy to watch her as Mitchum closes in on her, almost licking his lips, but that's the power of the film.

Overall this manages to be powerful and thrilling despite the censors and is a really good drama. However it is totally carried by a monstrous yet subtle performance by Mitchum. De Niro was good in the role but once you've seen this you'll realise that menace can be acted subtly and not just by sneering and getting tonnes of tattoos.

Mitchum was, if anything, even more powerful in "Cape Fear," possibly because his antagonist this time was the perfectly contrasting Gregory Peck…

Mitchum played a sex criminal, freed after eight years in prison, who returned to a sleepy little town to terrorize the witness (Gregory Peck) whom he blamed for his conviction…

The ex-con uttered no threats, used no violence, broke no laws – and the police were therefore helpless… But his very presence, the tone of his voice, the look in his eyes as he turned them lazily on Peck's attractive wife and adolescent daughter showed with unmistakable and cumulative menace that he would surely take his revenge…

Peck planted his wife and daughter on a safely moored houseboat to tempt Mitchum into a trap...

Sent to jail for a crime he did commit, a newly released felon has some pain he's to inflict, on the witness that sent him away for eight long years, for the scars of internment that he carries and he wears, stalking his prey without cover or disguise, the family of Sam Bowden see their world start to capsize, a vengeance full of hate, a psychopath intent, eight long years of brewing, chewing, digest and ferment.

Robert Mitchum delivers a tremendous performance as Max Cady who leaves you under no illusion of the torture he intends to inflict, psychological and physical, on the family of the man responsible for his incarceration. Gregory Peck plays Gregory Peck, but as elegantly as ever.

Martin Scorsese's version of "Cape Fear" had its moments, but overall was something of a chaotic picture. Its "satire" (or lack thereof) didn't really have a point, and its over-the-top visuals seemed to be compensating for a lack of content. It seemed less like Scorsese and more like DePalma.

Thompson's original is better - more scary, more thrilling, more diabolical and realistic. Whereas De Niro's scenery-chewing performance in the remake was almost laughable, Robert Mitchum's spine-tingling turn here as Max Cady is one of the great human movie monsters - he's a demon at spirit, no in physicality.

He seeks revenge on Gregory Peck and his family after Peck puts him away in jail for a few years.

Scorsese's version was more updated and in that sense its general themes were more believable - Cady's psyche was more exposed, his violence exploitative - and the romance between Cady and Sam Bowden's daughter in the original is nonexistent. In fact, the extent of his harm towards her is when he chases her around an empty school.

Still, this is a better version of the movie because it has more strengths than the remake. Visually it's not as impressive but it makes more of an impact as a thriller.