Bewitched

Very few actresses could gulp, snivel and whine better than Alice Pearce. Her Gladys Kravitz' nasal voice resounded irritatingly over her husband George Tobias as Abner. "Abner! Abner!" made an entire television audience laugh as she ran back into the Kravitz home every week. Alice Pearce was a trouper until her death in 1966, and she never let us know she was ill. Sandra Gould took over the Gladys role, but I'll always recall the face, that gulp, that bug-eyed expression of Alice Pearce. So few actresses have become so identifiable by their voice in television, and fewer will ever be known for just one line like "Abner! Abner!". Applause to the late Alice Pearce, who deserved her Emmy Award!

A sweet premise, About a sweet witch(Elizabeth Montgomery) who marries a mortal(Dick York-Dick Sargent)much of the dismay of her witching mother(Agness Morehead). I love watching this show in reruns. It's a fun magic show. It also had meomerable characters like Uncle Arthur(The very funny Paul Lynde) Dr. Bombay(played very we'll by Bernard Fox). But when Dick York had to leave the show do to a serious back injury, and was replaced by Dick Sargent. It was not has funny anymore. The show's comic appeal was lost. Dick York was a comic genius. He had great comic timing. His comic reactions made the show. Besides Samantha's magic. I do not totally dislike Dick Sargent, I mean he was'nt that bad, he just was'nt has funny has Dick York. The only funny episode with Dick Sargent, is the Catch Phrase episode. But the show's appeal was'nt slowly falling only due to Dick York's departure. The show was wearing itself out. Maybe it should have quit while it was ahead.

`Bewitched' is one of my favorite shows of all time. `I Dream of Jeannie' did indeed have its moments, but I truly dreamed of Samantha! `Bewitched' offered lighthearted comedy while staying true to the `escapist' themes of the 1960s. Additionally, it was well written, and one of the few shows able to work seamlessly through numerous cast changes.

Elizabeth Montgomery WAS Samantha. No one will ever take her place. She was stunningly beautiful, creative, talented, and convincing in her role. Personally, I don't think she knew how great she really was as an actress. Likewise, Dick York WAS Darrin (yeah, I like 'em neurotic). The chemistry between York and Agnes Moorehead was one of a kind - and the chemistry between Montgomery and York was quite memorable, too. All three were at the top of their game in my two favorite episodes, `Double, Double, Toil and Trouble' and `If They Never Met.' Don't get me wrong, though - Dick Sargent deserves a lot of credit for coming in and taking over a role that had tough shoes to fill. In addition, Paul Lynde also offered some memorable moments - it would be a crime not to acknowledge his contribution to the show.

I have no doubt that I'll be `bewitched' for the rest of my life. We miss you, Liz!

Jeannie and Bewitched have to be two of the most formulaic and predictable shows ever aired on TV. Every episode of Bewitched had ,in different orders and combinations, the same formula of Endora zaps something to muck up Darrin, and it pays off in Darrin's favour; witchcraft of some sort interferes with Darrin's work and he gets fired, then re-hired, when the witchcraft again pays off, or is foiled. While in the meantime, Gladys Kravitz, Mrs Stavens, or some unsuspecting extra is baffled by it all, and theres always some unbelievable explanation at the end of it all which the long suffering cast members swallow. With that in mind, its bizarre that it still rates in re - runs, and its bizarre that I've taped about 7 blank tapes worth of the show from TV that I watch again and again. I can't get enough of it. So. obviously the show has a lot of appeal which allows viewers to look beyond, or perhaps enjoy the formula. I think the appeal lies in alot of things. First, the magic is a huge and fascinating drawcard. Wouldn't we all love to be able to make things appear and disappear with a twitched, and wouldn't we all love Barbara Eden as our Genie who's madly in love with us? We all would (males, anyway RE Barbara Eden), and thats what draws us to the shows. Its also brilliant and magical itself to see the special effects being done nearly forty years ago without computers or complex editing machines. That really put a smile on my face. The characters were all so far - out an exotic, all kind of like British aristocrats who had lost all air of conservatism, and lived carefree lives zapping from the Riviera to lunch in Shanghai. They were so funny, fantastic and appealing. I loved the conflict too; Endora and Darrin, Darrin and Larry; Darrin and Serena etc. And the actors of course were all brilliant, and having a tremendous time playing their roles, and fun roles they were. The chemistry on set between York and Montgomery was so believable and real, the flamboyance and gestures of Endora and Dr Bombay was loads of fun, and the comic timing of York was always perfect. Yes, Betwitched and Jeannie have to be my two favourite TV shows of all time, because they're just unpretentious, lightweight and appealing entertainment, and thats why they've lasted so long, because who would take a show about witches seriously anyway. And thats its charm.

Despite being a younger viewer of 'Bewitched', with the show being aired well before my time, one doesn't need to have been born in the 1960s or before to feel that the 60s was a great decade for television, 'The Munsters', 'The Addams Family', 'Doctor Who' and 'Bewitched' being just a few very good to classic shows.

'Bewitched' may not be a perfect or completely magical show, but at its best (with the early seasons being better than the later ones) it was utterly bewitching viewing that puts a spell on fans and doesn't make the mistake of trying to put too much into the cauldron. A mistake that the frustrating missed opportunity that was the 2005 film based on the show committed.

The later seasons did have some overripe acting (Alice Ghostley for example) and some of the story lines lack the freshness of those of the early seasons, some being lacking in variety and feeling a little stale.

However, 'Bewitched' has production values that were clearly made with love and affection and the slick photography complements them well. For the 60s, the show does still look pretty good. The effects are not always special (particularly early on) and there could have been more of them but most of the time they are hardly slapdash, make interesting use of film techniques and have a good deal of charm, putting some effects seen on television these days, and in the past 30 years or so, to shame.

When it comes to the music, 'Bewitched' is unique especially in, as has been picked up upon in its critical reception, the synthesised sound of nose twitching. The theme tune is memorable. The writing is very funny, touchingly charming, very snappy, provokes thought and is very true to life. The early episodes narration delivered by an uncredited Jose Ferrer gave a lot of sociological insight into a witch adapting to life in middle class suburbia and her role in society.

Most of the story lines have a real magical charm and have a huge amount of humour and truth. That they do these so well more than makes up for the formulaic nature of them that one is willing to overlook. The sociological insight is fascinating, though nowadays viewers may find what is said and the sociological insights very of the time.

Particularly successful are the large assortment of likable characters and the large cast clearly having the time of their lives. A large part of 'Bewitched's' charm is the peerless acting of lovely Elizabeth Montgomery. Likewise with Agnes Moorehead, one cannot imagine anybody else as Endora (certainly not equalling her if tried let alone outshining, Moorehead was one of a kind).

Her chemistry with a splendidly neurotic Dick York is one of the best in the history of television, though York and Montgomery aren't that far behind either. Dick Sargeant does a valiant effort filling big shoes replacing York and does a good job, though he lacks York's spark. In secondary roles, the hilarious turns from Bernard Fox and especially Paul Lynde stand out.

In summary, utterly bewitching. 8/10 Bethany Cox