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Escapade in Japan

  • 1957
  • Approved
  • 1h 33m
IMDb RATING
5.9/10
617
YOUR RATING
Escapade in Japan (1957)
Road TripAdventureFamily

American Dick Saunders has just been transferred to Tokyo after a two-year stint in Manila. His wife Mary has accompanied him on the pretense to set up their home, with their adolescent son ... Read allAmerican Dick Saunders has just been transferred to Tokyo after a two-year stint in Manila. His wife Mary has accompanied him on the pretense to set up their home, with their adolescent son Tony arriving on a flight two weeks later. Dick requested the transfer to escape the sourc... Read allAmerican Dick Saunders has just been transferred to Tokyo after a two-year stint in Manila. His wife Mary has accompanied him on the pretense to set up their home, with their adolescent son Tony arriving on a flight two weeks later. Dick requested the transfer to escape the source of marital strife between him and Mary, namely another woman, that being the real reason... Read all

  • Director
    • Arthur Lubin
  • Writer
    • Winston Miller
  • Stars
    • Teresa Wright
    • Cameron Mitchell
    • Jon Provost
  • See production info at IMDbPro
  • IMDb RATING
    5.9/10
    617
    YOUR RATING
    • Director
      • Arthur Lubin
    • Writer
      • Winston Miller
    • Stars
      • Teresa Wright
      • Cameron Mitchell
      • Jon Provost
    • 18User reviews
    • 4Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos4

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    Top cast47

    Edit
    Teresa Wright
    Teresa Wright
    • Mary Saunders
    Cameron Mitchell
    Cameron Mitchell
    • Dick Saunders
    Jon Provost
    Jon Provost
    • Tony Saunders
    Roger Nakagawa
    • Hiko Tanaka
    Philip Ober
    Philip Ober
    • Lt. Col. Hargrave
    Kuniko Miyake
    Kuniko Miyake
    • Michiko Tanaka
    Susumu Fujita
    Susumu Fujita
    • Kei Tanaka
    Katsuhiko Haida
    • Capt. Hibino
    Tatsuo Saitô
    Tatsuo Saitô
    • Mr. Fushimi
    • (as Tatsuo Saito)
    Leticia Bahia
    • Stewardess
    • (uncredited)
    Francis Caffrey
    • Father
    • (uncredited)
    John Close
    John Close
    • Mid-Pacific Pilot
    • (uncredited)
    Russ Conway
    Russ Conway
    • Airliner Co-Pilot
    • (uncredited)
    Alice Cunningham
    • Mrs. Hobart
    • (uncredited)
    Mila Del Sol
    • Filipino Stewardess
    • (uncredited)
    Clint Eastwood
    Clint Eastwood
    • Ballard
    • (uncredited)
    Ureo Egawa
    • Chief of Kyoto Police
    • (uncredited)
    Rintarô Fujima
    • Burlesque Theater Tenor
    • (uncredited)
    • Director
      • Arthur Lubin
    • Writer
      • Winston Miller
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews18

    5.9617
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    Featured reviews

    7theowinthrop

    An nice family travelogue picture

    This film has a soft spot in me - the film was one of the first movies I ever attended in a movie house. Probably my parents took me to see it because Jon Provost was in it, and I was a fan of the series LASSIE. However it was on a double bill, and I believe it was with PETER PAN (the first Disney cartoon I saw in a movie house). I know I enjoyed it.

    A boy of three or four can barely remember details, but this film was very colorfully shot. It was one of a series of films of all types (SAYONARA, THE BRIDGE ON THE RIVER KWAI, A MAJORITY OF ONE) where Hollywood was trying to make amends to the Japanese for the caricatures of their military and leaders that were shown in the 1940s.

    The plot was that Provost gets separated from his parents in an accident off Japan, and ends up with a Japanese family. Soon he is paling around with that family's son, and they are unaware of the efforts by the U.S. and Provost's family to find him. Instead, when the police seem to be trying to catch him, Provost and his friend jump to the conclusion that they've done something criminal, and they run away. The film follows their constantly just escaping the police, until the conclusion (reminiscent of the conclusion in THE RUSSIANS ARE COMING) where everyone has to rescue the boys from a roof. It was a very exciting conclusion (and the music in those last moments helped really build up the suspense).

    It was a good film, and a welcome introduction for the younger version of me to the pleasures of watching movies.
    8nigel-hawkes

    A Little Gem

    Just saw this again on the BBC.

    There must be something horribly wrong with modern Hollywood that we get more enjoyment from 50-year-old movies. This little gem has lovely, bright colour (not the dungeon quality we get now), has super performances, particularly from the young leads, works well as a story and also as a very interesting travelogue of post-war Japan.

    No foul language and you feel good afterwards.

    I'm just so pleased that with TV and DVD we can see these wonderful older movies and introduce them to our own children. I would add this to the list of must-show-to-the-children movies like the Flicka ones and the old Joel McCrea "Cattle Drive" and "Saddle Tramp".
    7mb4084

    1950s Japan in colour

    Caught this harmless little story on TV recently. In this film we can see Japan in the 1950s before the great economic breakthough. Nostalgic and fascinating period shots of cities, temples, steam trains, geisha houses etc. Better than some documentaries as a record of those times and it was good to see the kindness shown by all the Japanese characters towards the lost American boy. Both kids were sensible and well mannered.
    9Kirasjeri

    A Charming and Exciting Chase in Japan

    Young Jon Provost, later to star in "Lassie", got his first notice in this charming story of a chase in 1950's Japan. He plays the son of an American couple working in Japan who survives a airplane ditching off the coastline; he got separated from the crew, and in the fog is picked up by a fisherman.

    This Japanese fishing family befriends him, even though they cannot talk to him, not knowing English. The boy, however, fears he did something wrong when he sees many Japanese police searching the village. He flees, along with the slightly older son of the fisherman. Then begins the chase between the police and the American couple, and the two boys who fear the police only try to find you when you've done something wrong.

    The bulk of the movie is of the two boys fleeing through Japan and seeing different and interesting sights on their odyssey. It is in effect a travelogue of post-war Japan. The final scenes on top of a tall Shinto religious temple are exciting enough.

    Colorful, and good family fare, the film also was a clear attempt to ease hostilities between the United States and a Japan that just a decade before had been a hated enemy. They did this by showing the Japanese as human being as concerned about their missing son as the Americans were about theirs.

    Recommended! Give it a try if you see it.
    7olddiscs

    Good Attempt at healing US/Japanese relations!!

    pleasant family fare which also makes an attempt to understand the Japanese & their culture..Attempts might seem dated now but in 1957 Pearl Harbor was still fresh in the minds of Americans..This film tries to overcome the animosities between the nations..Harmless, pleasant well paced and well acted..Jon Provost was a very good young actor.. as was the oriental young boy (sorry dont know his name)

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      According to Screenwriter Winston Miller, this movie was the first post-War movie that portrayed the Japanese "as nice people."
    • Goofs
      How did a small boy from a crashing plane end up in an inflatable life raft by himself? Seems like a dramatic turn of events worth including in the story, even if just in a line of dialogue.
    • Crazy credits
      The following general acknowledgment is presented in the opening credits: "The producers are indebted... to the Japanese citizenry and public officials, and to civil and religious authorities for granting permission, for the first time, to photograph inside sacred shrines and temples."
    • Soundtracks
      Lonely Song
      (uncredited)

      Music by Max Steiner

      Lyrics by Norman Bennett

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    FAQ13

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    Details

    Edit
    • Release date
      • November 1957 (United States)
    • Country of origin
      • United States
    • Languages
      • English
      • Japanese
    • Also known as
      • Take My Heart
    • Filming locations
      • Kiyomizu Temple, Kyoto, Japan(where the young girl shares her bento box lunch with the boys)
    • Production company
      • Arthur Lubin Productions
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 33 minutes
    • Color
      • Color
    • Aspect ratio
      • 2.35 : 1

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