The World's Greatest Sinner

Recommended to me by a complete and utter "World's Greatest Sinner" fanboy, I decided I should check it out. He said something like, "If you're a fan of insane acting performances you will not be let down." Hell, I love insane acting performances! Probably more than the next guy. F that, way more than the next guy! So, the WGS Fanboy, or he may be a Timothy Carey fanboy....anyways, WGS/Tim Carey fanboy called me out pretty much. So, the next chance I had, I popped on The World's Greatest Sinner. And I'll tell you what, it was most definitely an insane acting performance. One so great, that it made the movie. It is the movie.

The film is simply about a tired Insurance Salesman who just doesn't want to do what he does anymore. He wants to be a somebody. And does he ever. He strives for power, and before he knows it, he has it. Watching Carey's character evolve from an everyday joe shmoe to uber-personality is basically the premise here.

The film itself is a smart flick. Some other comment said it was ahead of it's time, but it's not really that, but it's more of a timeless film. People don't change in the way Carey's character did in just one period. Carey's strive for power and attention is a trait humans have had and probably will have until we expire as a species.

I had no clue who Timothy Carey was prior to watching TWS. I heard he was a regular as a supporting character in a few Kubrick films. So, heading into this film, I didn't know what the dude even looked like. And boy oye oye, after seeing this film, I'll never forget. Timothy Carey is a tall, foreboding and masculine figure that delivers a style of acting which is just 100% unique. His tedious and realistic approach at acting is kinda bizarre to watch. But like I just said, it's unique. At times, with those sullen looking eyes and his relaxed way of talking, I almost thought he played his character drunk the entire film. But, when he has a scene where he needs to show emotion and energy, he's all over it. Simply put, if Carey didn't cast himself as the lead in his film (wrote, directed, acted etc.) this movie would have been in no way on Earth as entertaining.

The World's Greatest Sinner is only a fantastic movie, because at that time, The World's Greatest Under-appreciated Actor was in it. It's a film that's different, realistic and true to the bone. Definitely a flick I'll be recommending to my more accomplished movie-going friends.

Regarded by some as a masterstroke of underground cinema, and for good reason...TWGS is a gritty and highly recalcitrant walk on the wild side, gently flouting just about every vested American institution of respectability and reverence...that may not sound like a such a big deal in present times(when even TV cartoons have an insolent streak), but the America of 1962 was a very different world.

Timothy Carey, a legendary and enigmatic Hollywood outsider, performs vibrantly in his nihilistic vanity project. He portrays a disenchanted American family man whose eccentric ideologies galvanize a small following, leading to his gradual ascention as a gold-digging lothario, frenetic rockabilly performer, and, lastly, dissentious political hegemon. The fall comes faster than the climb, however...delusional grandiosity takes hold, and he soon finds himself abandoned and detached in a sad ivory tower of deified ipseity.

It's a conceptually alluring exercise in ideographic rabble-rousing, without question...frustratingly, however, the overt bearings of an impossibly vagabond production peg this project as an edgy, inordinate, and admittedly very ambitious home movie. Accepted on these terms, it's a chimerical wonderwork, and some will find its dodgy appeal enhanced by the unvarnished minimalism of a breadline budget.

Mainstream viewers are unlikely to surrender gently to this earnestly hand-hammered anomaly, though it's certainly worthy of investigation(as is evident by its sizable legion of fans...a number of whom, I suspect, might not like the film quite as much as they like the *IDEA* of liking it).

5.5/10.

So much has been written about The World's Greatest Sinner that it is hard to separate it from its own mythical standing.

Timothy Carey portrays Clarence Hilliard, an insurance salesman who abruptly quits his job in a spectacular fashion. Sitting at home, contemplating his life, he wanders the town and comes across a Mexican rock and roll band. Intrigued by the spectacle and its effect on the gathered audience, he begins formulating his future. With help from his gardener, he puts on a fake goatee and carries a guitar with him as he stands on street corners, preaching his message of "every man is his own god" and soon finds himself with an ever-growing audience eager to hear more. He changes his name to "GOD" and begins his ascent into the world of politics.

TWGS was made at a time when independent films made without the financing of a studio simply didn't exist. There were no kickstarter campaigns, film schools, underground distribution networks, etc. The film pre-dated the exploitation boom of the mid to late sixties and existed in a universe where so-called underground films were still called "art" films and screened alongside nudie pictures and European imports. Carey wrote the screenplay in 1956 and spent the next 5 years gathering funds and shooting haphazardly whenever he could afford to. Many of the people involved with the movie never received payment for their involvement (most notably a then-unknown Frank Zappa, who wrote and performed the title song and score, and later badmouthed the film on The Steve Allen show in 1963, calling it "the world's worst movie.") Tim Carey originally wanted another director along the lines of John Cassavetes or Stanley Kubrick to direct the movie, but realizing that he could not afford to hire anyone, took to directing it himself. He also cut and edited the movie and handled all of the post-production work. He was never satisfied with the movie and continued editing it up until his death in 1994.

Carey never found a proper distributor for the movie and it was only screened a handful of times in 1963. A later cut of the film is the one that most people have seen, having floated around as a bootleg on VHS and later shown on TMC in 2008. This version had a color title sequence and the hand-colored ending sequence that Carey felt was integral to the film. His son, Romeo Carey owns the rights to the film and has stated that he will one day release the original director cut of the movie, but it still remains unviewed since its original screening.

Critics panned the movie unanimously, which is probably what made it impossible to find a distributor. It was called "vile", "anarchic", anti-religious, amateurish and just plain "stupid." John Cassavetes loved the movie however, calling it one of his favorites.

Nowadays, many agree with Cassavetes, who stated that the movie was just too ahead of its time to be understood by audiences of the early 60's. He may have been right, but as Romeo Carey pointed out, the movie was not ahead of its time, it was in fact a time capsule that captured a unique look at an America that was stuck between the rise of Elvis and the birth of Beatlemania. The country was getting over the Korean War and had yet to experience the polarization of Vietnam. Beatniks were about to become hippies and the "I Like Ike" republican era was giving way to Kennedy's comparatively liberal generation. If anything, TWGS is a documentary of an America in flux.

Critics of the time also scoffed at the notion that a rock and roll-styled punk would ever garner a religious following or ascend into the political machine with such ease. It wasn't long before people like Charles Manson and Jim Jones were recognized as the type of "rock star guru" that could influence, and even brainwash, their followers. The slogan "man is his own god" would become pervasive in a few short years, and groups like the Church of Satan and The Nation of Islam would loudly proclaim that same message. The irony was not lost on Carey himself, who insisted that the film was just as relevant in 1993 as it was in 1963.

For all of its faults, including poor editing, shoddy audio and subpar performances from some of the supporting cast, it still feels like a sort of autobiographical documentary- not quite out of step with A Hard Day's Night or D.A. Pennebaker's Don't Look Back. And it goes without saying that Carey's performance in the title role is untouchable. Nobody but him could have pulled it off. It's like watching a train wreck slowly unfold; you're pretty sure how it's all going to end but you can't stop watching while it happens.

I'm not usually so pompous when describing movies, but TWGS is a movie that opened my eyes to something I can't quite put my finger on.

One hears a lot about "independent cinema" these days, films made outside the mainstream studio system that reflect the individual voices of their creators. Film festivals are devoted entirely to "independent films", such as "The Sundance Film Festival". There is even an "Independent Film Channel" on cable television. Well, "The World's Greatest Sinner" really IS an "Independent Film". Timothy Carey wrote, produced, directed and starred in "The World's Greatest Sinner". Filmed on location with whatever actors and equipment he could get, int took three years to complete because he had no budget and made the movie whenever time permitted between professional acting jobs. In fact, the story of the making of "The World's Greatest Sinner" would make a pretty compelling subject for a movie in itself, much as was done some years ago to "Plan 9 From Outer Space".

This movie is about unrestrained ego. The main character is an insurance salesman who wants to become something more. By turns he transforms himself into a rock & roll star, an evangelist and a presidential candidate. During that process his ego enlarges exponentially until it becomes clear that his ultimate goal is nothing less than to become God. Oh, and as if all that were not bizarre enough, the sound track was written and performed by Frank Zappa, early in his career, years before he became famous as the leader of "The Mothers of Invention".

Nobody is ever going to say that this movie has the best production values. Apart from everything else, the three-year production time inevitably created some continuity issues. Nevertheless, this is a film that has something to say which no other would dare to say, and says it emphatically. Furthermore, despite the fact that matters frequently go over-the-top, the story is frighteningly plausible and believable. Yes, one cannot escape the conviction that the events depicted really could happen.

Although "The World's Greatest Sinner" is never going to be everyone's cup of tea, or indeed was ever intended to be, it definitely deserves a place on the list of movies everyone should see at least once before they die.

You may not remember his name, but actor Timothy Carey has one of those lugubrious faces that once seen, you're not likely ever to forget. No actor in Hollywood had a visage like Timothy Carey. His career as an actor spanned nearly half a century. His first acting part was in 1951 his last role was in 1990. In all, he appeared in a mixture of shorts, feature films and television shows: 87 titles in all. In the late fifties, Timothy Carey decided to make his own film. He would write the screenplay, play the lead character and direct it himself. That film was "The World's Greatest Sinner" In it, Carey plays a disgruntled insurance salesman named Clarence Hilliard, who quits his job to go into politics. First he forms a rock band, which in turn becomes a religious cult; where everybody has to address him as God Hilliard. Eventually he manages to form a new Political Party. Considering "The World's Greatest Sinner" was made in 1962, it was quite daring for its time, especially when it came to the scenes of older women being seduced by the Clarence Hilliard character to get them to hand over their savings. (Six years later, Mel Brooks treads a similar path in his film "The Producers" by having one of his characters romance older women for cash).

"The World's Greatest Sinner" reminded me of another, similar film, Elia Kazan's "A Face In The Crowd." which came out in 1957. The Kazan film is about an itinerant drifter named Larry "Lonesome" Rhodes, who is plucked from an Arkansas jail, and ultimately rises to great fame and influence on national television. He soon discovers that fame has a price, and eventually his world come crashing around his ears. If Timothy Carey didn't go and see this film, he would have most certainly known about it. After all, both films explore the same theme, namely megalomania. "A Face In The Crowd" was distributed a major Hollywood studio. On the other hand, Timothy Carey distributed "The World's Greatest Sinner". He also funded the film entirely out of his own pocket, so it's no wonder the film took three years to finish. And, as the film never had an official release it quickly disappeared from sight. That said I found "The World's Greatest Sinner" extremely tiresome. The main problem being that Timothy Carey the director was at a loss on how to control Timothy Carey the actor who has a penchant for over acting. So we are subjected to Carey bellowing out his lines in scene after scene, or throwing back his head and laughing maniacally: "The World's Greatest Sinner" runs for just eighty-two minutes. The camera work is appalling, many of the shots are too dark, or poorly lit the film so it seems to run for twice that length. Additionally, the editing is so erratic it is hard to follow the plot. It's just a shame that a director of the calibre of, say, an Elia Kazan wasn't given the opportunity to direct "The World's Greatest Sinner" and turn what to me is at best a curiosity, into a film of some substance.