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7.0/10
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A boy attempts to realize his father's dream of climbing an alpine peak known as the Citadel.A boy attempts to realize his father's dream of climbing an alpine peak known as the Citadel.A boy attempts to realize his father's dream of climbing an alpine peak known as the Citadel.
- Director
- Writers
- Stars
Joyce Bulifant
- Young Woman Tourist
- (uncredited)
Roger Delgado
- Italian Tourist
- (uncredited)
John Gabriel
- Paul - Guide
- (uncredited)
Helen Hayes
- Tourist
- (uncredited)
James Ramsey Ullman
- Tourist
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
One of the well hidden Disney classics is Ken Annikens Third Man on the Mountains released in 1959. It stars Michael Rennie as Captain Winters who comes to a Swiss village to climb the Citadel, one of the worlds highest and most dangerous mountains and the peak that claimed the life of Rudy Matt's father, played by James McCarther. It was filmed on location in Zermatt Switzerland where the 14,000 foot Matterhorn stands. It is one of the great adventure films of all time taken from the book Banner in the Sky by James Ramsey Ullman. Very few movies have been made about mountain climbing, The Mountain with Spencer Tracy, The White Tower with Glenn Ford and The Eiger Sanction with Clint Eastwood. But Third Man on the Mountain has the most heart. All of the above films are on video tape.
I saw this film on the old Disney show back decades ago, and liked it very much, then sort of forgot about it. These days the Disney channel shows it periodically, and whenever it's on and I'm watching television, I can't help but stayed tuned to this one. For anyone who's ever climbed a mountain this movie is a treat.
The story is beyond simple: a young man in 19th century Switzerland whose father was killed trying to climb the Citadel (which is what the Matterhorn is called here) wants to become a mountaineer himself, and of course climb to the top of the Citadel, which no man has done. His mother strictly forbids it, and his uncle downright nasty to him whenever the subject comes up. Persistent fellow that he is, the boy hooks up with an English mountain climber, then coaxes his uncle to take him along on a climb, makes an ass of himself, then has a go at it again. The boy doesn't really have the maturity for the task, but persists, and in time he grows up, almost in spite of himself.
There's a larger than life quality to this movie, which was filmed on location. Director Ken Annakin, who never achieved his potential, shows himself a first-rate movie man here. The Swiss village and the looming mountains beyond convey an odd mood, as the place feels alternately dangerous, as if on the edge of the world, and beautiful, because of what one sees out the window every day. There's an intimacy between the clannish villagers, with their peculiar garb and gingerbread homes, that's caught to absolute perfection by Annakin and his crew. Everything seems real in this film; stylized as it sometimes is, it has an unmistakable ring of (admittedly Disneyfied) truth.
As to the climbing scenes, they are wonderfully photographed, with the camera seemingly in the right place at all times. One gets just close enough to experience at least some of the danger and excitement of mountain-climbing, with the camera pulling back periodically to show a larger view, invariably breathtaking. The actors are all competent. James MacArthur's non-charisma actually helps movie the picture along, as one is often more aware of who he's with than his character. He fades into the background somewhat, as young men often do, with the older, more experienced adults dominating. James Donald is brilliant as his uncle, creating a fully rounded portrait of a man who looks after his nephew, who for reasons never wholly explained, likes to belittle him. Michael Rennie is sturdy as the Englishman and Janet Munro makes a perky love interest. Herbert Lom almost steals the show as Saxo, the outsider from beyond, who also wants to climb the Citadel, and has a disagreeable disposition. He dresses differently from the others, and even wears a different sort of hat. Lom comes across as foreign, as we can see why people don't take to him in this little close-knit society.
There are few surprises in this film, but it tells its familiar and largely predictable story with great flair and feeling for the people it's about, showing once more that one can make an outstanding, maybe even great film, out of seemingly routine, even threadbare material, if one hunkers down really hard and gives it one's best shot, as clearly everyone connected with this movie did.
The story is beyond simple: a young man in 19th century Switzerland whose father was killed trying to climb the Citadel (which is what the Matterhorn is called here) wants to become a mountaineer himself, and of course climb to the top of the Citadel, which no man has done. His mother strictly forbids it, and his uncle downright nasty to him whenever the subject comes up. Persistent fellow that he is, the boy hooks up with an English mountain climber, then coaxes his uncle to take him along on a climb, makes an ass of himself, then has a go at it again. The boy doesn't really have the maturity for the task, but persists, and in time he grows up, almost in spite of himself.
There's a larger than life quality to this movie, which was filmed on location. Director Ken Annakin, who never achieved his potential, shows himself a first-rate movie man here. The Swiss village and the looming mountains beyond convey an odd mood, as the place feels alternately dangerous, as if on the edge of the world, and beautiful, because of what one sees out the window every day. There's an intimacy between the clannish villagers, with their peculiar garb and gingerbread homes, that's caught to absolute perfection by Annakin and his crew. Everything seems real in this film; stylized as it sometimes is, it has an unmistakable ring of (admittedly Disneyfied) truth.
As to the climbing scenes, they are wonderfully photographed, with the camera seemingly in the right place at all times. One gets just close enough to experience at least some of the danger and excitement of mountain-climbing, with the camera pulling back periodically to show a larger view, invariably breathtaking. The actors are all competent. James MacArthur's non-charisma actually helps movie the picture along, as one is often more aware of who he's with than his character. He fades into the background somewhat, as young men often do, with the older, more experienced adults dominating. James Donald is brilliant as his uncle, creating a fully rounded portrait of a man who looks after his nephew, who for reasons never wholly explained, likes to belittle him. Michael Rennie is sturdy as the Englishman and Janet Munro makes a perky love interest. Herbert Lom almost steals the show as Saxo, the outsider from beyond, who also wants to climb the Citadel, and has a disagreeable disposition. He dresses differently from the others, and even wears a different sort of hat. Lom comes across as foreign, as we can see why people don't take to him in this little close-knit society.
There are few surprises in this film, but it tells its familiar and largely predictable story with great flair and feeling for the people it's about, showing once more that one can make an outstanding, maybe even great film, out of seemingly routine, even threadbare material, if one hunkers down really hard and gives it one's best shot, as clearly everyone connected with this movie did.
Wonderful stuff! I saw this at a school screening in 1970, noticed over the years afterwards it was seldom shown on UK TV, however never forgot it even though I was never interested in becoming a mountaineer or a sherpa when old enough. It's a simple wholesome family Disney live action adventure, today's cynical polluted generations could probably spend days poring over its stereotypes and corn and missing the point: to enjoy a harmless 107 minutes with a feelgood movie.
Young lad Rudi (James MacArthur) dreams of climbing the Matterhorn but is forced to be a hotel dishwasher instead, therefore something's got to give: you can't bottle the wind after all. He gets his chance when kindly top mountaineer Michael Rennie takes him under his wing much to his cautious uncle James Donald's disgust and later greasy guide Herbert Lom's disdain. Some splendid shots of bodies climbing impossible rocks, lovely sunny Swiss scenery and much angst between the characters leads to an admittedly rather flat conclusion, but all was well anyway. Rudi's doe eyed ever smiling girlfriend Lisbeth (Janet Munro) was perfect in her supportive role; it's always sad to recall how real life turned out so crap for her. Favourite bits: her charming meeting under her umbrella with Rudi and his boots in the rain; Rudi squeezing up the "chimney" – I nearly felt the panic. And as a sign of his parts to come I almost wished Lom had ended up stuttering and twitching!
All in all, totally inconsequential entertainment, lovely to revel in and regret that not even Planet Disney can be as wholly heartwarming any more.
Young lad Rudi (James MacArthur) dreams of climbing the Matterhorn but is forced to be a hotel dishwasher instead, therefore something's got to give: you can't bottle the wind after all. He gets his chance when kindly top mountaineer Michael Rennie takes him under his wing much to his cautious uncle James Donald's disgust and later greasy guide Herbert Lom's disdain. Some splendid shots of bodies climbing impossible rocks, lovely sunny Swiss scenery and much angst between the characters leads to an admittedly rather flat conclusion, but all was well anyway. Rudi's doe eyed ever smiling girlfriend Lisbeth (Janet Munro) was perfect in her supportive role; it's always sad to recall how real life turned out so crap for her. Favourite bits: her charming meeting under her umbrella with Rudi and his boots in the rain; Rudi squeezing up the "chimney" – I nearly felt the panic. And as a sign of his parts to come I almost wished Lom had ended up stuttering and twitching!
All in all, totally inconsequential entertainment, lovely to revel in and regret that not even Planet Disney can be as wholly heartwarming any more.
Young man in 1860s Switzerland, working as a lowly dishwasher, longs to climbs The Citadel--the same treacherous mountain his beloved father died trying to scale. Live-action Disney film has colorful production, strong performances and a sincere script about following your dreams and overcoming the odds. Sturdy lad James MacArthur is well-cast in the leading role, and his shy manner and yet driven spirit is engaging; Janet Munro once again plays the proverbial Disney love-interest, but she's appealing here too, a feisty, devoted female. Based on James Ramsey Ullman's book "Banner In The Sky", and the inspiration for Disneyland's Matterhorn ride, this is a well-plotted family film that thoughtful kids should really enjoy. ***1/2 from ****
Third Man On The Mountain has young James MacArthur working as a dishwasher
in his uncle James Donald's hotel for tourists in Switzerland. But MacArthur longs
to be a mountain climber guide as his father who was a legend in the field. The
father was killed attempting a climb up a forbidding mountain outside their
village some 16 years earlier.
Both Donald and MacArthur's mother Nora Swinburne keep him away from mountaineering, but he does it on his own. When he saves visiting British mountain climber Michael Rennie, Rennie becomes his champion.
Third Man On The Mountain is a fine coming of age film and it's perfectly cast. Both James MacArthur and Janet Munro were being cast in a lot of Disney films at that time and they made perfect young leads. I should also note the presence of Herbert Lom in the cast as a bragging mountaineer from another village who shames the men of MacArthur's village by accompanying Rennie on an attempt up the local Everest. He steals the film when he's on screen.
After 60 years Third Man On The Mountain holds up well and it's fine family viewing.
Both Donald and MacArthur's mother Nora Swinburne keep him away from mountaineering, but he does it on his own. When he saves visiting British mountain climber Michael Rennie, Rennie becomes his champion.
Third Man On The Mountain is a fine coming of age film and it's perfectly cast. Both James MacArthur and Janet Munro were being cast in a lot of Disney films at that time and they made perfect young leads. I should also note the presence of Herbert Lom in the cast as a bragging mountaineer from another village who shames the men of MacArthur's village by accompanying Rennie on an attempt up the local Everest. He steals the film when he's on screen.
After 60 years Third Man On The Mountain holds up well and it's fine family viewing.
Did you know
- TriviaThe Matterhorn was an actual set location and actors and crew were required to climb the summit for filming.
- GoofsThe amount of blood on Captain Winter's bandage keeps changing from scene to scene at the end of the movie.
- Quotes
Emil Saxo: It's the end of it, for him. But it needn't be for us.
Franz Lerner: What do you mean?
Emil Saxo: Tomorrow the weather will be good, after that, who knows? If we leave at first dawn, we'll be there by eight. The boy will stay with him, he won't be left alone. And it's what he would want us to do.
Franz Lerner: It isn't a question of what he would want. A guide - at any rate, a guide of Kurtal - does not leave his client on a mountain and go on alone.
- ConnectionsFeatured in The Magical World of Disney: Perilous Assignment (1959)
- SoundtracksClimb the Mountain
Written by Franklyn Marks and 'By' Dunham
- How long is Third Man on the Mountain?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Banner in the Sky
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,000,000 (estimated)
- Runtime1 hour 47 minutes
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