The 10th Victim

Coming at the tail-end of one of the most provocative eras of film, European new wave, and featuring Italian cinema's premiere leading man of the time, Mr. Mastroianni, The 10th Victim exciting movie, given its year of release. The concept, that a group of over-bored members of a somewhat Utopian society spend their time hunting and being the hunted in the then-futuristic 1990's, works well, while the Italian backdrop is, as usual, a treat. While at times aping better Italian filmmakers of the time such as Fellini, the movie chugs along into a somewhat twisted relationship between hunter and hunted - the female component of this equation being played by Ursula Andress, yow!. Themes of a desensitized society, anonymity, and a thrill-seeking populace would re-emerge around the early 90's in America with cult obsessions over serial killers, a groundswell of violent video games/movies/television,and the formation of underground social cliques and groups such as gen x and "grunge" culture, whose attitudes towards sex/society/money/politics differed radically from the norm. The Tenth Victim may not have been on the spot prediction-wise, but its themes were accurate to the future scape it was attempting to create.