In 19th-century Japan, a rough-tempered yet charitable town doctor trains a young intern.In 19th-century Japan, a rough-tempered yet charitable town doctor trains a young intern.In 19th-century Japan, a rough-tempered yet charitable town doctor trains a young intern.
- Awards
- 11 wins & 2 nominations
Storyline
Did you know
- TriviaAkira Kurosawa's desire for authenticity for this film led to having the hospital set thoroughly stocked with expensive medical supplies of the time period the film's set in. The drawers that were never referred to or opened on camera, were nevertheless filled with pills.
- GoofsAt the brothel where young Otoyo is being rescued: when Red Beard (Toshiro Mifune) prepares to step out of the brothel opening to confront the thugs gathered outside, from the inside camera view, right before he steps through the door flap, there are a couple of thugs standing just right outside the opening. But from the outside shot, which shows Red Beard stepping out, the nearby thugs have changed position, and are now standing much farther away from the opening.
- Quotes
Dr. Handayu Mori: The pain and loneliness of death frighten me. But Dr. Niide looks at it differently. He looks into their hearts as well as their bodies.
- ConnectionsFeatured in WatchMojo: Top 10 Akira Kurosawa Movies (2014)
Featured review
It is common knowledge that many things changed for Kurosawa after this film. A breakdown, the loss of working friendship with Mifune, funding difficulties...etc...but with all the changes that followed the completion of Red Beard, while watching I couldn't help notice that everything was ironically in bloom. Akira Kurosawa's direction was never better, Mifune never acted better and at it's core Red Beard tells a story borrowed heavily form Dostoevsky, thus making this a labour of love. This film is flawless in many respects, if you're a film student, such as myself, you can take everything and pick it apart and find...The story is a simple one, a wise and determined doctor impresses a young ambitious doctor into learning what humanity is and how it exists all around us and that without it we are nothing. It tells of humanity through children and adults and the lowest depths of human existence. Some have argued the subject was a little too heavy handed but Kurosawa has always maintained that sometimes heavy handedness is needed especially for those who don't get it with a slap. In my opinion, there are periods in every artists career when they are at their best. Miles Davis was at his best before his breakdown, but the breakdown was bound to happen after creating and giving so much. I feel this is what happened to Kurosawa, he gave all that he could give and with this film, if you truly study it and study it well, (the DVD version comes with an exceptional commentary) you will find that this is one of the most finely crafted films in cinematic history, in fact as far as direction goes, it is difficult for me to think of one better directed. Fellini's best, Ozu's best, Coppola's best, Welles' best, Antonioni, Visconti, De Sica, Goddard, Renoir, Melville, Erice, you name it, watch their best with the sound off take note of the direction then compare it with RED BEARD. You will be left breathless. Kurosawa is a GREAT among the GREATS. This is visual poetry. Kurosawa's great directorial swan song. Bittersweet, for after RED BEARD something within Akira profoundly changed.
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Details
Box office
- Gross US & Canada
- $46,808
- Opening weekend US & Canada
- $15,942
- Jul 28, 2002
- Gross worldwide
- $51,790
- Runtime3 hours 5 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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