British agent James Bond goes undercover to pursue the villainous Ernst Stavro Blofeld, who is planning to hold the world to ransom.British agent James Bond goes undercover to pursue the villainous Ernst Stavro Blofeld, who is planning to hold the world to ransom.British agent James Bond goes undercover to pursue the villainous Ernst Stavro Blofeld, who is planning to hold the world to ransom.
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I am a James Bond fanatic. I own all the films on video. During my film school days, I sponsored a "James Bond" film fest. I told my wife she MUST be a James Bond fan before we could marry. I introduced her to the films and she is now a Bond fan.
My favorite Bond will always be Sean Connery.
My favorite film will always be "On Her Majesty's Secret Service".
"That film with that Australian actor as Bond? Telly Savalas as Blofeld?"
That's the usual reaction I get when I mention that. But this film has a lot going for it. When Connery left the series before this film began production, the film's producer, Albert Broccoli, knew he was in trouble. The next film could make or break the future of the Bond films.
He knew he couldn't get anyone remotely close to Connery as a new Bond. So he found an unknown, George Lazenby, to play the role. Broccoli knew this film would sink or swim on its assets: the plot, special effects, gadgets, the Bond girls, the music, battle scenes, and the locations.
Boy did he succeed! This film has the BEST of all of the above! The plot is the standout. While James Bond, master spy and savior of the world, battles the forces of evil, he also shows us he is human by falling in love with Diana Rigg (a great choice for a Bond film!).
Many people have passed over this film because it doesn't have a Bond named Connery, Moore, or Brosnan. Lazenby does a decent job as Bond but lacks the refinement and polish of the others. Still, watch this film and imagine what Sean, Roger, or Pierce could have done with the role. It ranks with any of their best Bond roles and stands as the best film of the whole lot.
My favorite Bond will always be Sean Connery.
My favorite film will always be "On Her Majesty's Secret Service".
"That film with that Australian actor as Bond? Telly Savalas as Blofeld?"
That's the usual reaction I get when I mention that. But this film has a lot going for it. When Connery left the series before this film began production, the film's producer, Albert Broccoli, knew he was in trouble. The next film could make or break the future of the Bond films.
He knew he couldn't get anyone remotely close to Connery as a new Bond. So he found an unknown, George Lazenby, to play the role. Broccoli knew this film would sink or swim on its assets: the plot, special effects, gadgets, the Bond girls, the music, battle scenes, and the locations.
Boy did he succeed! This film has the BEST of all of the above! The plot is the standout. While James Bond, master spy and savior of the world, battles the forces of evil, he also shows us he is human by falling in love with Diana Rigg (a great choice for a Bond film!).
Many people have passed over this film because it doesn't have a Bond named Connery, Moore, or Brosnan. Lazenby does a decent job as Bond but lacks the refinement and polish of the others. Still, watch this film and imagine what Sean, Roger, or Pierce could have done with the role. It ranks with any of their best Bond roles and stands as the best film of the whole lot.
On Her Majesty's Secret Service will probably always remain the most controversial entry in the Bond series, thanks both to its unusually human and romantic story, and the notorious casting of novice actor George Lazenby as OO7. Some think these elements ruin the film, while others hail OHMSS as the best Bond ever. I wouldn't go that far in my praise, but for me this is still one of the classic Bond films, true to Ian Fleming's original vision and arguably showing OO7 in a more realistic light than any other film in the franchise.
To get the Lazenby issue out of the way first, it is certainly true to say that he lacks the charisma of the man he (temporarily) replaced, Sean Connery, and his impossibly chiselled jaw is somewhat irritating. However, he does look the part, and for a first-time actor he turns in a remarkably assured performance, particularly in the fight scenes but also in Bond's more tender moments, most notably in the highly emotional finale. If Lazenby had gone on to make more Bond films (and it was his own decision not to do so) he could well have developed into a very fine OO7, but as it is I still find his performance in OHMSS perfectly acceptable, and not damaging to the film in any way.
The film itself represented a conscious attempt to get back to Fleming after the increasingly extravagant antics of Thunderball and You Only Live Twice. Director Peter Hunt, who had edited the classic early Connery films, was very keen to remain faithful to Fleming's original story, and as a result OHMSS has an unusually strong emphasis on character and plot, with the gadgetry and humour found in most Bond films largely jettisoned. Rather like From Russia with Love, OHMSS feels like a real spy adventure, as Bond tracks Blofeld down and even adopts a disguise as he infiltrates his arch-enemy's Alpine hideaway, Piz Gloria. Where this film is unique, however, is in the level of emotion it invests in OO7's relationships with others. We see this early in the film when Bond quarrels with M and submits his resignation, a sequence which really brings out the affection which both M and Moneypenny have for him, but which M especially prefers to keep concealed. This affection is brought out again near the end during Bond and Tracy's wedding, when Q sheds his normal exasperation and shows us his fondness and respect for OO7.
However, it is of course the relationship between Bond and Tracy which gives the film its emotional heart. OHMSS sees Bond fall genuinely in love for the first and only time, and personally I found the film's romantic scenes both tender and touching, particularly for being so unexpected in a Bond film. The casting of Diana Rigg as Tracy helps immeasurably in making us believe in this romance, as she is a rare example of a proper actress taking on the role of a Bond girl, and her dynamic, spirited performance makes it easy to see why Bond would fall for her and marry her. It also helps the film's tragic conclusion, itself unique in the Bond franchise, pack far more of an emotional punch than might otherwise have been the case.
Of course, the film has more going for it than just an unusually human Bond.
Hunt directs with great skill, and the Alpine scenery that dominates the film looks absolutely stunning. There is no shortage of great action either, the highlights being a tense and gripping ski chase and an equally thrilling bobsleigh pursuit. Telly Savalas makes for a very effective Blofeld, understated and sinister, and his Rosa Klebb-like henchwoman Irma Bunt is played with relish by Ilse Steppat. There are also echoes of FRWL in the character of Draco, Tracy's father, who is a charismatic Bond ally in the style of Kerim Bey. Special mention should be given to John Barry, who produced his greatest Bond soundtrack for OHMSS. The opening instrumental theme, with its sombre and foreboding tone, sets the serious mood of the film, while the classic We Have All the Time in the World, sung by Louis Armstrong, is the perfect soundtrack to Bond and Tracy's doomed love.
However, while OHMSS is undoubtedly a classic Bond film, it just falls short of my personal top five for two principal reasons. The first of these is that the film is too long, primarily because the central section, where Bond infiltrates Piz Gloria in disguise, is dragged out for far longer than was necessary. Blofeld's plan to use beautiful women as carriers of a devastating eco-virus is the other main weakness, because it is totally preposterous and does not fit into the film's serious nature. I must admit also that, good as Lazenby is, I do wish Connery had agreed to make this film, because with him on board, and a little more editing, I think it could have been the best Bond ever, even beating FRWL. As it is, OHMSS is still a very strong film, its bold deviations from the Bond formula paying off handsomely. It is just a crying shame that it did not perform better at the Box Office, because this would encourage the Bond producers to shift to the high-camp, comic style that would dominate the franchise during the 1970s; sadly, it would be more than a decade before a serious, Flemingesque Bond would reappear on the big screen.
To get the Lazenby issue out of the way first, it is certainly true to say that he lacks the charisma of the man he (temporarily) replaced, Sean Connery, and his impossibly chiselled jaw is somewhat irritating. However, he does look the part, and for a first-time actor he turns in a remarkably assured performance, particularly in the fight scenes but also in Bond's more tender moments, most notably in the highly emotional finale. If Lazenby had gone on to make more Bond films (and it was his own decision not to do so) he could well have developed into a very fine OO7, but as it is I still find his performance in OHMSS perfectly acceptable, and not damaging to the film in any way.
The film itself represented a conscious attempt to get back to Fleming after the increasingly extravagant antics of Thunderball and You Only Live Twice. Director Peter Hunt, who had edited the classic early Connery films, was very keen to remain faithful to Fleming's original story, and as a result OHMSS has an unusually strong emphasis on character and plot, with the gadgetry and humour found in most Bond films largely jettisoned. Rather like From Russia with Love, OHMSS feels like a real spy adventure, as Bond tracks Blofeld down and even adopts a disguise as he infiltrates his arch-enemy's Alpine hideaway, Piz Gloria. Where this film is unique, however, is in the level of emotion it invests in OO7's relationships with others. We see this early in the film when Bond quarrels with M and submits his resignation, a sequence which really brings out the affection which both M and Moneypenny have for him, but which M especially prefers to keep concealed. This affection is brought out again near the end during Bond and Tracy's wedding, when Q sheds his normal exasperation and shows us his fondness and respect for OO7.
However, it is of course the relationship between Bond and Tracy which gives the film its emotional heart. OHMSS sees Bond fall genuinely in love for the first and only time, and personally I found the film's romantic scenes both tender and touching, particularly for being so unexpected in a Bond film. The casting of Diana Rigg as Tracy helps immeasurably in making us believe in this romance, as she is a rare example of a proper actress taking on the role of a Bond girl, and her dynamic, spirited performance makes it easy to see why Bond would fall for her and marry her. It also helps the film's tragic conclusion, itself unique in the Bond franchise, pack far more of an emotional punch than might otherwise have been the case.
Of course, the film has more going for it than just an unusually human Bond.
Hunt directs with great skill, and the Alpine scenery that dominates the film looks absolutely stunning. There is no shortage of great action either, the highlights being a tense and gripping ski chase and an equally thrilling bobsleigh pursuit. Telly Savalas makes for a very effective Blofeld, understated and sinister, and his Rosa Klebb-like henchwoman Irma Bunt is played with relish by Ilse Steppat. There are also echoes of FRWL in the character of Draco, Tracy's father, who is a charismatic Bond ally in the style of Kerim Bey. Special mention should be given to John Barry, who produced his greatest Bond soundtrack for OHMSS. The opening instrumental theme, with its sombre and foreboding tone, sets the serious mood of the film, while the classic We Have All the Time in the World, sung by Louis Armstrong, is the perfect soundtrack to Bond and Tracy's doomed love.
However, while OHMSS is undoubtedly a classic Bond film, it just falls short of my personal top five for two principal reasons. The first of these is that the film is too long, primarily because the central section, where Bond infiltrates Piz Gloria in disguise, is dragged out for far longer than was necessary. Blofeld's plan to use beautiful women as carriers of a devastating eco-virus is the other main weakness, because it is totally preposterous and does not fit into the film's serious nature. I must admit also that, good as Lazenby is, I do wish Connery had agreed to make this film, because with him on board, and a little more editing, I think it could have been the best Bond ever, even beating FRWL. As it is, OHMSS is still a very strong film, its bold deviations from the Bond formula paying off handsomely. It is just a crying shame that it did not perform better at the Box Office, because this would encourage the Bond producers to shift to the high-camp, comic style that would dominate the franchise during the 1970s; sadly, it would be more than a decade before a serious, Flemingesque Bond would reappear on the big screen.
To understand the controversy behind `On Her Majesty's Secret Service,' one must understand the events so impacting the spy genre by the time of its production in 1969. After the back to back tremendous successes of `Goldfinger' and `From Russia With Love,' every hack producer and distributor rushed to make spy movies. There were serious ones (`The Spy That Came in From the Cold,' `The Ipcress File'), satirical ones (`Our Man Flint,' `The Man From U.N.C.L.E.,' `Get Smart' ), and incredibly silly ones (`The Silencers,' `Last of the Secret Agents,' `Casino Royale'). `Casino Royale' was especially damaging, since it was (VERY LOOSELY) based on a Fleming novel, and used the character of James Bond, 007. In fact, in `Casino Royale,' nearly EVERYBODY played `James Bond'. `If we don't know what we are doing, how will the enemy,' was the explanation `James Bond' (David Niven) gave to explain why MI6 was calling all its agents `James Bond'. To protect their franchise, the producers of the `real' James Bond movies emphasized in their promotion `Sean Connery IS James Bond.' In a demonstration of `gratitude,' Connery up and quit the series, leaving `On Her Majesty's Secret Service,' which was shortly to go into production, without a `Bond.'
Arguably the most ambitious and difficult to shoot of ALL the Bond films (at least to that time), it's a miracle ANYTHING works in OHMSS. Much of the time it works VERY well, though the shaky underpinnings of the first hour frequently threaten to undo it. There is so much choppy editing and dubbed dialogue, one begins to suspect he is watching a foreign film. The second hour plus works much better, all the more surprising since it was shot first. One reason may be that the film went WAY over both shooting schedule and budget, and there was enough made up `bad' press to put a great deal of pressure on the producers, first time director, Peter Hunt and star, George Lazenby. In the middle of it all, Lazenby's publicist announced that Lazenby was not going to do another Bond (Lazenby is credible when he says that announcement was not his idea. One suspects, from the bonus material, that Cubby Broccoli planted that story to discredit Lazenby, should the film fail). Add to all this the films' tacked-on, unhappy ending (planned to be the prologue for `Diamonds are Forever'), which plays completely against the humor of earlier moments, and it's a wonder the film was NOT a dismal failure. Quite the contrary, OHMSS is one of the BEST of the Bond films, filled with nonstop action, outstanding stunts, incredible sound, the best score (along with `Goldfinger') and a credible enough romance to lend it genuine poignancy. Lazenby overcame many tremendous handicaps: having to replace one of the best known and popular actors in the world; he was 28, younger than Connery when he made `Dr. No'; he was completely inexperienced as an actor (OHMSS was Lazenby's FIRST movie, not just his first starring role); his accent (thick Australian outback) and the INCREDIBLE physical demands (Lazenby did many of his own stunts). Considering all this, Lazenby is downright remarkable. Certainly, in my opinion he is better than either the snooty Timothy Dalton or the lightweight Roger Moore were in ANY of their outings as Bond.. The bonus feature on the DVD concludes with strong evidence that Lazenby became a scapegoat, despite the eventual financial success of OHMSS. Lazenby, refreshingly displays no bitterness that his career nearly ended as soon as it began. He's had a reasonably busy career playing character roles and we have OHMSS. Not a bad deal at all.
Arguably the most ambitious and difficult to shoot of ALL the Bond films (at least to that time), it's a miracle ANYTHING works in OHMSS. Much of the time it works VERY well, though the shaky underpinnings of the first hour frequently threaten to undo it. There is so much choppy editing and dubbed dialogue, one begins to suspect he is watching a foreign film. The second hour plus works much better, all the more surprising since it was shot first. One reason may be that the film went WAY over both shooting schedule and budget, and there was enough made up `bad' press to put a great deal of pressure on the producers, first time director, Peter Hunt and star, George Lazenby. In the middle of it all, Lazenby's publicist announced that Lazenby was not going to do another Bond (Lazenby is credible when he says that announcement was not his idea. One suspects, from the bonus material, that Cubby Broccoli planted that story to discredit Lazenby, should the film fail). Add to all this the films' tacked-on, unhappy ending (planned to be the prologue for `Diamonds are Forever'), which plays completely against the humor of earlier moments, and it's a wonder the film was NOT a dismal failure. Quite the contrary, OHMSS is one of the BEST of the Bond films, filled with nonstop action, outstanding stunts, incredible sound, the best score (along with `Goldfinger') and a credible enough romance to lend it genuine poignancy. Lazenby overcame many tremendous handicaps: having to replace one of the best known and popular actors in the world; he was 28, younger than Connery when he made `Dr. No'; he was completely inexperienced as an actor (OHMSS was Lazenby's FIRST movie, not just his first starring role); his accent (thick Australian outback) and the INCREDIBLE physical demands (Lazenby did many of his own stunts). Considering all this, Lazenby is downright remarkable. Certainly, in my opinion he is better than either the snooty Timothy Dalton or the lightweight Roger Moore were in ANY of their outings as Bond.. The bonus feature on the DVD concludes with strong evidence that Lazenby became a scapegoat, despite the eventual financial success of OHMSS. Lazenby, refreshingly displays no bitterness that his career nearly ended as soon as it began. He's had a reasonably busy career playing character roles and we have OHMSS. Not a bad deal at all.
I have read some of the negative reviews for this movie and I have to say that I agree with NONE of them except for the slightly unnecessary two and a half hour length. Regardless, this doesn't ruin On Her Majesty's Secret Service in any way to warrant a serious complaint as far as I'm concerned. As with the positive reviews this film received, I agree with most all of them. For one, George Lazenby replacing Sean Connery as Bond may have displeased some but I think he did just as good of a job and would not have minded a bit if he became the next Bond for a few more films. This movie also had some enjoyable action scenes; some of which would later get mimicked in future Bond installments. The bond girl is by far one of the best. To be a little more specific, this bond girl plays a significant part in the Bond series as a whole that no other bond girl shares. However, I won't reveal why that is because I don't usually give spoilers for the courtesy of those who haven't seen the films that I review. The ending alone for this movie got several mixed reviews but I can say with certainty that had it not ended the way it did, the Bond franchise might have come to an end.
Rating-7/10
On Her Majesty's Secret Service is one of the most furious Bond film's there are and George Lazenby's one and only outing as Bond in which he does a good job in the end. A pretty good film that is close to being a straight good movie but nevertheless does the job well with Bond facing some of his most difficult villains of all time and a Bond girl who could finally get to James Bond's heart and maybe make him Love.
The story is full of action, adventure and good old Bond fun with guns, cars and Bob-sleighs? Yes Bob-sleighs feature quite a bit here as the majority of the film is set in a Swiss ski resort. It goes at quite a slow pace at parts but then certain bits can be very fast paced action and well done as well because some Bond stunts can seem just plain fake, but there done quite well in the late 60's flick. Finally I especially enjoyed the more sophisticated Bond who didn't sleep with everyone he met, maybe toned down just the tiniest from Connery's portrayal.
Lazenby as Bond is well, well he looks the part and even his hair seems perfect but his acting skills are not as sharp as Connery and even his voice seems to subdued by his surroundings. Diana Rigg as the Bond girl is perfect and she is fine throughout the entire film, the rest of the supporting cast excluding the main villains and Bond are average but overshadowed by the main roles like they should do. Telly Savalas as Blofeld is perfectly quirky and although not seeming evil as previous, he seem's to serve up a rational Blofeld, who doesn't kill so many people as always.
Written OK directed like that too it is nothing special and there is not too much that is needed to be said about it all. The stunts do though because they are brilliant although obviously near impossible as we see with every Bond film to date but in any case it was fun to see. I loved the setting the Ski resort which doesn't make it any better or worse but serves to give you a beautiful background with all the things also going on, who knew so much snow could look so great.
It isn't without negativity at all and I already said what I thought about Lazenby, but also some people may find the story drags a little and that there are too many skiing sequences but then again they can be fun to see as well. Also the script is ridiculous like other Bond's and put's some crazy scenarios but also one part which is funny is Lazenby when he has his voice dubbed into a posh British accent by another actor(Lazenby could not do the voice) but any way's it doesn't affect loads.
I think any Bond fan will like this as it has many things which Bond is known for and makes for a fun watch for even those who have never seen Bond if there around. Also if adventure is your choice then well he does go on an adventure but he stays in one place for long time so maybe not for you people but people can like this game a lot.
I give it overall a 7/10 and this is deserved fully, people will find it Good but also poor as well, but I think many people don't like Bond generally or only the modern one's. Just watch it and enjoy it, savour Lazenby's solo role and witness what I believe to be the saddest Bond ever(you will get what I mean by the end).
On Her Majesty's Secret Service is one of the most furious Bond film's there are and George Lazenby's one and only outing as Bond in which he does a good job in the end. A pretty good film that is close to being a straight good movie but nevertheless does the job well with Bond facing some of his most difficult villains of all time and a Bond girl who could finally get to James Bond's heart and maybe make him Love.
The story is full of action, adventure and good old Bond fun with guns, cars and Bob-sleighs? Yes Bob-sleighs feature quite a bit here as the majority of the film is set in a Swiss ski resort. It goes at quite a slow pace at parts but then certain bits can be very fast paced action and well done as well because some Bond stunts can seem just plain fake, but there done quite well in the late 60's flick. Finally I especially enjoyed the more sophisticated Bond who didn't sleep with everyone he met, maybe toned down just the tiniest from Connery's portrayal.
Lazenby as Bond is well, well he looks the part and even his hair seems perfect but his acting skills are not as sharp as Connery and even his voice seems to subdued by his surroundings. Diana Rigg as the Bond girl is perfect and she is fine throughout the entire film, the rest of the supporting cast excluding the main villains and Bond are average but overshadowed by the main roles like they should do. Telly Savalas as Blofeld is perfectly quirky and although not seeming evil as previous, he seem's to serve up a rational Blofeld, who doesn't kill so many people as always.
Written OK directed like that too it is nothing special and there is not too much that is needed to be said about it all. The stunts do though because they are brilliant although obviously near impossible as we see with every Bond film to date but in any case it was fun to see. I loved the setting the Ski resort which doesn't make it any better or worse but serves to give you a beautiful background with all the things also going on, who knew so much snow could look so great.
It isn't without negativity at all and I already said what I thought about Lazenby, but also some people may find the story drags a little and that there are too many skiing sequences but then again they can be fun to see as well. Also the script is ridiculous like other Bond's and put's some crazy scenarios but also one part which is funny is Lazenby when he has his voice dubbed into a posh British accent by another actor(Lazenby could not do the voice) but any way's it doesn't affect loads.
I think any Bond fan will like this as it has many things which Bond is known for and makes for a fun watch for even those who have never seen Bond if there around. Also if adventure is your choice then well he does go on an adventure but he stays in one place for long time so maybe not for you people but people can like this game a lot.
I give it overall a 7/10 and this is deserved fully, people will find it Good but also poor as well, but I think many people don't like Bond generally or only the modern one's. Just watch it and enjoy it, savour Lazenby's solo role and witness what I believe to be the saddest Bond ever(you will get what I mean by the end).
Did you know
- TriviaSir Sean Connery originally was meant to appear in this film but opted to drop out due to the Studio Refusing to pay his $1,250,000 fee as a result Connery would be replaced by George Lazenby. however Connery was able to renegotiate with the studio and return in the next Bond film (1971)
- GoofsBond's Aston Martin's tires screech repeatedly on the loose sand of the beach. And during the later car chase, tires screech almost all the time when cornering on snow and ice.
- Quotes
James Bond: [to the camera] This never happened to the other fellow.
- Crazy creditsDuring the opening credits, images are shown of Bond girls and villains. (This is the first Bond movie since Goldfinger to feature previous movies' footage in its credits.) Specifics are as follows. *First Set. *Honey Ryder from Dr. No (1962), standing on the beach. *Dr. No from the same, in front of his underground aquarium. *Tatiana Romanova from From Russia with Love (1963), messing around with her hair. *Pussy Galore from Goldfinger (1964), in the barn scene. *Second Set. *The title character from Goldfinger. *Assorted Bond girls from Goldfinger and Thunderball (1965). *The "Flaming Car Crash" scene from Thunderball. *Third set. *Emilio Largo, the main villain from Thunderball. *Aki, Kissy Suzuki, and a swordsman from You Only Live Twice (1967). *Blofeld's volcano lair exploding from the end of the same. Note the strategic absence of Blofeld from You Only Live Twice, due to the change of Blofeld actors.
- Alternate versionsIn the French theatrical version the song "Do You Know How Christmas Trees Are Grown?" by Nina was sung by Isabelle Aubret under the title "Savez-vous ce qu'il faut au sapin de Noel?" (Do You Know what a Christmas tree needs?).
- ConnectionsEdited into The Passage (1979)
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Al servicio secreto de Su Majestad
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $7,000,000 (estimated)
- Gross US & Canada
- $22,774,493
- Gross worldwide
- $22,828,813
- Runtime
- 2h 22m(142 min)
- Aspect ratio
- 2.35 : 1
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