A veteran British barrister must defend his client in a murder trial that has surprise after surprise.A veteran British barrister must defend his client in a murder trial that has surprise after surprise.A veteran British barrister must defend his client in a murder trial that has surprise after surprise.
- Nominated for 6 Oscars
- 3 wins & 15 nominations total
Patrick Aherne
- Court Officer
- (uncredited)
Don Ames
- Bar Patron
- (uncredited)
Larry Arnold
- Courtroom Spectator
- (uncredited)
Walter Bacon
- Bar Patron
- (uncredited)
Eddie Baker
- Courtroom Spectator
- (uncredited)
Storyline
Did you know
- TriviaCharles Laughton, who could be moody and difficult, was apparently a dream to work with, throwing himself into the role with dedication and delight. Billy Wilder later recalled a day that was set aside just for shooting reaction shots of the jury and courtroom crowd (composed of extras hired only for the day). Normally, the assistant director would read the actors' lines, and the extras would react. However, Laughton, who was fascinated with the whole process of filmmaking, begged to help. So he came in on his day off and read all of the off-camera speeches to the jury members. He not only read his part but also the judge's, the prosecutor's, and even Marlene Dietrich's. According to biographer Maurice Zolotow in his book "Billy Wilder in Hollywood", "it was an exhibition of craftsmanship such as Wilder had never seen. He believes that Charles Laughton had the greatest technical range and power of any actor, man or woman, whom he has known."
- Goofs(at around 9 mins) Inside his chamber, Sir Wilfrid lights his cigar, and Leonard Vole locks the door to make sure that Miss Plimsoll can't enter the room and catch him smoking. Later (at around 15 mins), Wilfrid leaves his chamber without first unlocking the door.
Actually, Vole does not lock the door, but puts the keyhole cover in place to stop Plimsoll spying through the keyhole.
- Quotes
Sir Wilfrid: I am constantly surprised that women's hats do not provoke more murders.
- Crazy creditsAs the end credits appear on screen, an announcer's voice is heard: "The management of this theater suggests that for the greater entertainment of your friends who have not yet seen the picture you will not divulge to anyone the secret of the ending of Witness for the Prosecution."
- ConnectionsFeatured in Marlene (1984)
- SoundtracksI May Never Go Home Anymore
Music by Ralph Arthur Roberts
Lyrics by Jack Brooks
Sung by Marlene Dietrich (uncredited)
Reprised a cappella by Tyrone Power (uncredited)
Featured review
In a recent biography of Billy Wilder, Agatha Christie is quoted as saying that this was the best adaption of her work ever done on the screen. I can't praise Witness for the Prosecution any higher than that.
Tyrone Power in his farewell film plays Leonard Vole who befriends a dotty old widow played by Norma Varden. She even rewrites her will leaving him the bulk of a very large estate. When she's murdered, Scotland Yard arrests Power.
Power's solicitor Henry Daniell retains a dream team for defense of John Williams and the recently recovered Charles Laughton. Laughton is recovering from a heart attack and against medical advice plunges into the case. Laughton also has to deal with the efforts of his assigned nurse Elsa Lanchester to keep him following doctor's advice.
The original play this was taken from concentrated completely on the Power character and the machinations of his wife. Wilder built up the character of the nurse and barrister Sir Wilfred Robards so that they almost equaled the screen time of Mr. and Mrs. Vole. So much so that Charles Laughton was nominated for an Academy Award in 1957, but lost to Alec Guinness.
Marlene Dietrich plays Mrs. Vole. She's a war bride over from Germany and she's got her own agenda going. Her performance and what her character does is the key to the whole film. Dietrich probably would have gotten an Oscar nomination herself, but due to the fact that if her performance was hyped up for Academy consideration, the element of surprise would have been lost in the film. Wilder in fact apologized to Marlene for that.
The Anglo-Saxon legal system's goal is justice. Justice is served though not quite in the way it usually is in Witness for the Prosecution.
Tyrone Power in his farewell film plays Leonard Vole who befriends a dotty old widow played by Norma Varden. She even rewrites her will leaving him the bulk of a very large estate. When she's murdered, Scotland Yard arrests Power.
Power's solicitor Henry Daniell retains a dream team for defense of John Williams and the recently recovered Charles Laughton. Laughton is recovering from a heart attack and against medical advice plunges into the case. Laughton also has to deal with the efforts of his assigned nurse Elsa Lanchester to keep him following doctor's advice.
The original play this was taken from concentrated completely on the Power character and the machinations of his wife. Wilder built up the character of the nurse and barrister Sir Wilfred Robards so that they almost equaled the screen time of Mr. and Mrs. Vole. So much so that Charles Laughton was nominated for an Academy Award in 1957, but lost to Alec Guinness.
Marlene Dietrich plays Mrs. Vole. She's a war bride over from Germany and she's got her own agenda going. Her performance and what her character does is the key to the whole film. Dietrich probably would have gotten an Oscar nomination herself, but due to the fact that if her performance was hyped up for Academy consideration, the element of surprise would have been lost in the film. Wilder in fact apologized to Marlene for that.
The Anglo-Saxon legal system's goal is justice. Justice is served though not quite in the way it usually is in Witness for the Prosecution.
Helpful•9311
- bkoganbing
- Mar 6, 2006
- Permalink
Details
- Release date
- Country of origin
- Languages
- Also known as
- Testigo de cargo
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $3,000,000 (estimated)
- Gross worldwide
- $7,903
- Runtime1 hour 56 minutes
- Color
- Aspect ratio
- 1.66 : 1
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