Krakatoa: East of Java

Adventure/epic movie with a light and plain plot about a vessel weigh anchor from Singapur and with a motley and disparate crew (Diane Baker, Rossano Brazzi, Sal Mineo, Barbara Werle, among others) looking for a hidden treasure in a shipwrecked long time ago . The ship captain (Maximilian Schell) will have to confront rebels , deep-sea divers (Brian Keith), prisoner breakouts (J.D.Cannon) , mutiny , fire and facing specially the Krakatoa volcanic explosion (1883) , which proved to be the most spectacular natural disaster in history .

This jumbled picture was exhibited in big screen called Cinerama . This became one of the last features to use Todd-AO for principal photography . The film unites the Julio Verne's spirit with melodrama and the action footage is top-notch . There are varied procession of characters , typical shallow roles of catastrophic cinema that a few years later consecrates ¨ Airport ¨ (by George Seaton) , but is hampered by simple characterizations . Breathtaking , spectacular cinematography by Manuel Berenguer , outdoors have been shot in Islands Canarias (Spain) and scenarios are glimmer and glittering as when the ship cross through the cliffs while the volcano erupts . The climax is served by overwhelming special effects by Alex Weldon and the master Eugene Lorie (who had Oscar nomination) , it has main issue the volcano Krakatoa (in the map on the west , no east) and the historical eruption and continuing a demolishing seaquake , climaxed by volcanic explosion , tidal wave or tsunami . Krakatoa Island remained destroyed and died approximately 35.000 people in the catastrophe . The producers learned of the geographic error , Krakatoa was west of Java in the Sundra Strait , only after all of the advertising and publicity materials had been prepared. It was deemed too costly to re-do these materials, and possibly delay the release, for the sake of simple geographic accuracy . Frank De Vol musical score (Robert Aldrich's habitual musician) is good and evocative . Heavily cut after premiere , leaving tale more muddle than before . The motion picture was regularly directed by Bernard L.Kowalski . Rating : Passable and entertaining .

I have been waiting since 1969 to see this, since it wasn't available on tape, and finally saw it on DVD on widescreen TV, home theater sound, etc, to get as close to the movie theater experience as possible. Too bad, because while the spectacle of all the adventure and effects are grand, the acting, dialog and direction borders on insipid. The director, Kowalski, was interesting with his two 50's sci-fi horror flicks, he was and has been basically a TV director and it shows here. He never really uses the big screen, not to mention Cinerama, to it's potential. He doesn't use the great (like Sal Mineo) and good (like Brian Keith) actors to their full potential. The effects are nice enough, but the same shots are used too often. Where there should be build up of suspense, there's only tedium and passing the time, much like typical 70s network TV fare. The writing is uninspired and much of the dialog is weak. There's plenty of dramatic plot elements to bring together and hit us in the gut, such as the woefully unexplored relationship of Mineo and Jacquie Chan, and this would have been great with a director the caliber of David Lean or Robert Wise. The first 15 minutes are very good and made me think it would be as good as, say, The Sand Pebbles, but alas, no. In the hands of an inspired talent, I dare say it could have had several academy award nominations, including Brian Keith for supporting actor, and it could have run nearly 3 hours and still have been engrossing. Well, MGM wasn't up to snuff in 1968-69, and so this is what we got. Normally, I'd give a 6 to a film like this, but it gets 4 because of all of the wasted potential. Could be a good remake though!

Director Bernard L. Kowalski's resume reveals that he was more suited to television than movies, and that's apparent in the distinct lack of grandeur that accompanies this movie. It's a historical adventure film based on the real-life eruption of the volcano Krakatoa in 1883 and like later, modern-era disaster epics such as THE TOWERING INFERNO the storyline gives us a bunch of characters in a single location forced to deal with the ensuing disaster staples. Unfortunately, for those of us hoping for mucho destruction, it's not until the last half hour or so that things begin to (literally) hot up, with a plethora of miniature effects used to simulate the eruption. It doesn't disappoint but it comes far too late.

The first hour is s-l-o-w in the extreme. The supporting characters are numerous and not drawn very well, so they end up feeling like clichés: the group of inmates you just know are going to escape at some point; the square-jawed captain with the Steve Reeves beard; the drug-addicted diver and the heroic young Italian. The movie has an episodic feel to it, with one incident following another: there's the bit with the hot air balloon, the bit with the diving bell, the scene with the divers, then the volcano eruption at the end. When there's stuff going on it's enjoyable, but in-between you'll be chomping at the bit for the next occurrence.

Casting could have been better, not that the actors have much to do. Brian Keith bags the most interesting role as the laudanum-swigging diver while Maxmilian Schell plays little more than a clean-cut one-dimensional hero type. Diane Baker is shrill and irrelevant, but Barbara Werle does better, especially in an amusing impromptu song-and-dance/striptease sequence. Other actors, like father/son team Rossano Brazzi and Sal Mineo, barely register. For instance, there just isn't enough time to develop the latter's romantic sub-plot with too much time spent on Baker's uninteresting histrionics.

Krackatoa, East of Java is a fictional story set against the backdrop of the infamous eruption of Krackatoa in 1883 that triggered huge Tsunamis. This movie involves a ship captain and his crew on a voyage to a ship wreck site close to the shores of Krackatoa where the 200 year dormant Volcano begins waking up in search of treasure. This movie does have excitement but you have to wait through awhile to get the excitement. Most of the action is on the ship. Although intrigueing things happen on the way, like dead fish in the water and unexplained explosions, the action is still too slow. However the special effects were good for a movie this old (1969). I thought the eruption and Tidal wave sequences were well done. 6/10

Though "Airport" and "The Poseidon Adventure" are most often credited with kicking off the 1970's disaster craze, this film clocked in just a tad earlier and certainly has its share of catastrophes (though nothing is more disastrous in it than the script!) Set in the late 1800's, Schell is the treasure-seeking captain of The Batavia Queen, a steamship bound for a sunken boat that promises to contain bags of huge, priceless pearls. Baker plays his love interest, a mentally troubled lady upon whose memory the entire mission rests. She is also seeking her lost son who her husband off-loaded somewhere before dying. Keith plays a Laudinum-addicted diver who is literally near his last breath. He's toting tacky would-be singer Werle (outfitted in a series of blonde wigs no doubt leftover from her many TV western appearances.) Also on board are father/son balloonists Brazzi and Mineo, bell diver Leyton and a quartet of Japanese female divers, famed for their breath-holding ability. Things get off to a rough start when a sailor falls to his death merely loading the diving bell onto the ship! Then a thoroughly inappropriate song (sounding like The Beach Boys) plays as the ship slips out of port. It gets worse from there as birds mass, fish die, the sky turns orange, smoke descends everywhere and chunks of lava rock are hurled at the boat (and this is before the climactic eruption of the title volcano which, as everyone knows by now, is WEST of Java, not east!) There's even a gaggle of prisoners placed on board to add to the troubles. In the meantime, a lot of dull, pointless dramatics play out amongst the "Grand Motel"-level cast. Baker frets, alternately wooden and over-the-top. Keith engages in drug-induced violence. Werle sings the planet's deadliest song while stripping off her horribly non-period, period costume. Mineo flirts with the oldest of the female divers. Schell wanders around with a nipple hanging out of his torn shirt. The bell and the balloon run into trouble. Nothing seems to go right for these hapless salvage-seekers and it only gets worse when Krakatoa decides to blow (and blow!) At this point, the volcano shoots like a Roman candle, filling the air with ash and creating a massive tidal wave that would make George Clooney and Mark Wahlberg jealous. If any of this sounds entertaining, it really isn't except for some of the special effects. The characters are never properly fleshed out and mostly don't share much discernible chemistry with each other. The screenplay couldn't be any more thoughtless and pointless, though there is one memorable line when lower class Werle barks at Brazzi, "Labels are for jelly jars!" That one would even do well in today's PC environment! The film was heavily edited after its initial release and what remains is so dull it's hard to imagine what was cut! The opening credits act as a sort of trailer for the film. Some audiences may want to let watching that suffice and skip the rest of the movie!