Journey to the Far Side of the Sun

Interesting premise; interestingly worked out; the strongest feature of this film is the emotional tension of the astronaut who knows a truth, but is unable to convey it to others. Overlook the weaknesses and just enjoy the movie, but be prepared for a certain level of suspense.

'Journey To The Far Side Of The Sun' is quite possibly the most underrated SF movie of the 1960s. It certainly has some flaws - especially the lack of character development, and a few ponderous sequences seemingly modeled on '2001: A Space Odyssey', released the previous year - but if you overlook them you'll find a quietly intelligent and fascinating movie that deserves to be rediscovered. The brains behind this movie were Gerry and Sylvia Anderson best remembered for their wildly entertaining marionette TV shows such as 'The Thunderbirds'. This movie was their first foray into live action SF and in some ways was the precursor to their 1970s cult series 'UFO'. Ed Bishop, George Sewell and some of the other supporting cast members went on from this movie to that TV show. The real stars however are Roy Thinnes, best known at the time for 'The Invaders', and Brit character actors Ian Hendry and Patrick Wymark. Hendry was the star of the little seen first series of 'The Avengers', and also appeared in Polanski's disturbing 'Repulsion' (alongside Wymark), and the camp classic 'Theatre Of Blood' with horror legend Vincent Price. Wymark appeared in another Price movie 'The Conqueror Worm', and starred in 'Blood On Satan's Claw'. Thinnes, Hendry and Wymark are all very good in this movie, albeit a little too cold and remote for my liking, but that is obviously the script's failing not the performers. I haven't mentioned much about the plot of the movie wary of spoiling it for those who have never seen it. Suffice to say it involves the discovery of a hereto unknown planet in our solar system. The less you know about it after that the more you will enjoy it. Overall, despite the script problems and one or two other minor criticisms I highly recommend this movie to all SF fans who prefer ideas over action.

I'll admit that like many others here this is a movie I've seen many times as a kid in the 70's. :)

The concept and story are just wonderfull. My favorite type of sci-fi, the kind that makes you think and doesn't completely bombard you with special effects.

Speaking of special effects, without spilling any beans I can say if you like The Thunderbirds, you'll love the SFX in this movie.

Gets a 8 on 10 for me.

How well I remember seeing this made for TV movie when it finally got over to this side of the pond on American television. This British made for TV film has a most intriguing idea, but it could have been better conceptualized.

Journey To The Far Side Of The Sun begins with the discovery some time in the future of a planet never seen before which is 180 degrees on the same plane diameter on the opposite side of the sun. Naturally the European Space Agency and its head Patrick Wymark want to make a voyage, certainly not in a straight line I hope or things could get hot for the astronauts.

Picked to go are American Roy Thinnes and British Ian Hendry. What they find there is something pretty frightening.

A lot's at fault here. I would think that an opposite Mercury and Venus would have been discovered as well, but no mention of that let alone the planets farther than earth from the sun. And while this body moves with'the same speed exactly across the diameter of the orbit the others certainly would have been noticed before even our time.

I also don't think the marital issues between real life husband and wife Roy Thinnes and Lynn Loring have anything to do with the main plot and add nothing.

An interesting idea not well thought out.

Fans of Gerry Anderson's productions will recognise several actors and vehicles from UFO (which was made after Doppelgänger) - as well as sound effects from various Anderson series. Barry Gray's excellent music (mostly unique to this film) adds to the feeling of familiarity. For these reasons alone, I think any Gerry Anderson fan would find Doppelgänger worth getting.

Judged simply as a film, it has to be said that Doppelgänger is flawed. It is known that there were major problems during production, and I suspect this is why there is a time-consuming plot thread that ends abruptly and appears to have no relevance to the rest of the story. Presumably time/budget constraints prevented the relevance from emerging!

Distractingly, the special effects range from outstandingly good - better than any 1960s film that I know of - to disappointingly bad.

Nevertheless, even with these flaws, Doppelgänger's main story is well told and keeps the viewer (or, at least, this viewer) engaged throughout. The ending is perhaps not what one might expect from Anderson, yet at the same time it is typical of Anderson, and it is certainly appropriate. To find out what I mean you'll have to watch it for yourself. :)