First American film for cinematographer László Kovács. He came to the U.S. in 1962 but didn't speak much English. Nobody would hire him and he couldn't get into the Union. Producer Harry Novak met him through a friend and hired him for this film. Kovács made a few more films for Novak and then went on to become a huge success, working on several prominent films in his career. Kovács never forgot Novak and was always grateful for his helping get his start.
Producer Harry Novak said he and director Pete Perry decided to go to local strip clubs to find girls willing to perform nude. They discovered that many of them were actual young actresses dancing naked under assumed names and wearing wigs to earn money between acting gigs. The clubs became a great source of women for all the roles in this and upcoming films.
Older reference books, including the American Film Institute Catalog published in 1976, list Russ Meyer as the director of this film, but he was not involved with its production at all.
The first of 57 soft and hardcore films produced by Harry Novak.
The film was also called Dr. Breedlove or How I Learned to Stop Worrying and Love to cash in on the successful Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb, which came out the same year.