83
Metascore
15 reviews · Provided by Metacritic.com
- 100Chicago TribuneMichael WilmingtonChicago TribuneMichael WilmingtonThe thrilling sequel-return of Mifune's hip samurai from Yojimbo. [01 Nov 2002, p.C9]
- 90The Observer (UK)The Observer (UK)A minor masterpiece. [05 Nov 1995, p.11]
- 80EmpireDavid ParkinsonEmpireDavid ParkinsonSatirical Samurai action of the highest order.
- 80The New York TimesBosley CrowtherThe New York TimesBosley CrowtherThis is a mischievous, sly, good-humored presentation of a crusty old samurai caught between two groups of plain incompetents, with a playful satiric point.
- 80Time OutTime OutKurosawa plays most of it for laughs by expertly parodying the conventions of Japanese period action movies, but the tone switches to a magnificent vehemence in the heart-stopping finale.
- 80VarietyVarietyThe charm of this fascinating Toho production, stylishly directed by Akira Kurosawa, is the personality of the hero, powerfully played by Toshiro Mifune.
- 80The GuardianThe GuardianMifune's slob is deceptive, and the film builds slowly to a shattering ending.
- 75Slant MagazineChuck BowenSlant MagazineChuck BowenSanjuro is still a lesson from a master in mounting choreography and sustaining momentum, though it remains more of an exercise rather than a work of flesh and blood.
- 75Film ThreatFilm ThreatSanjuro doesn’t offer as much complexity and nuance as its predecessor, but it’s still a fun ride that shows Kurosawa’s consummate skills, even when he was simply satisfying Toho’s constant demands that he make more commercially-appealing films.
- 70Chicago ReaderDave KehrChicago ReaderDave KehrThis is fun but, compared with Kurosawa’s other 60s efforts, relatively slight.