IMDb RATING
8.3/10
5.2K
YOUR RATING
Life at home changes when a house-wife from a middle-class, conservative family in Calcutta gets a job as a saleswoman.Life at home changes when a house-wife from a middle-class, conservative family in Calcutta gets a job as a saleswoman.Life at home changes when a house-wife from a middle-class, conservative family in Calcutta gets a job as a saleswoman.
- Awards
- 4 wins & 1 nomination
Madhavi Mukherjee
- Arati Mazumder
- (as Madhabi Mukherjee)
Jaya Bachchan
- Bani
- (as Jaya Bhaduri)
Sefalika Devi
- Sarojini (Subrata's Mother)
- (as Shephalika Devi)
Haradhan Bannerjee
- Himangshu Mukherjee
- (as Haradhan Banerjee)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFifteen-year old Jaya Bhaduri's (later known as Jaya Bachchan) film debut and her only film with Satyajit Ray.
- GoofsWhen Priyogopal (Subrata's father) goes to visit his student Anupam Roychowdhury to ask for money he is shown having a conversation with Anupam in his office. When he is explaining his circumstance the camera shows him only sitting on a chair with his walking stick. In the very next scene when all the three characters are shown (third one being Anupam's wife ) the top of his walking stick has changed direction. The round bit on top was towards the right before and is turned to the left in the very next scene.
- Quotes
Arati: You wouldn't recognize me on the job.
Subrata Mazumdar: What about at home? Would I recognize you at home?
Arati: You don't recognize me? Tell me honestly.
[Subrata shakes his head no]
Arati: Why not?
Subrata Mazumdar: It all feels a bit unfamiliar. It feels a bit...
Arati: What about this?
[points at her cheek]
Arati: You don't recognize my mole? I'm still the same housewife.
- ConnectionsReferenced in Creative Artists of India: Satyajit Ray (1964)
Featured review
How does Satyajit Ray manage to evoke such a set of complex emotions with such simplicity? Madhabi Mukherjee delivers a amazingly nuanced, sensitive performance in this tale of personal empowerment. In an odd way, the story of personal triumph reminds me a bit of American films in the 1930s, when the hero struggled against odds and won; this time its 1960's India, at a time when women began to assert themselves simply because men failed to move with the times. I can just imagine a modern Hollywood remake of this film, with sex situations aplenty, lots of screaming and perhaps a stabbing or two! This worthy film about a struggling family attempting to maintain tradition in the face of modernity is subtle, and if you stick with it, involving. That said, this two different DVD versions I could find were hard to stick with, -the subtitles often did not match the picture, were often poorly translated, and the print itself, like so many Satyajit Ray films available in the U.S., looks like an old television print, grainy and too often dark, missing the subtle shades that typify his work. Whoever is in charge of this important film legacy needs to get on the stick and provide the clarity Ray deserves. Invest in the future of this important world filmmaker!
- museumofdave
- Mar 1, 2013
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- The Big City: Mahanagar
- Filming locations
- RN Mukherjee Rd, Calcutta, West Bengal, India(closing shot: view of the city)
- Production company
- See more company credits at IMDbPro
- Runtime2 hours 2 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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