Witchcraft

I had always been interested in checking out this one, as much for the late eminent critic Leslie Halliwell's favorable assessment of the movie as for its coverage (from the time of the original release) in a monthly magazine which my father used to collect called "Film Review".

WITCHCRAFT allows horror icon Lon Chaney Jr. (top-billed here but appearing only intermittently throughout!) one of his best latter-day roles – though he gives a rather one-note performance. Jack Hedley (later star of Lucio Fulci's notorious slasher THE NEW YORK RIPPER [1982]) is well cast as the young lead, projecting the right mix of ruggedness and intelligence. Notable, too, is Yvette Rees as the revived witch – actually reminiscent of Barbara Steele from Mario Bava's seminal BLACK Sunday (1960) in her simultaneous evocation of sensuality and repulsion; all of her appearances (including nightly visitations upon current members of her family's rival clan who had her buried alive centuries ago!) denote some of the movie's visual and dramatic highlights.

As a matter of fact, the film emerges as one of four classic British occult chillers – the others being NIGHT OF THE DEMON (1957), THE CITY OF THE DEAD (1960) and NIGHT OF THE EAGLE (1962) – which clearly serve to establish the fact that there was life within the field outside of Hammer Films…although, on this preliminary viewing, I'd say WITCHCRAFT is a notch below the other three. Incidentally, being the last to come out, it shows definite influences emanating from the concurrent flood of Italian genre offerings (with, as I said, any number of arresting Bavaesque images) courtesy of Don Sharp's stylish mise-en-scene – demonstrating once again his flair for Gothic horror also displayed in Hammer's THE KISS OF THE VAMPIRE (1963) – and Arthur Lavis' crisp black-and-white cinematography. The few coven scenes – especially one that is foolishly interrupted by heroine Jill Dixon, leading to her immediate abduction – bear a strong similarity to those in THE CITY OF THE DEAD; Carlo Martelli's moody score effectively complements the eerie proceedings, which culminate in a typical but satisfying fiery climax.

Still, I found the script somewhat problematic and was slightly bothered by the following rather glaring goofs/plot contrivances: during the scene in which Jack Hedley is being compelled to drive towards a precipice by the witch, there's a cut to the car back on the main road (unless this was intended as an illusion, for Hedley to keep going regardless – but it's not made exceedingly clear and, in fact, there's been a recent discussion on this very point in the "Classic Horror Film Board"!) and couldn't they have come up with a different method of disposing of the brothers in the first place (especially since no ominous devil-doll is seen anywhere near them at that time!); also, the fact that Hedley and his brother would go off on a business trip and leave their loved ones behind (including a bed-ridden grandmother) when a couple of unexplained deaths have already occurred, the girl staying with them (the brother's girlfriend) may or may not be involved in witchcraft herself and the vengeful head of their rival clan is about to be sprung from jail!; finally, the thirteen members of the coven enter the crypt to begin the pivotal Sabbath rituals but singularly fail to notice straight away the absence of their intended sacrifice (Dixon) from the room – conveniently allowing the girl and her saviors enough time to flee the premises unharmed!

Despite the rather disappointing (if not surprising) lack of extra material found on this "Midnite Movie" 2-discer released from Fox, the included photo gallery does allow one a rare and intriguing look (in color, no less!) behind the scenes of this modest but classy production.

I remember this being on telly one Saturday night when I was 8 or 9 years old, we were being babysat, and had been allowed to stay up.

The appearance of the witch in the back of the car completely freaked me out then, and it's a memory that I carry with me 50 years later. While it's been completely superseded these days with CGI and a desire for much more in-your-face violence and gore, it's still got a gothic dread about it.

Hard to find these days, but worth watching if you do come across it.

When I finally caught up with it, this turned out to be a nice little mid-1960s thriller, made very much in the style of a Hammer Films production (indeed, as such it makes a suitable double-feature with the film it's paired with on DVD, DEVILS OF DARKNESS)- it makes good use of settings, has a decent script and quite adequate acting (especially a typically hammy late-career performance from Lon Chaney Jr), and evokes a very effective atmosphere of evil. What I was most surprised about (and impressed with) was the striking black-and-white photography and lighting, which really contributed to that atmosphere, particularly in its use of the reawakened witch. Definitely a fun, creepy movie for a rainy Saturday afternoon!

I first saw Witchcraft on TV when i was around seven years old and it scared the pants off me! I used to have this feeling for years afterwards that the witch stood in my garden looking up at my window waiting for me to peek from behind my curtain late at night! Since then of course I've grown up and out of that fear (ive also moved house umpteenth times) and if anything i now find the witch (Yvette Rees) quite sexy and she could haunt me anytime! Even though I'm lucky enough to own a copy of the film i think its a shame that it isn't available on DVD. Its now perhaps thought of as dated and is to all intents forgotten but for me it will always remain the horror movie that showed me for the first time what the cinema was capable of. Itll always have a special place in my heart. Ill watch it every now and again and it takes me straight back to my childhood and daring myself to peek around that bedroom curtain. A forgotten horror classic.

A modest but good British horror film that offers a decent part for aging star Lon Chaney. There has been a feud going on between the Whitlock family and the Lanier family ever since the 17th century when the Laniers denounced young Vanessa Whitlock as a witch and buried her alive. Now in modern day England, the Laniers are part of a land developing business that is running bulldozers over the ancient Whitlock graveyard and disturbing their headstones, much to the protest of head spokesman Morgan Whitlock (Chaney). To make matters worse, Morgan's niece Amy (Diane Claire) is in love with Bill Lanier (Jack Hedley). When the tomb of Vanessa Whitlock gets accidentally desecrated, the angered witch (Yvette Rees) rises to seek vengeance by placing curses on the Laniers. It's nice to see Lon Chaney amidst this devilish action, and he adds dignity to what was one of his last good horror movies. Director Don Sharp (Hammer's KISS OF THE VAMPIRE) sets up a few eerie shots and imbues these black and white proceedings with a haunting atmosphere. This movie would make a fine double feature with HORROR HOTEL (aka "The City of the Dead"). *** out of ****