One of the greatest achievements of television - aired in 26 episodes from 1964. Use of extensive archival material and sound effects combined with contemporary classical music from this are... Read allOne of the greatest achievements of television - aired in 26 episodes from 1964. Use of extensive archival material and sound effects combined with contemporary classical music from this area.One of the greatest achievements of television - aired in 26 episodes from 1964. Use of extensive archival material and sound effects combined with contemporary classical music from this area.
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In the early 1960's the BBC had a very talented production team that had come together to make a nightly 'magazine' feature called 'Tonight'. They somehow became part of a project to create a series about the First World War (then still known by some people as the 'Great War').
Something of this magnitude had never before been attempted in Britain. It required a great deal of painstaking research and assembling still photographs and archive film from all over the world. More to the point, at this period, a large number of the participants were still alive and could be interviewed - the series is a priceless exercise in 'oral history'.
The principal historical consultant and writer was John Terraine, the foremost military historian of the time, and Michael Redgrave was engaged to speak the narration.
The series appeared in 1964, when I saw it as a child. It was an outstanding success, and spawned a rather weaker sequel, 'The Lost Peace'.
Then, for reasons best known to themselves, the BBC sat on the tapes. Some isolated episodes were sometimes shown at the Imperial War Museum in London, but the series was largely forgotten.
However, it has recently been re-released in its entirety as five double video packs. It should not be confused with any other series of a similar title - this remains the original and the best!
Something of this magnitude had never before been attempted in Britain. It required a great deal of painstaking research and assembling still photographs and archive film from all over the world. More to the point, at this period, a large number of the participants were still alive and could be interviewed - the series is a priceless exercise in 'oral history'.
The principal historical consultant and writer was John Terraine, the foremost military historian of the time, and Michael Redgrave was engaged to speak the narration.
The series appeared in 1964, when I saw it as a child. It was an outstanding success, and spawned a rather weaker sequel, 'The Lost Peace'.
Then, for reasons best known to themselves, the BBC sat on the tapes. Some isolated episodes were sometimes shown at the Imperial War Museum in London, but the series was largely forgotten.
However, it has recently been re-released in its entirety as five double video packs. It should not be confused with any other series of a similar title - this remains the original and the best!
This series is a PRICELESS exercise in archive footage - make no bones about it.
The series is over 10 hours long yet consists almost entirely of archive footage from all the major battles of the war, particularly the Western Front. There is the odd interview with the veterans, well and alive and indeed quite young in 1964, yet the amazing sight is the reel after reel of archive footage. Where did they get it all from? (and why is it NEVER used in any WWI film before or since? - they all use the same few stills and films over and over again).
Countless shots of the Somme battlefields, Belgium, Verdun, and everywhere!
I only chanced upon it in the library, for a cheap rental; but watch this urgently.
Another surprising impression is the sheer modernity of the whole thing - great guns, brilliant filming, great troop movements, even aeroplanes and dog fights. Footage shot from old Sopwith Camels of bomb-drops and stuff like that.
It shows the Middle East fronts, Italy vs. Austria, Romanian fronts, Russian, the whole shebang! Also has a fantastic classical score to accompany it and brilliant narration by Sir Michael Redgrave.
The series is over 10 hours long yet consists almost entirely of archive footage from all the major battles of the war, particularly the Western Front. There is the odd interview with the veterans, well and alive and indeed quite young in 1964, yet the amazing sight is the reel after reel of archive footage. Where did they get it all from? (and why is it NEVER used in any WWI film before or since? - they all use the same few stills and films over and over again).
Countless shots of the Somme battlefields, Belgium, Verdun, and everywhere!
I only chanced upon it in the library, for a cheap rental; but watch this urgently.
Another surprising impression is the sheer modernity of the whole thing - great guns, brilliant filming, great troop movements, even aeroplanes and dog fights. Footage shot from old Sopwith Camels of bomb-drops and stuff like that.
It shows the Middle East fronts, Italy vs. Austria, Romanian fronts, Russian, the whole shebang! Also has a fantastic classical score to accompany it and brilliant narration by Sir Michael Redgrave.
10rjcroton
This documentary is possibly the best documentary series ever made. If I could, I would give it an extra star, so it could be the Pershing of documentaries. The fact it beats The World at War and other stunningly epic documentaries shows how incredible it really is.
As a man who has spent his life thinking on history, and could potentially spend a long professional life doing it, all I can say is how refreshing the series is. Unlike other documentaries, it has no platitudes or ahistorical biases, it presents the conflict accurately. Startlingly accurately, with its amazing black and white footage and interviews.
Not only that, but Sir Michael Redgrave topples all narrating rivals in his performances. Forever now will I associate his voice with the conflict, strong, unique and filled with power.
It's the detail that shocks. The emphasis on context, too. By presenting it so historically and professionally, it puts the conflict in its proper place in history and in society. I've watched newer documentaries, and have had to study the literature extensively for my higher education, but never was I more moved than watching this documentary.
Please, seek this series out when you can. It may never be released on Blu-Ray. In-fact, I'd buy a DVD player just for watching this series again, and I'd keep a compatible TV too, just in case. If I was off to a desert island, this would probably be the series I'd take.
As a man who has spent his life thinking on history, and could potentially spend a long professional life doing it, all I can say is how refreshing the series is. Unlike other documentaries, it has no platitudes or ahistorical biases, it presents the conflict accurately. Startlingly accurately, with its amazing black and white footage and interviews.
Not only that, but Sir Michael Redgrave topples all narrating rivals in his performances. Forever now will I associate his voice with the conflict, strong, unique and filled with power.
It's the detail that shocks. The emphasis on context, too. By presenting it so historically and professionally, it puts the conflict in its proper place in history and in society. I've watched newer documentaries, and have had to study the literature extensively for my higher education, but never was I more moved than watching this documentary.
Please, seek this series out when you can. It may never be released on Blu-Ray. In-fact, I'd buy a DVD player just for watching this series again, and I'd keep a compatible TV too, just in case. If I was off to a desert island, this would probably be the series I'd take.
I first saw this series when it was repeated by the BBC in the early Seventies on Sunday afternoons. I watched several of the episodes with my grandmother whose beloved brother died at the Battle of the Somme. It is one of the main reasons that I am interested in the First World War, why I became a historian and why I take groups of schoolchildren to the battlefields every year. After years of claiming it was 'out of date' and 'unshowable' the BBC have released it on video/DVD and shown it on TV on Saturday evenings. As I started to watch the first episode the hairs on the back of my neck stood up-the portentous music,Sir Michael Redgrave's melifluous narratiion, the superbly literate script by John Terraine and Correlli ('Bill') Barnett, the archive footage (even if much of it is used out of context)-it was all as I remembered it. This series provided the blueprint for many others, especially 'The World at War'. It is a timeless classic which should be seen by anyone with the remotest interest in history or a moving story superbly told. Interestingly the series was masterminded by John Terraine and, as such, embodies the then unfashionable 'revisionist' view that not all the generals (especially Field Marshal Haig)were blundering idiots who sent men cruelly to their deaths but were limited by the available technology into fighting grim attrition battles as the only means of victory. This now pretty much the academic orthodoxy-40 years after this classic series was made!
Even though it was nearly 40 years old and in Black & White "The Great War" immediatly grabbed my attention with its music,truly shocking images and excellent narration.
The start alone would be worth a "10" score,showing a British soldier staring blankly beside a German Officers gruesome corpse whilst that haunting,bombastic music plays."The Great War" as it was known before before that other War is a Brilliant and Intelligent series about the First World war that certainly does not hold back.As i said some of the images are truly shocking with film footage of British,French and German dead shown through-out the series,yet this is vital in showing the futility of war and in particular,"The Great War itself." Certainly some of the images you see in this series you will not be able to forget forexample even though i saw the "Gallipoli" over 6 months ago i can still remember the ending showing a British or ANZAC soldier with his head in hands whilst the credits rolled and the sublime score brought the episode to an end.Also the pictures of Lancashires Landing from the same episode are equally hard to forget even though they were just drawings.I can honestly say that Music,Imagery and Narration has never been used together so well,not even in "The World at War"
On the negative side,Propaganda footage was used far to often and was easy to spot(just look at the angle the camera was facing) as was some of the same footage. Also British High Command seemed to get off rather lightly in "The Somme" episode.Because although Haig and Rawlinson should certainly not take all of the blame it annoyed me that they didnt recieve any critcism and the 'inexperience' of the British army was often highlighted as the main problem as far as that battle is concerned.Also of the interviews with those that fought in the war,i didnt think there was enough ordinary British soldiers to give their opinion and to many 'Cut-glass' accented men.Nothing against those men,just i dont think it was a fair representation,regardless of how they speak.
But my complaints are certainly minor and i would advise anyone with an interest in the First World war to watch this or buy the DVD.
The start alone would be worth a "10" score,showing a British soldier staring blankly beside a German Officers gruesome corpse whilst that haunting,bombastic music plays."The Great War" as it was known before before that other War is a Brilliant and Intelligent series about the First World war that certainly does not hold back.As i said some of the images are truly shocking with film footage of British,French and German dead shown through-out the series,yet this is vital in showing the futility of war and in particular,"The Great War itself." Certainly some of the images you see in this series you will not be able to forget forexample even though i saw the "Gallipoli" over 6 months ago i can still remember the ending showing a British or ANZAC soldier with his head in hands whilst the credits rolled and the sublime score brought the episode to an end.Also the pictures of Lancashires Landing from the same episode are equally hard to forget even though they were just drawings.I can honestly say that Music,Imagery and Narration has never been used together so well,not even in "The World at War"
On the negative side,Propaganda footage was used far to often and was easy to spot(just look at the angle the camera was facing) as was some of the same footage. Also British High Command seemed to get off rather lightly in "The Somme" episode.Because although Haig and Rawlinson should certainly not take all of the blame it annoyed me that they didnt recieve any critcism and the 'inexperience' of the British army was often highlighted as the main problem as far as that battle is concerned.Also of the interviews with those that fought in the war,i didnt think there was enough ordinary British soldiers to give their opinion and to many 'Cut-glass' accented men.Nothing against those men,just i dont think it was a fair representation,regardless of how they speak.
But my complaints are certainly minor and i would advise anyone with an interest in the First World war to watch this or buy the DVD.
Did you know
- TriviaThe people who were interviewed for the series had to thoroughly rehearse their testimonies, because the interviews were recorded on expensive 35mm film stock, which had to be used in minimal quantities.
- ConnectionsEdited into I Was There: The Great War Interviews (2014)
- How many seasons does The Great War have?Powered by Alexa
Details
- Runtime40 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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