Battle in Outer Space

Saw this when I was 11 years old, I recall the rocket fighters sent up by the Earth Forces are based on the X-15 rocket plane. One thing I remember-and it moved me at the time, and is one of the movie's strengths-is the scene where the earth space ships go past the area where the space station was destroyed-and you see the bodies of the crew. The action moves at a brisk pace, no long winded speeches or philosophizing. The SFX are pretty good for the time. As a side issue, I got a chuckle when I saw "Star Wars" in 1977, I recognized the "futuristic weapons" as being models of British Lee Enfields, German MG-42 machine guns, Heckler & Koch submachine guns.

This is Ishiro Hondas take on the classic space opera featuring alien invaders who have designs on Earth and will do anything to enslave mankind. This is a good, but not great, film. The only problem I have with it is that it tends to slow down during the scenes on Earth, especially the conference scenes. However, it picks up during the scenes on the moon and especially during the dogfight scenes featuring the rocket fighters battling the flying saucers. Also, in terms of acting, the best performance in this film definitely belongs to the great Yoshiyo Tsuchiya. Tsuchiya is excellent as the scientist who becomes possessed by the aliens, but becomes a hero who sacrifices himself after he is released from the alien control. He definitely makes this film more watchable.

Usually, one Ishiro Honda's science fiction films use two distinct themes. The first one is using his films as thinly veiled commentaries on socio-political issues (nuclear war, greed or commercialism) and the second is the world getting together for a common purpose. This film definitely follows the latter to a tee. This is definitely one where Honda uses his skill as a director to convey his wish that man would pull together for a common good instead of waiting until a major crisis to come together.

All in all this was a good film, but not a great one, but I still recommend it.

I saw "Uchu daisenso" or as it was titled when I saw it, Battle in Outer Space" when I was a kid- a long time ago. Now of course the inevitable comparison to modern space operas will reduce the impact of this simple picture, but taken in the context in which I first viewed it, this was a really cool movie. For starters, it was in glorious color, a rarity in sci-fi in the late 50's I can tell you. I saw a lot of horror and sci-fi movies when I was kid and color was rare. And like most Japanese sci-fi imports of the time this was the whole world united against the invading alien hordes. Yeah a little like Independence Day but In "Uchu daisenso" the United Earth already existed. It didn't take an invasion from outer space to unite the planet. Good (relatively speaking!) effects, a noble if simple plot, combined with beautiful Eastmancolor and this was the perfect drive-in movie.

I thoroughly enjoyed this film. It is certainly paced slower than modern sci-fi movies, but the action moved along at a good pace nonetheless. The backgrounds, matte work, color and special effects were very impressive.

The one conceivable flaw was that there were no stand out actors or personal relationships (no love interest as there was in the original Godzilla). This may have been intentional as the story meant to emphasize a global effort against a ruthless and cruel invader.) I would rate this on the upper scale of Toho's scifi efforts (anotehr under-rated, under-viewed film would be "H-Men").

If you are a kaiju fan you will not be disappointed.

Pint-size aliens from the planet Natal are bent on conquering the Earth in this colorful space opera from the heyday of Toho Studios. Second in a trilogy of space-themed movies directed by the inimitable Ishiro Honda (the other two being "The Mysterians" and "Gorath") this is pure mindless fun.

The special effects may seem dated now, but for the time they were first-rate, much better than your average sci-fi and far superior to any of the monster films Toho cranked out from the mid-60s onward. This was definitely not done on the cheap: The sets are well thought-out, the astronomical backgrounds detailed and quite convincing.

Eiji Tsuburaya's intricate miniature work is amazing as always. The voyage to the Moon, the fight on the lunar surface, and the final showdown (with souped-up X-15s squaring off against alien saucers and a huge mother ship) are elaborately staged and exciting.

Which is why it's easy to forgive the occasional cheesy bits. For instance, when the beautiful SPIP rockets are taking off for the Moon, Honda illustrates the effects of high-G by having one of the crewmen put his hands on either side of his face and *pull* the flesh back. I also suspect they were running out of funds (the film's only 74 minutes long) when it came time to shoot the scene where the alien mother ship tears up downtown Tokyo with a gravity-reversing ray. Although it's a clever effect, apparently achieved by building the models on top of compressed air jets, the sequence feels too short. Plus the miniatures just don't look quite as detailed or realistic, when compared to other Toho films of the era.

My biggest complaint: In the one scene where you actually meet the aliens in the flesh (sort of) they're in spacesuits which make them look like midget Michelin Men and they sound like a bunch of squeaky dog toys. When a crowd of them "menaces" the heroine, there's not a ray gun in the bunch; all they can can do is shuffle, wave their arms and squeak. Not very intimidating, to say the least. (If anything, they're hilariously reminiscent of that roomful of sex-crazed Cub Scouts in Woody Allen's "Everything You Always Wanted To Know About Sex".)

But the good far outweighs the not-so-good in this romp. In a theater, in its original Tohoscope (Toho Studios' equivalent of Cinemascope), it must have been something to see.

(Update: In 2007, an outfit called Monsters in Motion released "Uchu Daisenso" on DVD -- in letterbox, in the original Japanese with English subtitles -- as part of their "Toho Masters" series. With its companion piece "Gorath" available from MiM, and Tokyo Shock's gorgeous edition of "The Mysterians", Honda's entire space trilogy is now obtainable in the original, unedited widescreen versions.)