Monsieur Hulot visits the technology-driven world of his sister, brother-in-law, and nephew, but he can't quite fit into the surroundings.Monsieur Hulot visits the technology-driven world of his sister, brother-in-law, and nephew, but he can't quite fit into the surroundings.Monsieur Hulot visits the technology-driven world of his sister, brother-in-law, and nephew, but he can't quite fit into the surroundings.
- Won 1 Oscar
- 7 wins & 4 nominations total
Jacques Tati
- Monsieur Hulot
- (uncredited)
Lucien Frégis
- Monsieur Pichard
- (as Lucien Fregis)
Jean-François Martial
- Monsieur Walter
- (as J.F. Martial)
Alain Bécourt
- Gérard Arpel
- (as Alain Becourt)
Régis Fontenay
- Braces Dealer
- (as Regis Fontenay)
Daki
- Daki, the Arpels' Dachshund
- (uncredited)
Dominique Derly
- La secrétaire de Monsieur Arpel
- (uncredited)
- …
André Dino
- Le balayeur municipal
- (uncredited)
- …
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJacques Tati borrowed dogs from a local pound for the film and took care of the dogs all through filming. Tati made several shots of them, which he later used to connect scenes. When filming was over, he didn't want to bring the dogs back to the pound, so he placed an advertisement in the newspaper, calling them "movie stars"; all dogs eventually were taken in by respectable families throughout Paris.
- GoofsWhenever M. Arpel parks his car in his tiny home garage, he always pulls in front-end first; however, whenever he leaves for work in the morning, the car always exits the garage front-end first. (This may be a subtle sight gag on (Jacques Tati)'s part.)
- Quotes
Charles Arpel: We could go to the Sexy Club.
Madame Arpel: I prefer Constantino and his nice music.
- Crazy creditsThe opening credits appear on signs at a construction site.
- Alternate versionsAn English version of the movie, that is some 10 minutes shorter with less dialogue, was shot side-by-side with the French version.
- ConnectionsFeatured in Omnibus: Monsieur Hulot's Work (1976)
Featured review
I only recently discovered the work of Jacques Tati. As a fan of the great movie comedians-auteurs (Chaplin, Keaton, Brooks, Allen), I wanted to see Tati's work. So far, I have only seen PLAYTIME, MR. HULOT'S HOLIDAY and finally, just recently, MON ONCLE. I can easily say MON ONCLE is not only the greatest comedy of Tati, but also one of the finest comedies ever made. It is truly hilarious. I found MR. HULOT'S HOLIDAY to be just a bit slow at times, where I might find myself losing interest for a moment. PLAYTIME was a bit too "mainstream" with many big special effects and so on. But MON ONCLE is simple yet hilarious. For 117 minutes, Tati keeps the viewer in his own world of comedy. The ultra-modern house gadgets were hilarious, making for some very funny sight gags. Tati's Mr. Hulot character belongs in a gallery of great comic film personas, along with Chaplin's Little Tramp, Keaton's Great Stone Face, Allen's neurotic New Yorker, and Brooks' Jewish characterizations. MON ONCLE is also beautifully photographed in color, which adds a lighter touch to the comedy. I've noticed that Tati's films are unlike those of anyone else. The style is all his own.
- CHARLIE-89
- Nov 16, 2000
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Details
Box office
- Budget
- FRF 250,000 (estimated)
- Gross worldwide
- $87,399
- Runtime1 hour 56 minutes
- Sound mix
- Aspect ratio
- 1.37 : 1
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