IMDb RATING
5.6/10
2.6K
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Vince Hackett's gang steals a prized victory cannon from Mexico and blames the deed on ex-gang member Jess Wade, who wants to go straight.Vince Hackett's gang steals a prized victory cannon from Mexico and blames the deed on ex-gang member Jess Wade, who wants to go straight.Vince Hackett's gang steals a prized victory cannon from Mexico and blames the deed on ex-gang member Jess Wade, who wants to go straight.
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I don't know what makes me enjoy this movie more, being an Elvis fan or being a fan of western movies (my favorite is El Dorado).
This movie shows some pretty good acting, an impressive soundtrack, beautiful cinematography, some wild action and an Elvis, that is pretty rough and tough. Warren hadn't made a movie for ten years before "Charro" and I think he shouldn't have been producer, writer AND director. He did his weakest job as the writer, his directing is a lot better, but I wonder what Peckinpah might have done out of this story. In fact the two-former-friends-now-enemies plot is typical for Peckinpah. The story reflects a lot of Elvis' own career, most obvious: the bad guy in "Charro" USES the Elvis character to make money, which is exactly what Elvis' real life manager did, too, in fact that guy (who called himself Colonel, although he wasn't) was highly unscrupulous and Elvis too weak (sorry fellow fans but let's face the truth!) to have his own way. This often underrated movie is highly recommendable to anyone who likes western movies. Let me add that this movie is NOT a musical; in one scene Elvis is opening a door to look into a saloon where a band is playing, in one of his awful musical comedies, the man would jump onto the stage and perform some tune, but here he turns around and closes the door.
This movie shows some pretty good acting, an impressive soundtrack, beautiful cinematography, some wild action and an Elvis, that is pretty rough and tough. Warren hadn't made a movie for ten years before "Charro" and I think he shouldn't have been producer, writer AND director. He did his weakest job as the writer, his directing is a lot better, but I wonder what Peckinpah might have done out of this story. In fact the two-former-friends-now-enemies plot is typical for Peckinpah. The story reflects a lot of Elvis' own career, most obvious: the bad guy in "Charro" USES the Elvis character to make money, which is exactly what Elvis' real life manager did, too, in fact that guy (who called himself Colonel, although he wasn't) was highly unscrupulous and Elvis too weak (sorry fellow fans but let's face the truth!) to have his own way. This often underrated movie is highly recommendable to anyone who likes western movies. Let me add that this movie is NOT a musical; in one scene Elvis is opening a door to look into a saloon where a band is playing, in one of his awful musical comedies, the man would jump onto the stage and perform some tune, but here he turns around and closes the door.
OK, I love Elvis movies a LOT, but he made some serious clunkers all in the name of the almighty dollar and contracts Col. Parker made him sign. Why Elvis couldn't break away and do more films like this, we'll never know. We'll also never know 'what could have been', had Elvis escaped the movie musical grind sooner. This is a pretty good western, I have to say, and I have seen a LOT of westerns and I am a huge fan of the genre. It's pretty cool that he only sings the title song over the opening credits of Charro! and doesn't break into song in the middle of a scene like in his usual Hollywood formula musicals.
He was offered the Kris Kristofferson part in 'A Star Is Born', and I think he would have been GREAT in that. For whatever reason, he turned it down. He was more into making concert films at that time, plus he was deeply involved in his prescription drug addiction and had put on a lot of weight, so maybe those were big issues that kept him from doing more good film roles.
Elvis, I thank you for making Charro! I wish there had been more films like this in your Hollywood resume.
He was offered the Kris Kristofferson part in 'A Star Is Born', and I think he would have been GREAT in that. For whatever reason, he turned it down. He was more into making concert films at that time, plus he was deeply involved in his prescription drug addiction and had put on a lot of weight, so maybe those were big issues that kept him from doing more good film roles.
Elvis, I thank you for making Charro! I wish there had been more films like this in your Hollywood resume.
Definately his best film. This film proves that Elvis could act. It's quite refreshing to see a film like this after some of those PATHETIC films like Paradise, Hawaiian Style, or Clambake. I give this movie five stars. Even if you're not an Elvis fan, I reccomend this movie. It's not your typical Elvis movie, and Elvis only sings in the opening credit. With the late Ina Balin and the late Victor French as the bad guy, this movie has a strong supporting cast.
A lot of people put down Elvis movies as having not much value . I'll take an an Elvis movie any day over some of the movies they make today. Some of the silliest movies ever made are some of these so-called action movies. Talk about not being believable. The heroes of action movies always manage to dodge hundreds of rounds of bullets coming at them , sidestep explosions all around them, and come through it all with hardly a scratch on them....Now THAT'S ridiculous! Give me a feel-good Elvis flick anytime over these STUPID films. Was Elvis a great actor? No, he wasn't, but he wasn't all that bad either.
Elvis Presley plays an ex-gunman who has decided to reform. His decision is not well-received by his old gang. They beat him up, and enforce a grisly revenge - they "brand" him, to give him a scar identical to a man WANTED in two countries (Mexico and the USA). The "branding" is, possibly, the most gruesome scene you'll see in a Elvis movie.
This film has a classic Western Plot: Elvis is the representation of the Law - Badman gone good, friend of the Sheriff, and rival for a woman (Ina Balin). Elvis has imprisoned the brother of the Badman (Solomon Sturges, son of Preston). Head Badman Victor French is big brother to the jailed one. Mr. French has a deadly cannon - he says, "Release my brother, or I will blow up your town!" This movie is too rough-around-the-edges to be extraordinary; and, it doesn't tread on much new ground. It does, however, create a world of its own; if you let yourself into this world, you will be entertained for the run of the film. In that way, it's like many westerns - and as good as several "classic" John Wayne films.
Again, this is a rough-around-the-edges film - my vote for the roughest edges are: The background music is too hokey and repetitive; and, I found the Sheriff's wife's betrayal too abrupt to be believable - it is interesting in that it shows the relationship between Elvis and the Sheriff is stronger than the relationship between the Sheriff and his wife; although Elvis' first intent is to meet the Badman's demands by releasing the prisoner, he decides to honor the Sheriff's wishes.
The title song is very good; appropriately, there are no additional songs. The performances are fine - I would taken a little more time creating this film; still, everything about it ranges from adequate to professional. It sounds like an apology (because Elvis Presley made so many awful films), but I enjoyed "Charro!"
******* Charro! (1969) Charles Marquis Warren ~ Elvis Presley, Ina Balin, Victor French
This film has a classic Western Plot: Elvis is the representation of the Law - Badman gone good, friend of the Sheriff, and rival for a woman (Ina Balin). Elvis has imprisoned the brother of the Badman (Solomon Sturges, son of Preston). Head Badman Victor French is big brother to the jailed one. Mr. French has a deadly cannon - he says, "Release my brother, or I will blow up your town!" This movie is too rough-around-the-edges to be extraordinary; and, it doesn't tread on much new ground. It does, however, create a world of its own; if you let yourself into this world, you will be entertained for the run of the film. In that way, it's like many westerns - and as good as several "classic" John Wayne films.
Again, this is a rough-around-the-edges film - my vote for the roughest edges are: The background music is too hokey and repetitive; and, I found the Sheriff's wife's betrayal too abrupt to be believable - it is interesting in that it shows the relationship between Elvis and the Sheriff is stronger than the relationship between the Sheriff and his wife; although Elvis' first intent is to meet the Badman's demands by releasing the prisoner, he decides to honor the Sheriff's wishes.
The title song is very good; appropriately, there are no additional songs. The performances are fine - I would taken a little more time creating this film; still, everything about it ranges from adequate to professional. It sounds like an apology (because Elvis Presley made so many awful films), but I enjoyed "Charro!"
******* Charro! (1969) Charles Marquis Warren ~ Elvis Presley, Ina Balin, Victor French
Did you know
- GoofsThere is no kickback each time the cannon is fired. A gun that size would have easily broken the tie-downs to the wagon.
- Quotes
Jess Wade: He'll be a lot quieter when that swelling goes down.
Billy Roy Hackett: Swelling from WHAT?
Jess Wade: That bump on your head.
Billy Roy Hackett: [feeling his head] I ain't got no bump on my head.
Jess Wade: [smacking Billy Roy's head into one of the bars] You have now!
- ConnectionsEdited into La classe américaine (1993)
- SoundtracksCharro!
Words and Music by Billy Strange and Mac Davis (as Scott Davis)
Sung by Elvis Presley
On RCA Records
- How long is Charro!?Powered by Alexa
Details
Box office
- Budget
- $1,500,000 (estimated)
- Runtime
- 1h 38m(98 min)
- Aspect ratio
- 2.35 : 1
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