Wanted: Dead or Alive

Long before he became a "superstar",Steve McQueen broke ground in this rarely seen TV western from the 1950's. Here,he plays the cool as nails and reliable Josh Randall,a bounty hunter who goes after the bad guys and gets his reward for bringing them in. Coolest western I've ever seen!!! Catch McQueen at his best! Its worth seeing!

THE PROFESSION OF Bounty Hunter, which persists today in one form or another, was not one of honor or general acceptance. Sometimes referred to as "Bounty Killer", as in those "Spaghetti Westerns" of the 1960s, the line of work called for those who were neither weak of constitution nor overly genteel in relations with others.

THE CASTING OF Mr. Steve McQueen as Josh Randall put all of the actor's abilities on full display before the whole world. His cool, underplaying of the character did much in making this just more than another Horse Opera. It was intelligent writing, careful attention to a complex story line combined with the ability of the Star that served up something other than a plain old 2 dimensional cardboard cutout look at the work of a societal bottom feeder.

BEING THE OLD, Wild West of the 1870s, it was a position that was needed. Horrible conditions often times produce solutions that are less than civilized; as a live by the sword mentality is a necessity of life. Being far removed from the Big City life of the "Stupidgencia" as practiced in Academic circles, this is reality; though not necessarily how the "Experts" feel it should be.*

IN REFLECTING ON the various rerun episodes that are shown on Cable Stations such as Chicago's MEE TV, one gets a pretty microscope-like look at Steve's abilities. Even at this relatively early stage, we can view the man as Artist. And Artist is the proper term to use for the guy who brought us such great performances in: THE Magnificent SEVEN, THE CINCINNATI KID, THE SAND PEBBLES, THE REIVERS, JUNIOR BONNER, BULLITT,SOLDIER IN THE RAIN, PAPILLION, THE GETAWAY, etc., etc., etc..

IT IS TRULY a shame that he left us a such a relatively young age.

Many viewers have panned this series. It was hockey and implausible at times. However, I recently watched the series again on the Westerns Channel and offer these observations:

When "Wanted" first came out in 1958, network TV was flooded with formulaic Warner Brothers westerns. With few exceptions they were all mostly repetitive and forgettable. My picks for exceptions are, obviously, Gunsmoke, which stood above the others, Have Gun Will Travel, Maverick and Josh Randall's Wanted Dead or Alive.

For the mid 1950s McQueen's character was ground breaking. He was the first anti-hero in a horse opera. Even when grouped with the line up of special gimmicks westerns (the rapid fire Winchester of The Rifleman; the weird Colt of The Rebel; Wyatt Earp's Buntline Special), Randall and his hog leg stood out. Never mind that he didn't reload and the mechanics of the weapon were implausible, the series worked. It was unique. McQueen was unique.

I was 11 years old when the series started and it hooked me. Sure, it is difficult to watch it today without a laugh or question about its relation to reality. But back then it was cool and so was McQueen. And as someone else commented, only McQueen could have played the character of Josh Randall. For that matter, look at all his motion pictures. I don't believe any other actor could have made those films what they were.

Even 25 years after his death, McQueen is as popular as he ever was. As far as I can see, only John Wayne still has that kind of appeal.

It seems to me that Steve McQueen's Wanted: Dead or Alive is a standout from many of the other Westerns of the great Western era, despite the intense competition of Rifleman, Have Gun Will Travel, Rawhide, and all the rest, because of McQueen himself and many great stories shown throughout its three years, credited to the talents of the superb writers mentioned by other reviewers. I think too much emphasis is put on the technical aspects of the sawed-off Winchester. Most viewers thought--and think--it is a cool gun because of the looks and the noise it makes, and don't care enough to analyze its workings. It's a TV prop, for heaven's sake. McQueen used it effectively enough to impress his viewers. My only criticism is that he tended to blow away everybody he aimed at, when he could have been a little more discriminating.

But again, the reason I watch the show--on the Westerns channel, by the way--is for the stories. There are some really different stories, that make you think, some with twist endings, some really original tales on this show. I especially like the ones with kids in them, that I can share with the little kids in my family--the Christmas story; the one about the little boy (Richard Eyer) who is the outlaw's adopted son; and also the karate story with actor Robert Kino. The importance of story is what we're missing in many of today's TV and movie offerings, and that is why I like many of the older classic TV shows.

I was not expecting such high quality when I first starting watching this show, as I was new to it (I was a year old when it was released, so never saw it firsthand) but am now a fan of the very young Steve McQueen as well as the older McQueen whose movies I remember later in my life. It's wonderful that so many of these shows are being rebroadcast!

Wanted, Dead or Alive was a star vehicle in the truest sense of the term. It was a western calculated to exhibit the talent and charisma of its star, Steve McQueen. It lasted for three seasons before McQueen decided to devote full time to the big screen.

McQueen was after some of the most dangerous fellows in the old west, plenty who could shoot a lot better than he. His character Josh Randall needed an equalizer.

In John Wayne's classic western El Dorado, you remember that Duke discovers that James Caan can't hit the broad side of a mountain with a regular six shooter. Before going to El Dorado to aid Robert Mitchum, they stop off and see a gunsmith who fixes Caan up with a Josh Randall special. After that Caan's of considerable help to Wayne and Mitchum.

Of course the sawed off shotgun was also an evil weapon in the wrong hands. Take note of the Dan Duryea western, The Bounty Killer, a very Freudian piece where Duryea becomes hated and feared as a bounty hunter until an innocent bystander gets shot with it.

But with McQueen you knew the weapon was on the side of law and order. As for his Josh Randall character, you can see a bit of him in all the people Steve McQueen brought to the screen like Virgil Hilts, Nevada Smith, all the way to his last two films, Tom Horn and Pappa Thorsen.

Wanted, Dead or Alive was most folks first exposure to a screen legend. I wish that westerns like that were made today.