American Dick Saunders has just been transferred to Tokyo after a two-year stint in Manila. His wife Mary has accompanied him on the pretense to set up their home, with their adolescent son ... Read allAmerican Dick Saunders has just been transferred to Tokyo after a two-year stint in Manila. His wife Mary has accompanied him on the pretense to set up their home, with their adolescent son Tony arriving on a flight two weeks later. Dick requested the transfer to escape the sourc... Read allAmerican Dick Saunders has just been transferred to Tokyo after a two-year stint in Manila. His wife Mary has accompanied him on the pretense to set up their home, with their adolescent son Tony arriving on a flight two weeks later. Dick requested the transfer to escape the source of marital strife between him and Mary, namely another woman, that being the real reason... Read all
- Mr. Fushimi
- (as Tatsuo Saito)
- Stewardess
- (uncredited)
- Father
- (uncredited)
- Mid-Pacific Pilot
- (uncredited)
- Airliner Co-Pilot
- (uncredited)
- Mrs. Hobart
- (uncredited)
- Filipino Stewardess
- (uncredited)
- Ballard
- (uncredited)
- Chief of Kyoto Police
- (uncredited)
- Burlesque Theater Tenor
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A boy of three or four can barely remember details, but this film was very colorfully shot. It was one of a series of films of all types (SAYONARA, THE BRIDGE ON THE RIVER KWAI, A MAJORITY OF ONE) where Hollywood was trying to make amends to the Japanese for the caricatures of their military and leaders that were shown in the 1940s.
The plot was that Provost gets separated from his parents in an accident off Japan, and ends up with a Japanese family. Soon he is paling around with that family's son, and they are unaware of the efforts by the U.S. and Provost's family to find him. Instead, when the police seem to be trying to catch him, Provost and his friend jump to the conclusion that they've done something criminal, and they run away. The film follows their constantly just escaping the police, until the conclusion (reminiscent of the conclusion in THE RUSSIANS ARE COMING) where everyone has to rescue the boys from a roof. It was a very exciting conclusion (and the music in those last moments helped really build up the suspense).
It was a good film, and a welcome introduction for the younger version of me to the pleasures of watching movies.
There must be something horribly wrong with modern Hollywood that we get more enjoyment from 50-year-old movies. This little gem has lovely, bright colour (not the dungeon quality we get now), has super performances, particularly from the young leads, works well as a story and also as a very interesting travelogue of post-war Japan.
No foul language and you feel good afterwards.
I'm just so pleased that with TV and DVD we can see these wonderful older movies and introduce them to our own children. I would add this to the list of must-show-to-the-children movies like the Flicka ones and the old Joel McCrea "Cattle Drive" and "Saddle Tramp".
This Japanese fishing family befriends him, even though they cannot talk to him, not knowing English. The boy, however, fears he did something wrong when he sees many Japanese police searching the village. He flees, along with the slightly older son of the fisherman. Then begins the chase between the police and the American couple, and the two boys who fear the police only try to find you when you've done something wrong.
The bulk of the movie is of the two boys fleeing through Japan and seeing different and interesting sights on their odyssey. It is in effect a travelogue of post-war Japan. The final scenes on top of a tall Shinto religious temple are exciting enough.
Colorful, and good family fare, the film also was a clear attempt to ease hostilities between the United States and a Japan that just a decade before had been a hated enemy. They did this by showing the Japanese as human being as concerned about their missing son as the Americans were about theirs.
Recommended! Give it a try if you see it.
Did you know
- TriviaAccording to Screenwriter Winston Miller, this movie was the first post-War movie that portrayed the Japanese "as nice people."
- GoofsHow did a small boy from a crashing plane end up in an inflatable life raft by himself? Seems like a dramatic turn of events worth including in the story, even if just in a line of dialogue.
- Crazy creditsThe following general acknowledgment is presented in the opening credits: "The producers are indebted... to the Japanese citizenry and public officials, and to civil and religious authorities for granting permission, for the first time, to photograph inside sacred shrines and temples."
- How long is Escapade in Japan?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Take My Heart
- Filming locations
- Kiyomizu Temple, Kyoto, Japan(where the young girl shares her bento box lunch with the boys)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 33 minutes
- Color
- Aspect ratio
- 2.35 : 1