The Big Circus

The Big Circus is directed by Joseph M. Newman and jointly written by Irwin Allen (who also produces) and Charles Bennett. It stars Victor Mature, Red Buttons, Rhonda Fleming, Kathryn Grant, Vincent Price and Peter Lorre. Plot sees Mature as Hank Whirling, the owner of The Whirling Circus, where, having seen his partner break away to form his own show, he finds he has to beg a loan off the bank to keep the Whirling show going. The bank agree to the loan but on condition that their financial whizz Randolph Sherman (Buttons) travels along with the show to keep an eye on the finances. He in turn hires publicity agent Helen Harrison (Fleming) to professionally sell the product, but both of them are not wanted by Whirling. However, there are more pressing concerns for the show, there is a saboteur at large and it seems whoever it is will stop at nothing to finish off the Circus.

Looking for a Sunday afternoon time filler full of colour, vibrancy and delightful circus sequences? Then look no further than Irwin Allen's The Big Circus, an entertaining and tidy picture that seems to have been forgotten in the wake (fall out) of The Greatest Show On Earth. Making no bones about it, Allen follows the formula of the Cecil B. DeMille behemoth pretty much all the way, only the budget is considerably smaller so it obviously isn't as gargantuan as the 1952 Best Picture Winner. Fair to say there's some overacting, notably from Mature, but the mystery element is played close to the chest, with pretty much everyone under suspicion, and the high wire/trapeze antics are joyous. Nice cast, nice film and easy to recommend to the undemanding crowd. 6.5/10

After previously doing The Story of Mankind, producer Irwin Allen decided to do another all-star production with this: his version of The Greatest Show on Earth. Among the players are Victor Mature and Vincent Price who both previously were in Allen's Dangerous Mission as well as Peter Lorre who along with Price was also in Irwin's movie that I just mentioned at the beginning of this review. There's also Rhonda Fleming, Red Buttons, David Nelson from "The Adventures of Ozzie and Harriet", Gilbert Roland, Steve Allen as himself, and Kathryn Grant-the same one who I saw in The 7th Voyage of Sinbad last week and who by the time this movie was released was the second Mrs. Bing Crosby. Oh, and for fans of "The Andy Griffith Show", yes, that's Howard McNear near the end of the movie with a funny scene involving a lion! I'll just now say this was a very entertaining movie so that's my recommendation of The Big Circus. P.S. This review is dedicated in memory of Ms. Fleming who passed away on Oct. 14.

The Big Circus I found a decent movie. It is a worthy attempt, but it isn't quite the masterpiece it yearned to be. No matter how many flaws there are, it is an entertaining and undervalued movie. While it is hindered by the fact that it is rather low budget, so the sets and technical aspects(ie. sound) weren't as up to scratch as they could have been, however, the costumes and photography are very nice and extraordinarily colourful. The plot, like a whodunit at a circus, while slow to start with, is clever and reaches to a tense ending where I admit I was surprised at the identity of the culprit. The trapeze scenes were very well choreographed, and the highlight was the tightrope walking scene with Zach, I really felt the desperation and anguish in his face. The music is wonderful too,the script is acceptable and the performances are above decent. Victor Mature, who I think can act, is a little world-weary and is disappointingly one note at times but wonderfully over the top in other parts of the film. Rhonda Fleming is lovely as the female lead. However they are both overshadowed by a brilliant supporting cast including Red Buttons, Gilbert Roland, Kathryn Grant, Vincent Price and Peter Lorre. All in all, not a masterpiece, but I do think despite its flaws that the Big Circus is undervalued. 8/10 Bethany Cox

This was all-too-obviously modeled by producer Irwin Allen on Cecil B. De Mille’s prestigious (and surprising) Oscar triumph THE GREATEST SHOW ON EARTH (1952); consequently, the script is cliché-ridden, contrived and corny – but the end result is still professionally assembled and definitely not unentertaining for undiscriminating film buffs.

The stars (Victor Mature, Red Buttons and Rhonda Fleming) are easily overshadowed by the character actors (Gilbert Roland, Peter Lorre and Vincent Price); the latter two’s casting may be construed as a red herring given the presence of a saboteur – a rival’s lackey – amidst the troupe. Incidentally, Lorre has the old James Stewart clown role and Gilbert Roland ably steps into Cornel Wilde’s aerialist shoes; his all-important “crossing the Niagara” stunt is a (back-projection) highlight. Similarly, the initial animosity between Mature and ‘interlopers’ Fleming and Buttons predictably blossoms into, respectively, romance and familiarity (due to Buttons becoming engaged to Kathryn Grant, Mature’s younger would-be trapeze artist sister).

Along the way, the circus is hit by potential bank foreclosure, a lion set loose during a press conference, haystacks set ablaze, a fatal train-wreck, a trapeze artist losing his nerve during a performance, etc. The circus is also seen to move with the times – so that beleaguered owner Mature manages to bring his show to the people (rather than the other way around), via the nascent medium of television, when bouts of thunderstorms hit their scheduled stops!

"The Big Circus," from 1959 is one of those spectacles in color that begged to be seen on a big screen, the type of film intended to lure audiences from their TV sets back into the movie theater.

It's a predictable story. Henry Whirling, the owner of the Whirling Circus (Victor Mature) gets a loan from a bank, but an accountant (Red Buttons) is sent along to watch the investment. He hires a publicist (Rhonda Fleming), though Whirling objects strenuously. Meanwhile, a rival circus is trying to sabotage Whirling's efforts to get into the black.

The film also stars Vincent Price as the ringleader, Gilbert Roland as the aerialist Colino, Peter Lorre as a Skeets the clown, David Nelson, a member of the high wire act, and Kathryn Grant. Grant plays Mature's sister -- they are twenty years apart, but it's within the realm of possibility.

With more attention paid to the care of animals today, I doubt you'd see multi-colored elephants, which really bothered me.

Some interesting aerial routines, a little suspense, and need I say that Red Buttons takes Skeets the Clown's place at one point.

This is before CGI and computers, so the process shot of Colino walking a wire at a national landmark is lousy.

The acting is nothing special. The best actors like Lorre and Price have smaller roles. Victor Mature was a serviceable leading man. Very, very few men in Hollywood were handsome throughout their lives; I think Gilbert Roland was a notable exception. He's quite effective in a dramatic role.

All in all, entertaining.