The Strangler

I just saw this on TCM this morning. I agree that the other actors were quite wooden and some of the things the police overlooked (or the scriptwriter conveniently left out) were ridiculous, but Victor Buono was perfect as the killer and that is the reason to watch this film. They got much right about serial killers and their MO and "type" and Buono's ability to move from tenderness to arrogance and hatred creepiness and craziness - all with his face - was quite a thing to see. Just watch it for his portrayal. Ellen Corby as the harridan of a mother is quite fine too. The women who worked at the arcade were a bit dense, though I was glad to see the mother's nurse and the woman who worked with Buono in the lab were not. The movie is of its time, but Victor Buono is so good in this, it shouldn't be discounted.

It's a Buono showcase. His restrained portrait of an unattractive, mother-hating serial killer is a grabber. No wonder he loathes his bed-ridden mom. Obviously, she's brow-beaten him his whole life, taking what little self-esteem he ever had. Now, at thirty, he lumbers around like a fat rhino among sleek gazelles, picking off single women one-by-one and leaving cheap arcade dolls in their place. Somehow in his twisted mind, however, she won't stay dead. No matter how many times he kills her, there she is back again in her bed, making whining demands. He's almost a figure of pity as much as loathing, and it's to actor Buono's credit that he manages to create the difficult mix.

I like the cops here, especially Sgt. Clyde (Barron). They come across more like real cops than the usual. At the same time, their interviews with suspect Kroll (Buono) are little gems of thrust and parry. Director Topper films in straightforward fashion, without the sinister lighting that might be expected, but with good judicious use of close-up. This is not a slasher-type movie. In fact, despite the lurid material, the movie comes across more like a dark psychological study than a horror film, thanks mainly to Buono's shrewdly calculated performance and Topper's refusal to play up the violence.

Oddball, but enjoyable low-budget horror film features Victor Bruno as an overweight, insecure lab technician with an overbearing mother, which somehow drives him to become a serial killer, strangling nurses at the hospital where he works. "The Strangler" capitalized on Bruno's Oscar nominated performance in "Whatever Happened to Baby Jane?" and although this clearly a lesser film, it does have a low rent William Castle type of charm. Bruno carries the film, giving a creepy performance as an unassuming killer along the lines of David Berkowitz or John Wayne Gacy, far removed from the usual more flamboyant of serial killers presented on films (i.e. Hannibal Lecter, Patrick Bateman in "American Psycho," Harry Powell in "Night of the Hunter", etc.). Overall, it's not a classic and is not for all tastes, but if you're in the mood for something along the lines of "Strait-Jacket" or "Homicidal," you'd probably enjoy this low budget chiller.

While this is not by any stretch of the imagination a good film, because of the slow pacing, the inane police sequences, and the thuddinmg obviousness of much of it. It still has it's imaginative stretc hes. For example, showing that the killer has an orgasm every time he kills is unusual and quitye ahead of the time. Several of the strangling scenes where suspensilly paced, but weakened by how quickly the victim usually died (it only takes him about 10 seconds to strangle each woman with a silk stocking!) and also weakened by having every woman changer into her underwear before she gets killed. Basically much of this is saved by Victor Buono's performance which is not his best, is still quite menacing and one of the more realistic serial killers on film. His exaggerated false smiles of respectability brought to mind similiar ones I had seen on the faces of John Wayne Gacy. And the scene where he trashes the apart ment the hole time his mouth workingh inadvertenly was magnificent.

This movie is actually based on the Boston Strangler. There are many hints to it such as; women setting up bottles in front of their door so they can hear the strangler coming in, the stocking tied around the victim's neck and the fact that most of the women killed were nurses. At the time of the murders, they also believed the Boston Strangler was mother fixated, as Leo Kroll is in the movie. There are many things I like a lot better in this movie than The Boston Strangler with Tony Curtis. I love the plot, the score, and of course, the great acting by Victor Buono. Although it is hard to say whether Buono is better than Tony Curtis. You never really see Curtis strangling in his movie. You barely see Tony Curtis at all in The Boston Strangler. That's probably because no one is absolute certain that Alberto DeSalvo was the Strangler. The interesting thing about this movie is that the real Boston Strangler could've very well been a guy like the one in this movie.

After seeing this movie and a couple other movies of Buono, I think he is a great actor. The black and white cinematography is also very good. One thing that definitely sets the mood is the eerie music while Buono is hiding from his victims in the dark. There's even an incredible point of view shot through the Strangler's eye in the beginning. One thing that is very realistic is the fact that Buono gets pleasure while he is strangling, like a real serial killer. Buono also got me to sympathize with him in the movie. Even up until the very end. One of my favorite parts in the movie is when there is a sudden burst of violence when Buono strangles his mother's nurse. Especially great acting by Buono in that scene. At first I thought this would just be another B movie, but it wasn't. It was very well made. See this movie. You won't be disappointed.