IMDb RATING
4.7/10
1.6K
YOUR RATING
A man is haunted by visions of a beautiful woman. When he finally meets her, he winds up involved in a Satanic cult.A man is haunted by visions of a beautiful woman. When he finally meets her, he winds up involved in a Satanic cult.A man is haunted by visions of a beautiful woman. When he finally meets her, he winds up involved in a Satanic cult.
Ariadne Welter
- Donna Trent
- (as Ariadna Welter)
Jeanne Carmen
- The Blonde Cultist
- (as Jeannie Carman)
Bruno VeSota
- Lindell's Sponsor
- (as Bruno Ve-Sota)
Chaino
- Bongo Player
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Crown International produces their Citizen Kane
I've seen 10-12 Crown International Pictures now and this is by far their most polished work. It plays like an episode of the Twilight Zone, and I would not be surprised if the writers pulled this story from a similar source as Mr Serling himself. It's very short, at just an hour and 10 minutes, and is definitely worth a watch for anyone looking into campy horror stories from the 50s (even though this was made in the 60s it doesn't have the free-love feel and was shot in black and white). Appropriate music, good acting, and surprisingly good cinematography all work in concert to make an enjoyable film.
As a side note, the DVD that Mill Creek put out has a cool feature where you can watch this in 'Drive Thru' mode and has everything from an animated short to a few commercials. Nice little bit of nostalgia!
Rating: 24/40
As a side note, the DVD that Mill Creek put out has a cool feature where you can watch this in 'Drive Thru' mode and has everything from an animated short to a few commercials. Nice little bit of nostalgia!
Rating: 24/40
Decent Enough Film, Just Maybe Not Worthy of a Feature
Rick Turner (Robert Alda), an ordinary man, becomes bewitched by Bianca Milan (Linda Christian), the beautiful high priestess of a voodoo cult; but when the cult kidnaps his fiancé, Donna Trent (Ariadna Welter), and prepares to offer her as human sacrifice, he engages in a battle with the all-powerful supernatural forces in a horrifying life-or-death struggle.
Ariadna Welter (best known for starring in Luis Buñuel's 1955 film "The Criminal Life of Archibaldo de la Cruz") delivers her lines in a terrible monotone and with some unidentifiable accent (though she was a Mexican national, so that should narrow the oddness down). Interestingly, she was Linda Christian's real life sister.
This would make a good episode of "Twilight Zone" or "Outer Limits", sort of weak as its own film, though short enough that the movie held my attention surprisingly well. That is the film's downfall, though: it is a good film, but not enough meat to warrant ninety minutes, thus turning what could be memorable into something forgettable.
Milan is a witch for Gamba, "the devil god of evil" (which, as others have pointed out, is sort of redundant). It is interesting to see how easily good-natured people devote themselves to Gamba, who openly claims to be evil.
I enjoyed this film, and of the "gorehouse greats" that I have watched so far from Mill Creek, this is one of the better ones. For those who are curious, it is available for free download at the Internet Archive.
Ariadna Welter (best known for starring in Luis Buñuel's 1955 film "The Criminal Life of Archibaldo de la Cruz") delivers her lines in a terrible monotone and with some unidentifiable accent (though she was a Mexican national, so that should narrow the oddness down). Interestingly, she was Linda Christian's real life sister.
This would make a good episode of "Twilight Zone" or "Outer Limits", sort of weak as its own film, though short enough that the movie held my attention surprisingly well. That is the film's downfall, though: it is a good film, but not enough meat to warrant ninety minutes, thus turning what could be memorable into something forgettable.
Milan is a witch for Gamba, "the devil god of evil" (which, as others have pointed out, is sort of redundant). It is interesting to see how easily good-natured people devote themselves to Gamba, who openly claims to be evil.
I enjoyed this film, and of the "gorehouse greats" that I have watched so far from Mill Creek, this is one of the better ones. For those who are curious, it is available for free download at the Internet Archive.
Repeated watching adds a creepy ambiance to this little known genre flick.
I was introduced to this film when I stumbled across a VHS copy at a well known video retail store. At the time I was buying up and devouring as many B-movies as I could find. I think that in the same trip I purchased The Wasp Women, and Catwomen of the Moon in 3D.
The first couple of times I watched this movie, I didn't feel it was that spectacular, but I did particularly like the opening sequence theme music, a definite nod to Dave Allen and the Arrows. I was however, not able to quite pin down the plot at first because, admittedly, I fell asleep the first few times I saw it.
After several more viewings though, the film began to take on a strange, almost psychedelic feel and I realized that all of the confusion really lends itself to the themes of hypnotism and mind control in cults, which is I think the heart of the film. Whether or not this effect was obtained on purpose by the director, I can't say. It doesn't really matter. I still enjoy watching this one years later.
The first couple of times I watched this movie, I didn't feel it was that spectacular, but I did particularly like the opening sequence theme music, a definite nod to Dave Allen and the Arrows. I was however, not able to quite pin down the plot at first because, admittedly, I fell asleep the first few times I saw it.
After several more viewings though, the film began to take on a strange, almost psychedelic feel and I realized that all of the confusion really lends itself to the themes of hypnotism and mind control in cults, which is I think the heart of the film. Whether or not this effect was obtained on purpose by the director, I can't say. It doesn't really matter. I still enjoy watching this one years later.
Fun Nonsense
The Devil's Hand: Rick is your average guy with a nice, average fiancé except for one thing: he's having wildly lucid dreams about a sexy blonde. The dreams inexplicably bring him to a doll shop in the middle of the night, where he spots a doll resembling his dream woman in the window. Disturbed, he returns the next day during normal business hours with his fiancé and things get weirder as they stumble into a world of voodoo, devil worship, and more dolls! This film could have been subtitled "Deus ex machina," but it's mostly entertaining, and scores an extra point or two for having a totally retro-cool surf guitar opening credits tune.
Worshipping Gamba to a bongo beat.
An early effort from Crown International Pictures, The Devil's Hand stars Robert Alda (Alan's dad) as Rick Turner, who is visited nightly in his dreams by a beautiful blonde woman. After finding a doll in a shop window that is the exact likeness of the mysterious woman, Rick is able to track down his nocturnal visitor, Miss Bianca Milan (Linda Christian), but, hypnotised by her beauty, finds himself lured away from his longtime girlfriend Donna (Ariadne Welter) and into a devil worshipping cult run by sinister doll-maker Francis Lamont (played by Neil Hamilton, TV Batman's Commissioner Gordon).
A cheap and cheerful piece of '60s Satanic horror, The Devil's Hand is undemanding drive-in fodder that benefits from a brisk pace (and a not-too-long running time), reasonable performances, and a fun plot that includes voodoo, bongo drums, a traitor in the cult's midst, ritualistic gyrating, Russian roulette with swords, and a fiery demise for the baddies at the end. All this and a cool twangy surf guitar number during the opening credits make for a reasonably fun, if not all that memorable, time.
Favourite moment: when Rick sneaks into the doll shop, a front for the cult, and proceeds to make a total racket whilst bumbling around their place of worship. Way to go, twinkletoes!
A cheap and cheerful piece of '60s Satanic horror, The Devil's Hand is undemanding drive-in fodder that benefits from a brisk pace (and a not-too-long running time), reasonable performances, and a fun plot that includes voodoo, bongo drums, a traitor in the cult's midst, ritualistic gyrating, Russian roulette with swords, and a fiery demise for the baddies at the end. All this and a cool twangy surf guitar number during the opening credits make for a reasonably fun, if not all that memorable, time.
Favourite moment: when Rick sneaks into the doll shop, a front for the cult, and proceeds to make a total racket whilst bumbling around their place of worship. Way to go, twinkletoes!
Did you know
- TriviaOf the production, Linda Christian said that the picture was shot really quickly. The production company was having financial problems. She also stated that not everyone was paid and Crown International Pictures owed a lot of money to her and her sister.
- Quotes
[last lines]
Rick Turner: Are you all right?
Donna Trent: What was I doing in there?
Rick Turner: Never mind. The important thing is that you're safe and free of it.
Donna Trent: Are you free of it too?
Rick Turner: Yes, darling, we both are.
Bianca Milan: That's what *he* thinks.
- ConnectionsEdited into FrightMare Theater: The Devil's Hand (2022)
- How long is The Devil's Hand?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Witchcraft
- Filming locations
- MacArthur Park, Los Angeles, California, USA(opening scene)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 11m(71 min)
- Color
- Sound mix
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