Man's Favorite Sport?

Howard Hawks did of course create the classic _Bringing Up Baby_ and some comparison between _Favorite_ as a 26-year update of the former is inevitable. Hawks did plenty of screwball comedies, but above all, Hawks was a director who made GUY films; _Red River_ may be the ultimate man's man film of all time. And to some extent, this film is about Willoughby's (Hudson's) fraudulent expertise in "manly" activities such as camping, outdoor activities and--most critical to the plot--fishing.

Life is good for Hudson as the expert fisherman who is big man at Abercrombie and Fitch, until brash Abby Page (Prentiss) destroys his serene existence with a publicity stunt of having Hudson enter an annual fishing contest.

After resisting the idea, Hudson is soon forced to confess he's never fished in his life--that his reputation is a hoax. Rather than sensibly abandon the scheme, Prentiss decides she can teach Hudson how to fish in 3 days. This inevitably leads to all sorts of misadventures as Hudson is so inept he can't even swim! Some of the more amusing sequences are Hudson's inflatable waders exploding underwater, having a bear steal his trail-bike, or literally running across the surface of the lake to escape another bear. Some of the gags work better than others; the gags range from leisurely to elaborate, but all in good fun.

The fast-talking overlapping dialog is pure Hawks and (the uncredited) Brackett, and is wonderful.

Hudson has been criticized for not being Cary Grant (how could anyone be?) but he actually develops his own persona, different from both Grant and his own Hudson-Day characterizations. In this film, he is partially browbeaten by Prentiss and her sidekick Perschy, but ultimately, he voluntarily suffers through his ordeals as a matter of penance.

Paula on the other hand is a complete success: perky, beautiful, brash, and unpredictable--she gives a spectacularly energetic performance. This is the sole film is where Prentiss has the script and the screen time to refine her comic persona. While Perschy and Holt exist to create a triangle and fuel the high-jinx, they also define the limits of the Prentiss character; she is neither exotic like Perschy nor sultry like Holt. In comparison, she is pleasantly and very prettily tomboyish, often wearing outdoor sporting wear, and thoroughly competent at all things in which Hudson had professed expertise.

When compared with _Baby_, _Favorite_ perhaps begins with a potentially even richer premise, and is less fanciful, disposing of rich Connecticut dowagers and University endowments. But it never quite builds to the same frenetic pace and lacks the absurdity of the situations Grant finds himself in: remember "Mr. Bone?" Hawks does lift sequences right out of _Baby_ when Hudson shadows Perschy because the back of her dress is open, the "Love impulse in men manifests itself in conflict" from Dr. Lehman is used by Easy, the fish in the pants comes out of _Monkey Business_.

Yet the films are quite different. Grant's character is entirely asocial while Hudson's is the leader of the Hawksian male group. Furthermore, Hepburn is quickly determined to snare Grant, while Prentiss is to the end ambivalent or in self-denial.

I've seen it commented (including by the Voice film critic Molly Haskell) that the film is more satisfying when seen for the second time, and I wholeheartedly agree with this. This review replaces one which was not quite so laudatory. Three times is even better. Familiarity, in the case of this film, breeds endearment.

The sad part is that Paula Prentiss is so lovely and talented to watch in this film, and clearly the critics had huge expectations of her career, yet the next year she would do only three small parts in ensemble casts before withdrawing from films entirely for the next five years. These years, from when she was 26 through 31, were those where she certainly would have become a huge star.

I have to admit I had a serious crush on Paula Prentiss during her days as a big star. Gloriously beautiful, sexy, with that great Texas accent Ms. Prentiss was a great sexy comedienne and this is likely her greatest role in Howard Hawks Man's Favorite Sport. Initially to be filmed at Paramount with Prentiss and Cary Grant, Paramount per legend refused to cast Paula Prentiss, so Howard Hawks took the project to Universal and cast Rock Hudson and Ms. Prentiss. Man's Favorite Sport? has top notch Universal production values and both stars play off well against each other. Paula Prentiss in an interview years later said she was speechless when introduced to Mr. Hudson as she claimed he was even better looking in person than he was on screen, and that Hudson's personal appearance was so great it was almost beyond comprehension.

Mr Hudson does well in this film. This is a fine wacky comedy directed by a Master Director Howard Hawks and features Ms. Prentiss' finest performance. Paula Prentiss got and deserved equal star billing over the title with box office champ Rock Hudson. I for one am glad that Howard Hawks stood his ground and insisted on Mr. Prentiss who was loaned to Hawks and Universal Prentiss' from home studio MGM

Viva Paula Prentiss

Howard Hawks may not have invented the war between the sexes; but where comedic film-making is concerned, he was the Napoleon of the sub-genre. In such features as "I Was a Male War Bride" and "Man's Favorite Sport", he gave each side in the conflict its turn, always from the male point of view however; and in the process, as Alfred Hitchcock did with staging scenes where something was occurring other than the dialogue's exact subject, he brought a new intensity to developing and ongoing relationships, so vital to the creation of character. In "Man's Favorite Sport", a story about a man who has never fished in his life having to try to win a fishing tournament in order to save his job, he saw a fine opportunity for physical "lazzi" and active scenes; in between the three active scenes of angling and several hilarious misadventures with physical equipment including chairs, inflatable waders and a car-park locale misunderstanding, he also found time to have his writers write some equally memorable dialogue confrontations of many sorts. The cast in this well-liked and well-remembered comedy include veterans John Mcgyver as the boss, Roscoe Karnes and others as grizzled veteran anglers, Pretty Maria Perschy, Charlene Holt and Paula Prentiss as the women in the hero's life, talented Norma Alden as a hip, wisecracking but lovable Indian, and Rock Hudson as Roger Willoughby, the beleaguered junior exec. In the film's storyline, however, Hawks faced one impossibility: Roger Willoughby by never fishing had separated his scheme for making clients happy--by using consultants at various sites and departmental experts to supply information and teaching expertise--from his job, being the man who made the entire scheme work. Strictly speaking, as Paula Prentiss says, Roger is a phony; but this does no alter the workability of the scheme; and the climax--the fishing tournament's outcome, Roger's confessing to his boss and what happens afterward form an exciting, dialogue-rich and memorable conclusion to the side-splitting goings on. The problem Hudson faces--the distinction between theory and practice of the theory--is a bedeviling one in a nation many of whose academic tsars are heavy with inadequate theories and whose practitioners are light on results themselves. I highly recommend this classic for a study of Hawks' techniques as well as for anyone wanting a loud laugh of fifty any time. Add flashy titles, low- key music and crisp, clean sets and a knockout comedy performance by all concerned, especially Paula Prentiss, and this film becomes an instant US classic satire.

Rock Hudson stars as a man posing as a fishing expert who basically passes on information from one customer to another. He has written a best selling book on fishing and no one knows he's a fraud, not even his fiancée. He is shocked to learn his boss has entered him into a fishing contest and doesn't know what to do until Paula Prentiss and Maria Perschy tell him they got him involved and are going to teach him to fish. This is a pretty good comedy but it does have a little too much slapstick in it. There are some scenes that are taken from Bringing Up Baby and Howard Hawks did ask Cary Grant to be in this movie but he said no because he didn't want to be seen on screen with women who a lot younger then he was. The movie is two hours long and goes by pretty quickly.

A delightful and agreeable Screwball comedy that has lost none of its vintage and punch . The author of a best-selling fishing guide called Roger Willoughby (Rock Hudson) is loved by his customers in the sporting goods department at Abercrombie and Fitch run by his boss , the store owner William Cadwalader (John McGiver) . Roger is actually extremely inexperienced in outdoor-sports , but then he finds himself entered in an anglers' contest which causes confusion . Then botcher Rock becomes the unwitting object of the fun affections from two beautiful women (Paula Prentiss , Maria Perschy) . As Prentiss attempts to get for herself to Rock who also happens to be engaged to another girlfriend (Charlene Holt) . And both of whom become involved into all sorts of trouble . What is Man's Favorite Sport?... Just ask any Girl! ...Girls are good at it too! .It takes a girl to supply the answer.

An enjoyable comedy of the best vintage with the two great comedian actors , Rock Hudson and Paula Prentiss , on glittering and splendorous form . One ridiculous and absurd situation after another adds up to high speed fun . From a story titled "The Girl Who Almost Got Away" by Pat Frank and storyline by John Fenton Murray , Steve McNeil and Howard Hawks himself . Concerning a simple and light plot about a fishing contest which causes mayhem when our bungling starring is entered into a competition, including laughters , confusion , funny set pieces , amusement , entertainment and big fun . And following similar style to the deemed to be quintaessential classic comedy : ¨Breaking up baby¨ (1938) by Howard Hawks himself . Featuring a great main and support cast , all of them are in nice and enjoyable form . Dialogue and situations are breezy and clever , employing filmmaker Hawks's famous overlapping dialogue to maximum advantage .Rock Hudson givis a likable actng as an outdoors columnist considered to be a leading expert on sports fishing , but really ,he's never been fishing in his life and then mayhem ensues , this movie provided Rock with one of his best characters. While screwball Paula Prentiss add Maria Preschy spend most of their time gumming up the workd for poor Hudson. Keep an eye out for some familiar roles and some inventive biits , here standing out the support actors as Norman Alden , John McGiver , Forrest Lewis , Regis Toomey and Charlene Holt .

It displays an adequate cinematography in brilliant techinicolor by Russell Harlan . Likewise, marvelous score by Henry Mancini with catching and attractive leitmotif . The motion picture was competently directed by Howard Hawks who manages the perfect balance of mayhem and control , adding sparkling dialogue and amusing incidents . Hawks was one of the best Hollywood directors . He made various masterpieces and directed all kinds of genres , Comedy, Western, drama , Noir Film , wartime , thriller , such as : "Air Force, Sergeant York , Outlaw , Rio Bravo , Río Lobo, El Dorado, Hatari, His Friday Girl, Man's Favotite sport ? , Gentlemen prefer Blondes , Monkey Business , Fire Ball , Gone and Get it , Criminal Code, Big Sleep, To Have and Have not" and many others . This is definitively a must-see and it is guaranteed to have you falling out your seat in helpless laughter . This was Hawks' final comedy and runs a long two hours.