Of Love and Desire

Back in the day, when a woman reached the age of forty, she cut her hair and started wearing sensible clothing with high-cut necklines. When she reached fifty, she focused on her grandchildren and wore orthopedic shoes. She certainly didn't prance around in revealing swimsuits, wear low-cut evening gowns, and enjoy numerous lovers! Well, when Merle Oberon was fifty-two, she did all those things in the risqué drama Of Love and Desire. What a knockout!

Steve Cochran meets Merle when he gets a new engineering job in Mexico. Her brother Curd Jurgens is his boss and owner of the company, and he's pretty protective over her. Steve tries to stay away from Merle because he thinks she's just an irresponsible flirt, but over time, he goes the way of all the other men who came before him. He becomes completely enamored by her, risking his job and the wrath of Curd.

If you're a Merle Oberon fan, you're going to want to watch this movie. If you're neutral about her, you can probably skip it. Yes, it's naughty and fun at times, but it also has a darker twist that will (hopefully) make audiences feel uncomfortable.

The only reason to watch this film is to see the timeless beauty of Merle Oberon and Mexico. The price you pay is sitting through this horrible script and seeing the effects of years of alcohol on Steve Cochran and Curt Jergens.

This movie is bad but unfortunately without fun camp moments. It is obvious that Merle Oberon only made this film because offers were drying up. A shame since Oberon is lovely and probably didn't need the Vaseline on the lens treatment.

The film also reels of the double standard. A sexually compulsive man is no big deal but a woman with the same issue is the basis for an entire movie.

Although you have to be in the right frame of mind to appreciate it. It is an odd, strange, quirky film but I've seen it at least a dozen times if not more and don't tire of it. Ronald Stein's score is terrific, and there was a soundtrack album for this that was fairly faithful to the film's soundtrack. Of course there is more music in the film, but the soundtrack album is worth buying if you like this score (but it is hard to find). This was Merle Oberon's baby, she was behind the production of it and the homes seen in the film were hers.

Beautiful photography and wonderful atmospherics of early 60's Mexico as it was back then. It was a good era to visit Mexico as I remember, having been there for the first time in 1961 (yes I'm old). Merle Oberon looks beautiful and displays real star power. Steve Cochran strolls through the film portraying an engineer stuck in Mexico, loafing around waiting for equipment to arrive. Cochran is well cast since he was apparently a world-class loafer at times in his life. He would die amid mystery and sleaze a mere 2 years after the film's release, his rotting and putrid corpse found on a derelict boat in the Pacific Ocean, accompanied by two surviving female "attendants".

Oberon's acting is good, but the role makes you wonder why anyone would care about the affairs of silly, spoiled rich woman "Katherine", her character in this film. Katherine, you need to see a shrink.

Featuring good scenery and atmospherics vs. a shallow plot that drags especially toward the ending, this film will probably entertain Merle Oberon's fans. Other viewers must choose whether they have the time to invest watching this to experience Ms. Oberon's undeniable star power, or just skip it.

Merle Oberon's performance is good in this, some scenes are better than others, but she worked hard at finding some nuances. One of my favorite scenes is what I call the "church bells scene" where they profess their love, "for 400 years. At least." This is a well-acted and staged scene with much better dialogue than other parts of the film, as if someone else wrote it (?) I would rate this scene pretty high among other similar movie romance scenes.